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A Bibliography of Literary Theory, Criticism and Philology

http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel García Landa

(University of Zaragoza, Spain)

Historical scholarship in English, 1950s-2000s: Other scholars (Ma-)

Mabbott, Thomas Oliver, ed. The Collected Works of Edgar Allan Poe: Tales and Sketches, 1843-1849. Cambridge: Harvard UP, 1978.

_____, ed. "The Purloined Letter." By Edgar Allan Poe. In The Purloined Poe: Lacan, Derrida, and Psychoanalytic Reading. Ed. John P. Muller and William J. Richardson. Baltimore: Johns Hopkins UP, 1988.*

Mac Cary, W. T., and M. M. Wilcock, eds. Casina. By Plautus. Cambridge: Cambridge UP.

MacAdam, Alfred J. See Post-Structuralism.

MacArthur, Elizabeth. Extravagant Narratives. Princeton (NJ): Princeton UP, 1990.

MacBride, Anne, A. Norman Jeffares, and Christina Bridgwater, eds. Letters to W. B. Yeats and Ezra Pound from Iseult Gonne: A Girl That Knew All Dante Once. Houndmills: Palgrave Macmillan, c. 2003.

MacCabe, Colin. See Post-structuralism.

MacCallum, H. R. (University College, U of Toronto). "Milton and Sacred History: Books XI and XII of Paradise Lost." In Essays in English Literature from the Renaissance to the Victorian Age: Presented to A. S. P. Woodhouse. Ed. M. MacLure and F. W. Watt. Toronto: U of Toronto P, 1964. 149-68.*

MacCannell, Juliet Flower. See Psychoanalysis.

MacCarthy, Anne. "'Ireland Is the Old Sow that Eats Her Farrow'." Papers on Joyce 2 (1996): 41-48.*

_____. "Joyce and the Irish Literary Tradition: Major Writing and Minor Writing." In Estudios de literatura en lengua inglesa del siglo XX, 3. Ed. P. Abad, J. M. Barrio and J. M. Ruiz. 1996.

_____. James Clarence Mangan, Edward Walsh and Nineteenth-Century Irish Literature in English. New York: Edwin Mellen Press, 2000.

MacCary, W. T. See Phenomenological criticism.

Maccoby, Hyam. (U of Leeds). Ritual and Morality: The Ritual Purity System and Its Place in Judaism. Forthcoming 1999.

_____. "Nietzsche's Love-Hate Affair." (Jews). TLS 25 June 1999: 14-15.*

MacCraig, Norman, ed. Honour'd Shade: An Anthology of New Scottish Poetry. Edinburgh: W. and R. Chambers, 1959.

MacCulloch, Diarmaid. Thomas Cranmer: A Life. New Haven: Yale UP, 1996.

_____. "Inventing Anglicans." Reviews. TLS 2 Jan. 1998.*

Macdonald, D. L. "Bathos and Repetition: The Uncanny in Radcliffe." The Journal of Narrative Technique 19.2 (1989): 197-204.*

_____. Rev. of The Rise of Supernatural Fiction, 1762-1800. By E. J. Clery. Eighteenth-Century Fiction 8.4 (July 1996): 553-54.*

_____. "Derek Walcott's Don Juans: A Postilla." Connotations 6.1 (1996-97): 103-10.* Response by James Mandrell, 111-22, by Raymond Conlon (on Tirso de Molina), 123-29.*

Macdonald, Dwight. See New York school.

Macdonald, Kate, ed. Greenmantle. By John Buchan. Oxford: Oxford UP.

Macdonald, Lyn. Introd. to Her Privates We. By Frederic Manning. London: Hogarth.

MacDonald, P. Jackson. "Henry V, iii,vi, 181: An Emendation." Notes and Queries n.s. 13 (1966): 133-4.

MacDonald, Robert (Ph.D. U of Edinburgh, t. Dpt. of English, U of Carleton, Canada), ed. Poems and Prose. By William Drummond of Hawthornden. (The Association for Scottish Literary Studies, 6). Edinburgh: Scottish Academic Press, dist. Chatto and Windus, 1976.*

MacDonald, Ronald R. "Uneasy Lies: Language and History in Shakespeare's Lancastrian Tetralogy." Shakespeare Quarterly 35 (1984): 22-39.

_____. "Uneasy Lies: Language and History in Shakespeare's Lancastrian Tetralogy." In Shakespeare and History. Ed. Stephen Orgel and Sean Keilen. New York and London: Garland, 1999. 54-71.*

MacDonald, W. L. "Johnson." In MacDonald, Pope and His Critics. London: Dent, 1951. 283-98.*

_____. "Joseph Warton." In MacDonald, Pope and His Critics. London: Dent, 1951. 299-330.*

_____. "Ruffhead." In MacDonald, Pope and His Critics. London: Dent, 1951. 251-82.*

_____. "The Aftermath and Warburton." In MacDonald, Pope and His Critics. London: Dent, 1951. 213-30.*

_____. "The Augustans." In MacDonald, Pope and His Critics. London: Dent, 1951. 1-46.*

_____. Pope and His Critics: A Study in Eighteenth Century Personalities. London: Dent, 1951.*

Macdonell, Diane. See Post-Structuralism.

MacDonogh, Steve, in association with Article 19, ed. The Rushdie Letters: Freedom to Speak, Freedom to Write. Dingle, Co Kerry: Brandon; Lincoln: U of Nebraska P, 1993.

Mace, Dean T. "Dryden's Dialogue on Drama." Journal of the Warburg and Courtauld Institutes 25 (1962): 87-112.

Macedo, Helder, ed. Portuguese Studies 10 (1994). Modern Humanities Research Association. King's College, London, Strand. London WC2R 2 LS.

Macey, David. Lacan in Context. London: Verso, 1988.

_____. The Lives of Michael Foucault. A Biography. New York:Pantheon Books, 1993.*

Macey, Samuel L. Patriarchs of Time. Athens (GA): U of Georgia P, 1987.

MacGillivray, J. R. "The Three Forms of The Prelude, 1798-1805." In Essays in English Literature from the Renaissance to the Victorian Age: Presented to A. S. P. Woodhouse. Ed. M. MacLure and F. W. Watt. Toronto: U of Toronto P, 1964. 229-44.*

MacGillivray, Royce. Restoration Historians and the English Civil War. The Hague: Marinus Nijhoff, 1974.

Macgowan, Christopher (College of William and Mary). Twentieth-Century American Poetry. (Blackwell Guides to literature). Oxford: Blackwell, 2003.

MacGregor, Margaret. Amelia Alderson Opie, Worldling and Friend. (Smith College Studies in Modern Languages). 1932.

Machann, Clinton. (Professor of English, Director of Graduate Studies in English, t. Texas A&M U 1976-).

_____. The Essential Matthew Arnold. Annotated bibliography.

_____. The Genre of Autobiography in Victorian Literature.

_____. Matthew Arnold: A Literary Life. Houndmills: Macmillan; New York: St. Martin's, 1998.*

_____. Masculinity in Four Victorian Epics: A Darwinist Reading.

Machann, Clinton, and Forrest D. Burt, eds. Selected Letters of Matthew Arnold.

Machin, Patricia, comp. and illust.Wordsworth. (A Pocket Poet). London: Books and Toys-Grange Books, 1993.*

Machin, Richard. See Post-Structuralism.

MacIntyre, Wendell P. "John Bunyan's 'Celestial City' and Oliver Cromwell's 'Ideal Society'." Revista Alicantina de Estudios Ingleses 3 (1990): 77-88.

_____. "Francis Bacon's Use of Ancient Myths in Novum Organum." Revista Alicantina de Estudios Ingleses 7 (1994): 123-32.

Machor, James L., ed. Readers in History: Nineteenth-Century American Literature and the Contexts of Response. Baltimore: Johns Hopkins UP, 1993.

Machor, James L., and Philip Goldstein, eds. Reception Study: From Literary Theory to Cultural Studies. London: Routledge, 2001.

Mack, Anne, J. J. Rome, and George Mannejc. "Literary History, Romanticism, and Felicia Hemans." Modern Language Quarterly 54.2 (1993): 215-35.

Mack, Dorothy. See Structuralism.

Mack, Douglas (U of Stirling), ed. The Shepherd's Calendar. By James Hogg. Edinburgh: Edinburgh UP, 2002.

Mack, DouglasThe Three Perils of Woman. 1823. Ed. Antony Hasler and Douglas Mack. Edinburgh: Edinburgh UP, 2002.

Mack, John E. A Prince of Our Disorder: The Life of T.E. Lawrence. Oxford: Oxford UP, 1990.

Mack, Maynard. See New Criticism.

Mack, Robert L, Margaret Anne Doody and Peter Sabor, eds. The Wanderer: Or, Female Difficulties. Novel. 1814. Oxford: Oxford UP, 1991.

_____, ed. Oriental Tales. Oxford: Oxford UP, 1992.*

MacKay, Maxine. "The Merchant of Venice: A Reflection of teh Early Conflict Between Courts of Law and Courts of Equity." Shakespeare Quarterly 15 (1964): 371-5.

MacKean, Ian, ed. The Essentials of Literature in English, post-1914.  London: Hodder Arnold, 2005.

MacKenzie, Craig. (Rand Afrikaans University, Johannesburg). "A Preface to Herman Charles Bosman's 'A Boer Rip Van Winkel'." Hermeneus 5 (2003): 369-74. (Herman Charles Bosman, South African writer, 1905-1951).

_____. "Afterword to Preface to Witchcraft." Hermeneus 6 (2004): 267-69.*

Mackenzie, Donald. Puck of Pook's Hill and Rewards and Fairies. By Rudyard Kipling. Oxford: Oxford UP.

Mackenzie, Norman H., ed. The Poetical Works of Gerald Manley Hopkins. Oxford: Oxford UP, 1990.

Mackenzie, Norman H., and W. H. Gardner, eds. Poems of Gerald Manley Hopkins. 4th ed. London: Oxford UP, 1967. 1987.

Mackerness, E. D. A Social History of English Music. London, 1964.

Mackethan, Lucinda H. The Dream of Arcady: Place and Time in Southern Literature. Baton Rouge: Louisiana State UP, 1980.

Mackethan, Lucinda H., and Joseph M. Flora, eds. The Companion to Southern Literature: Themes, Genres, Places, People, Movements and Motifs. Assoc. ed. Todd Taylor. Baton Rouge: Louisiana State UP, 2002.*

Mackey, Douglas. Philip K. Dick.

Mackie, Erin. (Washingon U), ed. The Commerce of Everyday Life: Selections from The Tatler and The Spectator. (Bedford Cultural Editions). Basingstoke: Macmillan, 1997; Boston: St. Martin's-Bedford Books, 1998.

Mackridge, Peter. (Oxford U) "Greece." In The Oxford Guide to Contemporary World Literature. Ed. John Sturrock. Oxford: Oxford UP, 1997. 184-93.*

MacKillop, Ian. F. R. Leavis: A Life in Criticism. London: Allen Lane-Penguin Press, 1995.

_____. "'Role Models', Conversation and the Ethical Drive." In The Ethics in Literature. Ed. Andrew Hadfield, Dominic Rainsford and Tim Woods. Houndmills: Macmillan; New York: St. Martin's, 1999. 152-66.*

MacKillop, Ian, and Richard Storer, eds. F. R. Leavis: Essays and Documents. Sheffield Academic Press, 1996.

Mackinnon, H. "An Unpublished Consultative Letter of Sir Thomas Browne." Bull. Hist. Med.27 (1954): 503-11.

Mackinnon, M. H. M. "Publications of A. S. P. Woodhouse." In Essays in English Literature from the Renaissance to the Victorian Age: Presented to A. S. P. Woodhouse. Ed. M. MacLure and F. W. Watt. Toronto: U of Toronto P, 1964. 334-49.*

Macklin, F. Anthony. "Sex and Dr Strangelove." Film Comment (Summer 1965): 55-7.

Maclaren-Ross, Julian. Rev. of A Moveable Feast. By Ernest Hemingway. London Magazine (August 1964). Rpt. in Hemingway: The Critical Heritage. Ed. Jeffrey Meyers. London: Routledge, 1982. 482-91.*

Maclean, Hugh. (SUNY Albany). "Ben Jonson's Poems: Notes on the Ordered Society." In Essays in English Literature from the Renaissance to the Victorian Age: Presented to A. S. P. Woodhouse. Ed. M. MacLure and F. W. Watt. Toronto: U of Toronto P, 1964. 43-68.*

Maclean, Hugh, ed. Ben Jonson and the Cavalier Poets. (Norton Critical Edition). New York: Norton, 1975.

_____, ed. Edmund Spenser's Poetry. (Norton Critical Edition). New York: Norton, 1982. 3rd ed. 1993.

Maclean, Hugh, and Anne Lake Prescott, eds. Edmund Spenser's Poetry. 3rd ed. (Norton Critical Edition). New York: Norton, 1993.

Maclean, Ian. The Renaissance Notion of Woman: A Study in the Fortunes of Scholasticism and Medical Science in European Intellectual Life. Cambridge: Cambridge UP, 1980.

_____. "Un dialogue de sourds? Some Implications of the Austin - Searle - Derrida Debate." Paragraph 5 (1985): 1-26.

_____. "Reading and Interpretation". In Modern Literary Theory: A Comparative Introduction. Ed. Ann Jefferson and David Robey. 1983. 2nd. ed. London: Batsford, 1986. 122-44.

_____, ed. Don Juan and Other Plays. By Molière. Trans. George Gravely and Ian Maclean. Ed. Ian Maclean. Oxford: Oxford UP.

_____, trans. The Manuscript Found in Saragossa. By Jan Potocki. Viking, 1995. London: Penguin, 1996.

MacLean, Sally-Beth, and Scott McMillin. The Queen's Men and their Plays. 1998.

Macleans, Donald. The Literature of the Scottish Gaels.

Macleans, Magnus. The Literature of the Highlands.

MacLeod, Anne Scott. "From Rational to Romantic: The Children of Children's Literature in the Nineteenth Century." Poetics Today 13.1 (1992): 141-154.*

MacLiammóir, Micheál. Put Money in Thy Purse: The Filming of Orson Welles's Othello. London, 1952.

_____. Preparad la bolsa. Madrid: Ediciones del Imán, 1995. (Trans. of Put money in thy Purse).

_____."Orson Welles: A Pen-Portrait." Sight and Sound 24 (Summer 1954): 36-38.

Macliammoir, M. An Oscar of No Importance. 1968.

MacMahon, M. P. "The Concept of Party in the Thought of Thomas Gordon." Revista Canaria de Estudios Ingleses 1 (Sept. 1980): 20-34.

Macphail, Eric. "Don Quixote and the Plot of History." Comparative Literature 47.4 (Fall 1995): 289-307.*

Macpherson, Jay (b. 1931). "Sun and Moon." Poem. In Perrine's Literature: Structure, Sound, and Sense. By Thomas R. Arp and Greg Johnson. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002. 824.*

Macpherson, Jay, Eleanor Cook, Chaviva Hoßek, Patricia Parker and Julian Patrick, eds. Centre and Labyrinth: Essays in Honour of Northrop Frye. Toronto: U of Toronto P, 1983.

Macquarrie, John. See Hermeneutics.

MacQueen, Bruce D. Myth, Rhetoric and Fiction: A Reading of Longus's Daphnis and Chloe. U of Nebraska P, 1991.

MacQueen, John. Numerology: Theory and Outline History of a Literary Mode. Edinburgh: Edinburgh UP, 1985. 1-25.

MacQueen-Pope, W. J. Theatre Royal, Drury Lane. London, 1945.

_____. Ladies First: The Story of Woman's Conquest of the English Stage. London: W. H. Allen, 1952.

Macrae, Alasdair D. F. (Stirling U). "Edwin Muir: One Foot in Europe." Miscelánea 20 (1999): 103-14.*

Macrae, Alasdair, ed. Selected Poetry and Prose. By P. B. Shelley. London: Routledge, 1991.

MacRitchie, H. L., ed. Arabia Deserta: New Illustrated Edition. By C. M. Doughty. London: Bloomsbury/Phillips & Company, 1989. Rev. English Literature in Transition 37.2 (1994).

MacRobert, C. M., G. C. Stone, and G. S. Smith, eds. Oxford Slavonic Papers 28 (1995). Oxford: Clarendon Press, 1996.

MacShane, Frank., ed. Critical Writings of Ford Madox Ford. Lincoln: U of Nebraska P, 1964.

MacShane, Frank, Norman Thomas di Giovanni and Daniel Halpern, eds. Borges on Writing. New York: E. P. Dutton, 1973.

MacSparran, Frances (Ann Arbor), ed. Medieval Compendium website. http://hti.umich.edu/mec

Macura, Vladimir. "Polysemantization as a Constructional Principle in James Joyce's Novel." Umana 20 (1971): 36-37.

Macurdy, Raymond, ed. Morir pensando matar y La vida en el ataúd. By Francisco de Rojas. Madrid: Espasa-Calpe.

Madan, Francis F. "A New Bibliography of the Eikon Basilike." Oxford Bibliographical Society ns 3 (1950).

Madelaine, Richard, ed. Antony and Cleopatra. Ed. Richard Madelaine. Cambridge: Cambridge UP, forthcoming 1996.

Madden, David. "David Madden on William Gaddis' The Recognitions." In Madden, Rediscoveries 291-304.

_____, ed. Rediscoveries: Informal Essays in Which Well-Known Novelists Rediscover Neglected Works of Fiction by One of Their Favourite Authors. New York: Crown, 1971.

_____, ed. Proletarian Writers of the Thirties. Carbondale: Southern Illinois UP, 1968.

Madden, Lionel, ed. Robert Southey: The Critical Heritage. London: Routledge, 1972.

Madden, William A., Philip Appleman, and Michael Wolff, eds. 1859: Entering an Age of Crisis. Bloomington (IN), 1959.

Madden, William, and George Levine, eds. The Art of Victorian Prose. New York: Oxford UP, 1968.

Madden, Lionel, Laurel Brake, and Aled Jones, eds. Investigating Victorian Journalism.

Maddison, R. E. W. The Life of Robert Boyle, F. R. S. 1969.

Maddox, Brenda. Nora. Biography. London: Minerva-Mandarin, c. 1992.

_____. Nora Joyce. Barcelona: Plaza y Janés, 199-?

_____. George's Ghosts: A New Life of W. B. Yeats. London: Macmillan-Picador, 2000.

_____. A Married Man.

Maddox, Donald L., and Sara Sturm-Maddox. "Le Chevalier à l'oraison: Guillaume dans le Couronnement de Louis." In Charlemagne et l'Epopée Romane. (Société Rencesvals VII). 1978. 609-15.

_____, eds. Froissart Across the Genres. Tallahassee: UP of Florida, 1998.

Maddox, James H., Jr. Joyce's Ulysses and the Assault upon Character. New Brunswick: Hassocks, 1978.

Maddox, Lucy. Nabokov's Novels in English. Athens (GA): U of Georgia P, 1983.*

Maddison, Carol. Apollo and the Nine. Baltimore: Johns Hopkins UP, 1960.

Madison, Charles A. Critics and Crusaders: A Century of American Protest. New York: Ungar, 1959.

Madroñal Durán, Abraham. "Sobre el Vejamen de Grado en el Siglo de Oro: La Universidad de Toledo." Epos 10 (1994): 203-32.*

Madsen, Deborah L. "Transatlantic Identity and the Question of American Literature." Revista de Estudios Norteamericanos 3 (Sevilla, 1995): 45-52.*

_____. "Postmodern Westerns: Larry McMurtry and the Poetics of Nostalgia." In Postmodern Subjects / Postmodern Texts. Ed. Jane Dowson and Steven Earnshaw. Amsterdam: Rodopi, 1995. 129-42.*

_____. Understanding Contemporary Chicana Literature. Columbia (SC): U South Carolina P, 2000.* (Bernice Zamora, Ana Castillo, Sandra Cisneros, Denise Chávez, Alma Luz Villanueva, Lorna Dee Cervantes).

Madsen, Deborah L., and Mark S. Madsen. "Hypertext and the Demise of Metanarrative." In Postmodern Subjects / Postmodern Texts. Ed. Jane Dowson and Steven Earnshaw. Amsterdam: Rodopi, 1995. 143-57.*

Madsen, Roy Paul. The Impact of Film. New York, 1974.

Magalaner, Marvin, and Richard M. Kain. Joyce: The Man, the Work, the Reputation. New York: New York UP, 1956.

Magee, Bryan. (Oxford U). Schopenhauer. Madrid: Cátedra, 1991.

_____. The Philosophy of Schopenhauer. Rev. ed. Oxford: Clarendon Press, 1997.

Magee, B. Aspects of Wagner. Rev. ed. Oxford: Oxford UP, 1988.

Magennis, Hugh, and Mary Clayton. The Old English Lives of St. Margaret. (Cambridge Studies in Anglo-Saxon England, 9). 1994.

Magie, Michael L. "Doris Lessing and Romanticism." College English 38 (1977): 531-52.

Magill, Frank N., and C. E. May, eds. Critical Survey of Short Fiction. Pasadena (CA): Salem Press, 2001.

Magill, Frank N., ed. Masterpieces of World Philosophy. New York: Harper, 1961.

_____, ed. Magill's Bibliography of Literary Criticism: Selected Sources for the Study of more than 2,500 Outstanding Works of Western Literature. Englewood Cliffs: Salem Press, 1979.

_____, ed. Survey of Science Fiction Literature. 5 vols. Englewood Cliffs (NJ), 1980.

_____, ed. Critical Survey of Short Fiction. Vols I and II of 7 vols. Englewood Cliffs, NJ. 1981.

_____, ed. Critical Survey of Short Fiction. London: Methuen, 1981.

_____, ed. Critical Survey of Literary Theory. Pasadena: Salem Press, 1987.

Magistrale, Anthony, and Frederick S. Frank. The Poe Encyclopedia. Wesport (CT): Greenwood Press, 1997.*

Magliola, Robert. See Phenomenological criticism.

Magnarelli, Sharon. See Feminist criticism.

Magnuson, Paul (New York U), Nicholas Halmi and Raimonda Modiano, eds. Coleridge's Poetry and Prose. (Norton Critical Edition). New York: Norton, 2003.

Maguire, Laurie E. (Magdalen College, Oxford, formerly U of Ottawa). Shakespearean Suspect Texts: The 'Bad' Quartos and Their Contexts. Cambridge: Cambridge UP, 1996.

_____. "The Craft of Printing (1600)." In A Companion to Shakespeare. Ed. David Scott Kastan. Oxford: Blackwell, 1999. 434-49.*

_____, ed. Studying Shakespeare: A Guide to the Plays. Malden and Oxford: Blackwell, 2004.

Maguire, L. E., and Thomas L. Berger. Textual Formations and Reformations. 1998.

Maguire, Nancy Klein. (Folger Shakespeare Library, Washington). Regicide and Restoration: English Tragicomedy, 1660-1671. Cambridge: Cambridge UP, 1992.

Mahaffey, Vicki. Reauthorizing Joyce. 1988.

_____. "Virginia Woolf." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 789-818.*

_____. "Fascism and Silence: The Coded History of Amalia Popper." James Joyce Quarterly 32.3-4 (Spring / Summer 1995): 501-22.*

Mahl, Mary R. See Feminist criticism.

Mahon, John W., and Thomas A. Pendleton, eds. Fanned and Winnowed Opinions. 1987.

Mahoney, E. P., ed. and trans. Medieval Aspects of Renaissance Learning. By P. O. Kristeller. (Duke Monographs in Medieval and Renaissance Studies I). Durham (NC), 1974.

Mahony, Christina Hunt. (Center for Irish Studies, Catholic U of America, Washington, D.C.). Contemporary Irish Literature: Transforming Tradition. Houndmills: Macmillan, 1998.*

Mahony, Robert. Jonathan Swift: The Irish Identity. New Haven: Yale UP, 1995.

Mailloux, Steven. See Post-Structuralism.

Maimon, Elaine P., et al. Writing in the Arts and Sciences. Cambridge (MA),1981.

Main, C. E. "Henry Stubbe and the First English Book on Chocolate." Journal of the Rutgers University Library 23 (1960).

Maixner, Paul, ed. Robert Louis Stevenson. (The Critical Heritage). London: Routledge & Kegan Paul, 1981.

Major-Poetzl, Pamela. Michel Foucault's Archaeology of Western Culture: Toward a New Science of History. Chapel Hill: U of North Carolina P, 1983.

Majumdar, Robin, and Alle McLaurin, eds. Virginia Woolf: The Critical Heritage. London: Routledge, 1975.

Makin, Peter. Bunting: The Shaping of His Verse. Oxford: Oxford UP, 1991. 1996.

Makkreel, Rudolf. See Hermeneutics.

Makward, Christine. See Structuralism.

Maland, Charles. "Dr Strangelove (1964): Nightmare Comedy and the Ideology of Liberal Consensus." American Quarterly 31.5 (1979).

_____. Frank Capra. New York: Twayne, 1995.

Malcolm, David, Jesús López-Peláez Casellas, and Pilar Sánchez Calle, eds. Masquerades: Disguise in Literature in English from the Middle Ages to the Present. Gdansk: Wydawnictwo Uniwersytetu Gdanskiego, 2004.

Malcolm, Noel. The Origins of English Nonsense. c. 1997.

_____, ed. The Correspondence. Vol. 1: 1622-1659. Vol. 2: 1660-1679. (Clarendon Edition of the Works of Thomas Hobbes). Oxford: Clarendon, 1997.

Malcolm, W. K. A Blasphemer and Reformer: A Study of James Leslie Mitchell / Lewis Grassic Gibbon. Aberdeen: Aberdeen University Press, 1984.

Male, Roy. Hawthorne's Tragic Vision. Austin: U of Texas P, 1957.

_____. "Hawthorne's Literal Figures." In Ruined Eden of the Present: Hawthorne, Melville and Poe: Critical Essays in Honor of Darrel Abel. Ed. G. R. Thompson and Virgil L. Lokke. West Lafayette (IN): Purdue UP, 1981. 71-92.

Malekin, P. "Jacob Boeheme's Influence on William Law." Studia Neophil. 36 (1964): 245-60.

Malik, Rex, ed. Future Imperfect: Science Fact and Science Fiction. London: Frances Pinter, 1980.

Malin, Irving. William Faulkner: An Interpretation. Stanford: Stanford UP, 1957.

Mallam, Duncan, ed. Letters. By William Shenstone. Minneapolis, 1949.

Mallette, Richard. Spenser and the Discourses of Reformation England. Lincoln: U of Nebraska P, c. 1998.

Mallin, Eric S. Inscribing the Time: Shakespeare and the End of Elizabethan England. Rev. by Joe B. Altman in Shakespeare Quarterly 48.2 (1997): 228-233.*

Mallinson, G. J. "Defining Comedy in the Seventeenth Century: Moral Sense and Theatrical Sensibility." In The Renaissance. Ed. Glyn P. Norton. Vol. 3 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 1999. 2001. 259-64.*

_____. "Seventeenth-Century Theories of the Novel in France: Writing and Reading the Truth." In The Renaissance. Ed. Glyn P. Norton. Vol. 3 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 1999. 2001. 314-21.*

Malmgren, Carl D. See Structuralism.

Malmstad, John. "The Historical Sense and Xodaseviç's Derzhavin." In Derzhavin. by V. F. Khodasevich. Munich: Fink, 1975. v-xviii.

_____. "Iz perepiski V. F. Khodasevicha (1925-1938)." Minuvshee 3 (1987): 262-91.

Malof, Joseph. A Manual of English Meters. Indiana UP, 1970.

Malone, Dumas. Thomas Jefferson. Biography. 5 vols.

Malone, Edward A. (St. Joseph, MO) and Roy C. Flannagan III. "Sydney and Moorhouse's 'Metropolitan Trilogy'." Anglistik 11.1 (March 2000): 23-30.*

Malone, Kemp. "Evelina Revisited." Papers on Language and Literature 1 (1965): 3-19.

Malone, Kemp, and Albert C. Baugh. The Literary History of England, vol. 1: The Middle Ages. London: Routledge, 1959.

_____. The Middle Ages (to 1500). Vol. 1 of A Literary History of England. Ed. A. C. Baugh. 2nd ed. London: Routledge, 1967.*

Malone, Maggie, and Neil Cornwell, eds. The Turn of the Screw and What Maisie Knew. (New Casebooks). Houndmills: Macmillan, 1998.

Malpezzi, F., and R. Frontain, eds. John Donne's Religious Imagination: Essays in Honour of John Shawcross. Conway UCA, 1995.

Maltby, Richard. "'To Prevent the Prevalent Type of Book': Censorship and Adaptation in Hollywood, 1924-1934." In Film Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers UP, 2000. 79-105.*

Mandel, Naomi, and Alain-Philippe Durand, eds. Novels of The Contemporary Extreme. London and New York: Continuum, 2006.

Mandel, O. A Definition of Tragedy. New York, 1961.

Mandel, Siegfried, ed. Nietzsche and the Jews: Exaltation and Denigration. Amherst (NY): Prometheus Books, 1998.

Mander, G. George Bernard Shaw. México: FCE, 1969.

Mandia, P. M. Comedic Pathos: Black Humor in Mark Twain's Fiction. 1991.

Manford, Alan, ed. A Pair of Blue Eyes. By Thomas Hardy. Oxford: Oxford UP.

Mangan, Michael. (Loughborough U). Christopher Marlowe's Doctor Faustus: A Critical Study. 1987.

_____. A Preface to Shakespeare's Tragedies. (Preface Books). London: Longman, 1991.

_____. A Preface to Shakespeare's Comedies. (Preface Books). London: Longman, 1996.*

_____. Edward Bond. (Writers and Their Work). Plymouth: Northcote House / British Council, 1998.*

_____, ed. Threads and Other Plays. 1990.

Manganaro, Marc. See Post-Structuralism.

Manguel, Alberto. (b. Buenos Aires, 1948, childhood in Tel Aviv, Argentina 1955-, friend of José Luis Borges; 1970s l. Italy, England, France, 1980- Toronto, naturalized Canadian).

_____. "Dulces son los usos de la antología." Quimera 120 (1993): 34-40.*

_____. La puerta de marfil.

_____. History of Love and Hate.

_____. A History of Reading. 1996. London: Flamingo, 1997.

_____. Una historia de la lectura. Trans. José Luis López Muñoz. Madrid: Alianza, 1998.

_____. Una historia de la lectura. Barcelona: Círculo de Lectores, 2001.*

_____, ed. Black Water: The Book of Fantastic Literature. 1983.

_____, ed. Dark Arrows: Great Stories of Revenge. 1985.

_____, ed. The Gates of Paradise. Non-fiction. 1993. London: HarperCollins-Flamingo, c. 1994.

Manguel, Alberto, and Gianni Guadalupi. The Dictionary of Imaginary Places. 1980. Rev. ed. 1987.

Manheim, Michael. (U of Toledo, Ohio). "The Weak King History Play of the Early 1590's." Renaissance Drama ns 2 (1969).

_____. The Weak King Dilemma in the Shakespearean History Play. Syracuse, 1972.

_____. "Duke Humphrey and the Machiavels." The American Benedictine Review 23 (1972): 249-57.

_____. "Olivier's Henry V and the Elizabethan World Picture." Literature / Film Quarterly 1.3 (1983): 179-84.

_____. Rev. of Jane Howell's BBC Shakespeare tetralogy. Shakespeare on Film Newsletter (April 1984): 2.

_____. "The Function of Battle Imagery in Kurosawa's 'Histories' and the Henry V Films." Paper presented at the World Shakespeare Congress, Tokyo, 1991.

_____. "The English History Play in Screen." In Shakespeare and the Moving Image: The Plays on Film and Television. Ed. Anthony Davies and Stanley Wells. Cambridge: Cambridge UP, 1994. 1995. 121-45.*

Manier, Edward. The Young Darwin and His Cultural Circle. Dordrecht: Reidel, 1978.

Manis, Jim, ed. Le morte d'Arthur. By Sir Thomas Malory. Pennsylvania, 2000.

Manley, Lawrence. (Yale U). Literature and Culture in Early Modern London. Cambridge: Cambridge UP, 1995.

_____. "Criticism and the Metropolis: Tudor-Stuart London." In The Renaissance. Ed. Glyn P. Norton. Vol. 3 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 1999. 2001. 339-47.*

_____. Rev. of Material London, ca. 1600. Ed. Lena Cowen Orlin. Shakespeare Quarterly 52.4 (2001).

Manlove, Colin N. (U of Edinburgh). Modern Fantasy. Cambridge: Cambridge UP, 1975.

_____. The Gap in Shakespeare. Totowa (NJ): Barnes & Noble, 1981.

_____. The Impulse of Fantasy Literature. Kent (OH): Kent State UP, 1983.

_____. Science Fiction: Ten Explorations. Kent (OH): Kent State UP, 1986.

_____. Scottish Fantasy Literature. A Critical Survey. Edinburgh: Canongate Academic, 1994.

_____. The Fantasy Literature of England. Houndmills: Macmillan, 1999.

_____, ed. An Anthology of Scottish Fantasy Literature. Edinburgh: Polygon, 1996.*

Mann, David. The Elizabethan Player: Contemporary Stage Representation. London: Routledge, 1991.

Mann, Jill. Geoffrey Chaucer. Hemel Hempstead: Harvester Wheatsheaf, 1990.

Mann, Jill, and Piero Boitani, eds. The Cambridge Chaucer Companion. Cambridge: Cambridge UP.

Mann, Ron. Comic Book Confidential. TV documentary. Channel 4, 1990.

Mann, Susan Garland. "A Bibliographic and Generic Study of the Short Story Cycle." Ph D. dissertation, Miami U, 1984.

_____. The Short Story Cycle: A Genre Companion and Reference Guide.Westport (CT): Greenwood Press, 1988.

Mannejc, George, Anne Mack, andJ. J. Rome. "Literary History, Romanticism, and Felicia Hemans." Modern Language Quarterly 54.2 (1993): 215-35.

Manning, Kenneth A. Black Apollo of Science The Life of Ernest Everett Just. New York: Oxford UP, 1983.

Manning, Peter J. Reading Romantics: Texts and Contexts. New York: Oxford UP, 1991.

Manning, Susan. The Puritan Provincial Vision: Scottish and American Literature in the Nineteenth Century. (Cambridge Studies in American Literature and Culture, 41). Cambridge: Cambridge UP, 1990.

_____. Rev. of The Courtship of Olivia Langdon and Mark Twain. By Susan K. Harris. The Review of English Studies ns 49.195 (1998): 382-383.

_____, ed. Quentin Durward. By Walter Scott. Oxford: Oxford UP.

Manns, James. See Aesthetic criticism.

Mansell, Darrell, Jr. "A Note on Hegel and George Eliot." Victorian Newsletter 27 (1965): 12-15.

_____. The Novels of Jane Austen. London: Macmillan, 1973.

Manuel, Frank E. "From Equality to Organicism." Journal of the History of Ideas 17 (1956): 54-67.

_____. The Prophets of Paris. New York, 1965.

_____. Portrait of Isaac Newton. Cambridge (MA): Harvard UP, 1968.

_____, ed. Utopias and Utopian Thought. Boston: Houghton, 1966.

Manuel, Frank E. "Rhetoric and History." By Hayden White, with Frank E. Manuel. In Theories of History: Papers of the Clark Library Seminar.. Ed. Peter Reill. Los Angeles, 1978. 1-25.

Manvell, Roger. Interview with Michael Birkett. (On Brook's King Lear). In Manvell, Shakespeare and the Film. London, 1971. Rev. ed. Cranbury, NJ, 1979. 136-43.

_____. Shakespeare and the Film. New York, 1971.

_____. Shakespeare and the Film. South Brunswick and New York: A. S. Barnes, 1979.

_____. Shakespeare and the Film. London: Dent, 1971.

_____. Shakespeare and the Film. South Brunswick: A. S. Barnes, 1979.

_____. Theater and Film. London, 1979.

Manvell, Roger, and John Huntley. The Technique of Film Music. Rev. and enlarged by Richard Arnell and Peter Day. New York, 1975.

Manvell, Roger, Alan Dent, and Philip Hope-Wallace. "Can Shakespeare Be Filmed? A Discussion…" BBC radio programme, 1948. Typescript in the BFI Library.

Manvell, R. Conspiración contra Hitler. (Historia del siglo de la violencia - Políticos). Madrid: San Martín.

_____. Gestapo SS. (Historia del siglo de la violencia - Armas). Madrid: San Martín.

Mapstone, Sally (St Hilda's college, Oxford), and Helen Cooper, , eds. The Long Fifteenth Century: Essays for Douglas Gray. Oxford: Clarendon Press, 1997.

Marc'hadour, G. P., and R. S. Sylvester, eds. Essential Articles for the Study of Thomas More. Hamden (CT): Archon, 1977.

Marchand, Leslie A. Byron: A Portrait. Chicago: Chicago UP, 1970.

Marchand, Philip. Marshall McLuhan: The Medium and the Messenger. Random House, 1989; Vintage, 1990.

_____. Marshall McLuhan: The Medium and the Messenger. Rev. ed. Cambridge (MA): MIT Press, 1998.

Marcorelles, Louis. "Ford of the Movies." In Theories of Authorship. Ed. John Caughie. (BFI Readers in Film Studies). London: Routledge, 1981. 1995. 69-74.*

Marcoulesco, Ileana. "Beckett and the Temptation of Solipsism." Journal of Beckett Studies 11/12 (1989). Rpt. inThe Beckett Studies Reader. Ed. S. E. Gontarski. Gainesville: UP of Florida, 1992. 214-26.

Marcus, Greil. Lipstick Traces: A Secret History of the Twentieth Century. Cambridge (MA): Harvard UP, 1989. (Avant-garde and subculture).

_____. Rastros de carmín: Una historia secreta del siglo XX. 1989. Barcelona: Anagrama, 1993.

_____. Invisible Republic: Bob Dylan, The Band, and the Basement Tapes. London: Macmillan-Picador, 1997.*

Marcus, Philip L. Yeats and the Beginning of the Irish Renaissance. London, 1970.

_____.Yeats and Artistic Power. New York: New York UP, 1992. Rev. English Literature in Transition 37.2 (1994).

Marcus, Steven. See New York School.

Mares, F. H., ed. The Alchemist. By Ben Jonson. London: Methuen.

_____. Much Ado about Nothing. By William Shakespeare. (New Cambridge Shakespeare). Cambridge: Cambridge UP, 1988. 1995.*

Margenot, John B. Zonas y sombras: Aproximaciones a Regiónde Juan Benet. Madrid, 1991.

Margeson, John M. R, ed. King Henry VIII. (New Cambridge Shakespeare). Cambridge: Cambridge UP.

Margeson, J. M. R., and Clifford Leech, eds. Shakespeare 1971: Proceedings of the world Shakespeare Congress, Vancouver August 1971. Toronto: U of Toronto P, 1972.

Margolis, Joseph. See Aesthetic criticism.

María, R. de. "The Ideal Reader: A Critical Fiction." PMLA 93 (1978): 463-73.

Mariani, Umberto. "The Italian Experience of Henry James." 19th Century Fiction 19 (1964): 237-54.

Marilla, E. L. "The Secular and Religious Poetry of Henry Vaughan." Modern Language Quarterly 9 (1948): 394-411.

Marín Ruiz, Ricardo. "Two Romanticisms but the Same Feeling: The Presence of Poe in Gustavo Adolfo Bécquer's Leyendas." In A Descent into Edgar Allan Poe and His Works: The Bicentennial. Ed. Beatriz González Moreno and Margarita Rigal Aragón. Bern: Peter Lang, 2010. 35-44.*

Marincola, J. Authority and Tradition in Ancient Historiography. Cambridge: Cambridge UP, 1997.

Marinelli, Peter V. Pastoral. (Critical Idiom). London: Methuen, 1971.

Mark, Melvin M. (Pennsylvania State U). Renee Reiter Boburka, Kristen M. Eyssell, Laurie L. Cohen and Steven Mellor. "'I Couldn't Have Seen It Coming': The Impact of Negative Self-Relevant Outcomes on Retrospections about Foreseeability." Memory (Special issue on Hindsight Bias, ed. Ulrich Hoffrage and Rüdiger F. Pohl).11.4/5 (2003): 443-54.*

Marker, Chris. "Sunless." Semiotext(e) 4 (1984): 33-40.

Markley, Robert. "History, Literature, and Criticism." In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 877-93.*

_____. "Complex Dynamics: Literature, Science, and Postdisciplinarity." Poetics Today 12.2 (1991): 337-346.*

_____. Fallen Languages: Crisis of Representation in Newtonian England, 1660-1740. Ithaca: Cornell UP, 1993. (Boyle, Wilkins, Peter Shaw, Newton; prose style, historicising scientific discourse)

_____, ed. The Millennia: 1700, 1800, and 2000. Special issue of The Eighteenth Century: Theory and Interpretation. rmarkley@wvu.edu

Markovits, Stefanie. The Crisis of Action in Nineteenth-Century English Literature.

Marks, Elaine. See Feminism.

Marks, Emerson R. Taming the Chaos: English Poetic Diction Theory since the Renaissance. Detroit: Wayne State UP, dist. Eurospan, c. 1998.

_____, ed. Criticism: A Quarterly for Literature and The Arts.(Ed. 1963-1968). Department of English, Wayne State University, Detroit, Michigan 48201-1309. USA

Marks, M. "A Lot of It Going Around: Prose Sestina # 2." North American Review (Summer 1975): 32-9.

Marks, Peter. (U of Sydney). "The Odyssey of D. H. Lawrence: Modernism, Europe and the New World." Miscelánea 20 (1999): 223-34.*

Markiewicz, H. "On the Definition of Literary Parody." In To Honor R. Jakobson. The Hague: Mouton, 1967.

Marmarinou, H., et al. "The Second Half of the Nineteenth Century: Realism and Naturalism." In A History of European Literature. Ed. Annick Benoit-Dusausoy and Guy Fontaine. London: Routledge, 2000. 447-91.*

Marotti, Arthur F. (1940; Wayne State U, Michigan). "All About Jonson's Poetry." ELH 39 (1972): 208-37.

_____. "'Love Is Not Love: Elizabethan Sonnet Sequences and the Social Order." ELH 49 (1982): 396-428.

_____. John Donne: Coterie Poet. Madison: U of Winsconsin P, 1986.

_____. "John Donne, Author." Journal of Medieval and Renaissance Studies 19 (1989): 69-82.

_____. "Shakespeare's Sonnets as Literary Property." In Soliciting Interpretation: Literary Theory and Seventeenth-Century English Poetry. Ed. Elizabeth D. Harvey and Katherine E. Maus. Chicago: U of Chicago P, 1990. 143-73.*

_____. "Poetry, Patronage, and Print." Yearbook of English Studies 21 (1991): 1-26.

_____. "The Transmission of Lyric Poetry and the Institutionalizing of Literature in the English Renaissance." In Contending Kingdoms: Historical, Psychological, and Feminist Approaches to the Literature of Sixteenth-Century England and France. Ed. Marie-Rose Logan and Peter L. Rudnytsky. Detroit: Wayne State UP, 1991. 21-41.

_____. "Manuscript, Print, and the Social History of the Lyric." In The Cambridge Companion to English Poetry, Donne to Marvell. Ed. Thomas N. Corns. Cambridge: Cambridge UP, 1993. 52-79.*

_____. Manuscript, Print, and the English Renaissance Lyric. Ithaca: Cornell UP, 1995.

_____. Catholicism and Anti-Catholicism in Early Modern English Texts (Early Modern Literature in History series). London: Macmillan, 1998.

_____. "Southwell's Remains: Catholicism and Anti-Catholicism in Early Modern England." InTexts and Cultural Change in Early Modern England. Ed. Cedric C. Brown and Arthur F. Marotti. Houndmills: Macmillan; New York: St. Martin's, 1997. 37-65.*

_____, ed. Criticism: A Quarterly for Literature and The Arts (ed. 1985-1996). Department of English, Wayne State University, Detroit, Michigan 48201-1309. USA.

Marotti, Arthur F., and Cedric Brown, eds. Texts and Cultural Change in Early Modern England. (Early Modern Literature in History series). Houndmills: Macmillan; New York: St. Martin's, 1997.*

Marowitz, Charles. See English post-structuralism.

Marrast, Robert, ed. El cerco de Numancia. By Miguel de Cervantes. Madrid: Cátedra, 1990.

Marrs, E. W., ed. Letters. By Charles Lamb. 3 vols. 1975-78.

Marsden, Hilda, and Robert Inglesfield, eds. Agnes Grey. By Anne Brontë. Oxford: Oxford UP, 1988.

Marsden, Michael T., Ray B. Browne, Ray B.and Marshall Fiswick. Heroes of Popular Culture. Bowling Green University Popular Press, 1972.

Marsh, David. "Dialogue and Discussion in the Renaissance." In The Renaissance. Ed. Glyn P. Norton. Vol. 3 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 1999. 2001. 265-70.*

Marsh, Jan.Christina Rossetti: A Literary Biography. 1994. London: Random House-Pimilico, 1995.*

Marsh, Joss. Word Crimes: Blasphemy, Culture and Literature in Nineteenth-Century England. Chicago: U of Chicago P, c. 1998.

Marsh, Robert. "Historical Interpretation and the History of Criticism." In Literary Criticism and Historical Understanding: Selected Papers from the English Institute. Ed. Phillip Damon. New York: Columbia UP, 1967. 1-24.

_____. Four Dialectical Theories of Poetry. Chicago, 1965. (Shaftesbury).

Marshall, Barbara, and Sue Hackman. Re-Reading Literature: New Critical Approaches to the Study of English. London: Hodder, 1990.*

Marshall, Brenda K. Teaching the Postmodern: Fiction and Theory. London: Routledge, 1992.

Marshall, Donald G. See Hermeneutics.

Marshall, Gail. (School of English, U of Leeds). Victorian Fiction. (Contexts series). London: Arnold, 2002.

Marti, B. "Arnulfus and the Faits des Romains." Modern Language Quarterly 2 (1941): 3-23.

_____. "Hugh Primas and Arnulf of Orléans." Speculum 49 (1974): 258-66.

_____, ed. Arnulfi Aurelianensis glosule super Lucanum. (Papers and Monographs of the American Academy in Rome). Rome, 1958.

Martin, A. L. Cervantes and the Burlesque Sonnet. 1991.

Martin, Alex, and Robert Hill. Modern Poetry. London: Cassell, 1991.

_____. Modern Short Stories. (Reading exercises). London: Cassell, 1991.

Martin, Andrew. The Mask of the Prophet: The Extraordinary Visions of Jules Verne. Oxford: Oxford UP, 1991.

Martin, Augustine, ed. The Genius of Irish Prose. Dublin: Mercier, 1985.*

Martin, Brian, ed. (Magdalen College School, Oxford). The Nineteenth Century. (Macmillan Anthologies of English Literature). Basingstoke: Macmillan, 1989.

Martin, Brian. Information Liberation. Challenging the Corruptions of Information Power. PDF. London: Freedom Press, 1998

Martin, Bruce K. "Similarity Within Dissimilarity: The Dual Structure of Silas Marner." Texas Studies in Language and Literature 14 (1973): 479-89.

Martin, Graham. See Marxist criticism.

Martin, Harold C. See Stylistics.

Martin, Jay. Harvests of Change: American Literature 1865-1914. New Jersey: Prentice, 1967.

Martin, Julian. Francis Bacon, the State and the Reform of Natural Philosophy. 1991.

Martin, L. C., ed.Works. By Henry Vaughan. 2nd ed. Oxford: Clarendon, 1957.

_____, ed. The Poetical Works of Robert Herrick. Oxford: Clarendon, 1956, 1963.

_____, ed. The Poems English Latin and Greek of Richard Crashaw. 2nd ed. Oxford: Clarendon, 1957.

Martin, Lawrence H., Jr. "Crazy in Sheridan: Hemingway's 'Wine of Wyoming' Reconsidered." In New Critical Approaches to the Short Stories of Ernest Hemingway. Ed. Jackson J. Benson. Durham: Duke UP, 1990. 370-73.*

_____."Hemingway and Luis Quintanilla." North Dakota Quarterly 70.4 (Fall 2003): 119-39. (Special issue on Hemingway: Life and Art).*

_____. "The Storm, the Vets, and the Author." North Dakota Quarterly 73.1-2 (Winter / Spring 2006): 75-86.*

Martin, Matthew. "Drama North and South: The Irish Plays of Brian Friel and Tom Murphy." Ph.D. Diss. U of Michigan, 1997.

Martin, Nancy, and Tony Burgess. "The Teaching of English in England, 1945-1986: Politics and Practice." In Teaching and Learning English Worldwide. Ed. James Britton et al. Clevedon: Multilingual Maters, 1990.

Martin, Peter. (Principia College, Illinois). Edmond Malone, Shakespearean Scholar: A Literary Biography. (Cambridge Studies in Eighteenth-Century English Literature and Thought 25). Cambridge: Cambridge UP, 1995.

Martin, Philip. Mad Women in Romantic Writing. Hemel Hempstead: Harvester Wheatsheaf, 1987.

Martin, Quentin E. (Loyola U, Chicago). "'This Spreading Radicalism': Hamlin Garland's A Spoil of Office and the Creation of True Populism." Studies in American Fiction 26.1 (1998): 29-50.*

Martin, R. B. The Dust of Combat: A Life of Charles Kingsley. London, 1959.

_____. Tennyson: The Unquiet Heart. Oxford: Oxford UP, 1980.

Martin, Ronald E. (U of Delaware). "U.S. Authors and the Scientific Description of the World: A Study in Early Twentieth Century Cultural Change." In AEDEAN Select Papers in Language, Literature and Culture: Proceedings of the 17th International Conference. [U of Córdoba, 1993]. Ed. Javier Pérez Guerra. Vigo: AEDEAN, 2000. 69-78.*

Martin, Rhona. See Aesthetic criticism.

Martin, Richard. "Walter Abish's Fictions: Perfect Unfamiliarity, Familiar Imperfections." Journal of American Studies 17 (1983): 229-50.

Martin, Robert A. "Hemingway and the Ambulance Drivers in A Farewell to Arms." In Ernest Hemingway: Six Decades of Criticism. Ed. Linda W. Wagner. East Lansing: Michigan State UP, 1987. 195-202.*

Martin, T. "Ulysses as a Whole." In A Collideorscope of Joyce. Ed. R. Frehner and U. Zeller. Dublin: Lilliput, 1998.

Martin, Tim. "The 1997 Trieste Joyce School." James Joyce Quarterly 35.1 (Fall 1997): 16-17

Martin, Timothy, and Vincent J. Cheng, eds. Joyce in Context. (Reviewed by Rosemarie A. Battaglia). Textual Practice 8.2 (1994).*

Martin, Timothy, and Vincent J. Cheng, eds. Joyce in Context. New York: Cambridge UP, 1992. Rev. in English Literature in Transition 37.3 (1994).

Martin, W. "La deconstrucción en América." Cuadernos del Norte 26 (1984): 36-45.

Martin, Wallace. See Structuralism.

Martindale, Charles. "Paradise Metamorphosed: Ovid in Milton." Comparative Literature 37.4 (1985): 301-333.

_____. John Milton and the Transformation of Ancient Epic. London: Croom Helm, 1986.

_____, ed. Ovid Renewed: Ovidian Influences on Literature and Art from the Middle Ages to the Twentieth Century. 1990.

Martindale, Charles. and Michelle Martindale. Shakespeare and the Uses of Antiquity. London: Routledge, 1990.

Martindale, Charles, and David Hopkins, eds. Horace Made New: Horatian Influences on British Writing from the Renaissance to the Twentieth Century. 1992.

Martindale, Colin. The Clockwork Muse: The Predictability of Artistic Change. Basic Books, 1990.

_____. "Response: Perspectives of Literary Theory [Statement on: In What Direction Is Literary Theory Evolving?] Journal of Literary Theory 1.2 (2007): 447-57.*

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2009

Martindale, Michelle, and Charles Martindale. Shakespeare and the Uses of Antiquity. London: Routledge, 1990.

Martinez, Horacio. "James Joyce's Ulysses and Dentistry." Bulletin of the History of Dentistry.

Marting, Diane E., ed. Women Writers of Spanish America: An Annotated Bio-Bibliographical Guide. New York: Greenwood Press, 1987.

_____, ed. Spanish American Women Writers: A Bio-bibliographical Source Book. New York: Greenwood Press, 1990.

Martins, Wilson. "El vanguardismo brasileño." In Los vanguardismos en América Latina. Ed. Oscar Collazos. Barcelona: Península, 1977. 170-90.*

Martland, T. R. "What Does it Mean to Say Literature Represents 'Nothing'?" Centrum 6.2 (1978): 104-12.

_____. "Response." Centrum 6.2 (1978): 128-32.

Marsh, Robert Charles, ed. Logic and Knowledge: Essays, 1901-1950. By Bertrand Russell. New York: Macmillan, 1956.

Marvin, W. P. "Chronological outline of historical events and texts in Britain, 1050-1550." In The Cambridge History of Medieval English Literature. Ed. D. Wallace. Cambridge: Cambridge UP, 1999.

_____. "Bibliography." In The Cambridge History of Medieval English Literature. Ed. D. Wallace. Cambridge: Cambridge UP, 1999.

Marwick, Arthur. The Home Front. The British and the Second World War. London: Thames and Hudson, 1976.

_____. British Society Since 1945. Harmondsworth: Penguin, 1986. 1990.

_____. The Arts, Literature and Society. London: Routledge, 1990.

_____. The Sixties. c. 1998.

Marx, Leo. The Machine in the Garden: Technology and the Pastoral Idea in America. New York: Oxford UP, 1964.

_____. "The American Landscape in the Era of Postmodernity." Revista de Estudios Norteamericanos, 4 (1995): 13-28.*

Marx, Steven. (Cal Poly U, California). "Holy War in Henry V." Shakespeare Survey 48: Shakespeare and Cultural Exchange. Ed. Stanley Wells. Cambridge: Cambridge UP, 1996.

Marx, Steven. Shakespeare and the Bible. (Oxford Shakespeare Topics). Oxford: Oxford UP, 2000.

Marx, William. Naissance de la critique moderne: La littérature selon Eliot et Valéry (1889-1945). Artois Presses Université, 2002.

_____. L'Adieu à la littérature: Histoire d'une dévalorisation, XVIIIe-XXe siècle. (Paradoxe). Paris: Minuit.

Marzorati, Gerald. "Fiction's Embattled Infidel." (Rushdie). New York Times Book Magazine (29 January 1989): 24-27.

_____. "Rushdie in Hiding: An Interview." New York Times Magazine (4 November 1990): 31-33, 68, 78, 84-85.

Mascuch, Michael. Origins of the Individualist Self: Autobiography and Self-Identity in England. Oxford: Polity, 1997.

Masing-Delic, Irene, Eve Levin and Eugene Huskey, eds. The Russian Review. An American Quarterly Devoted to Russia Past and Present. Oxford: Blackwell. Vol. 63 (2004).

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Maskell, David. Racine: A Theatrical Reading. Oxford: Oxford UP, 1991.

Maslen, K. I. D. "The Printers of Robinson Crusoe." The Library 7 (1952).

Maslen, K. I. D., and L. Lancaster, eds. The Bowyer Ledgers. Oxford: Oxford UP, 1991.

Maslen, R. W., ed. An Apology for Poetry or The Defense of Poesy. By Sir Philip Sidney. Ed. Geoffrey Shepherd. Rev. and expanded 3rd ed. R. W. Maslen. Manchester: Manchester UP (USA dist. Palgrave), 2002.*

Mason, Bobbie Ann. See English authors.

Mason, Ellsworth. "The 'Oxen of the Sun'." Analyst 10 (March 1956): 10.

Mason, Ellsworth, and Richard Ellmann, eds. The Critical Writings of James Joyce. New York: Viking, 1964.

Mason, Gregory. "An Interview with Kazuo Ishiguro." Contemporary Literature 30.3 (Autumn 1989): 334-47.

Mason, H. A. "A Journey Through Hell: Dante's Inferno Revisited: Pagan Inmates in Dante's Hell -- Canto IX." Cambridge Quarterly 18.1 (1989): 1-33.

Mason, Jeff, and Peter Washington. The Future of Thinking: Rhetoric and Liberal Arts Teaching. London: Routledge, 1992.

Mason, Michael. (University College, London). "Middlemarch and History." Nineteenth-Century Fiction 25 (1971): 417-31.

_____. "Middlemarch and Science: Problems of Life and Mind." Review of English Studies 22 (1971): 151-69.

_____. James Joyce: Ulysses. London, 1972.

_____, ed. The Way of All Flesh. By Samuel Butler. Oxford: Oxford UP.

_____, ed. William Blake: Selected Poetry. (World's Classics). Oxford: Oxford UP, 1996.

Mason, Pamela (Shakespeare Institute, U of Birmingham). "'Much Ado' at Stratford-upon-Avon, 1949-76." M.A. thesis. U of Birmingham, 1976.

_____. "Olivier's Shakespeare." Ph.Diss. U of Birmingham, 1978.

_____. "Henry V: 'the quick forge and working house of thought'." In The Cambridge Companion to Shakespeare's History Plays. Ed. Michael Hattaway. Cambridge: Cambridge UP, 2002. 177-92.*

_____. "Orson Welles and Filmed Shakespeare." In The Cambridge Companion to Shakespeare on Film. Ed. Russell Jackson. Cambridge: Cambridge UP, 2000. 2004. 183-98.*

_____, ed. Shakespeare: Early Comedies. (Casebooks series). Basingstoke: Macmillan, 1994.

Massa, Ann (U of Leeds), and Alistair Stead. Forked Tongues? Comparing Twentieth-Century British and American Literature. Harlow (Essex): Longman, 1994.*

Massai, Sonia, and Jacques Berthoud, eds. Titus Andronicus. By William Shakespeare. London: Penguin, 2001.

Massie, Allan. "Scott and the European Novel." In Sir Walter Scott: The Long-Forgotten Melody. Ed. Alan Bold. London: Vision; Totowa: Barnes, 1983. 91-108.

_____. The Novel Today: A Critical Guide to the British Novel 1970-1989. London: Longman / British Council, 1990.

Mason, Gregory. "An Interview with Kazuo Ishiguro." Contemporary Literature 30 (1989): 335-47.

Mason, Pamela. "Much Ado" at Stratford, 1949-1976. M.A. diss. U of Birmingham.

Mason, Roger Burford. "Salman Rushdie." Interview. PN Review 15.4 (no. 66). (Manchester, 1989): 15-19.

Masters, Rosemary. "Chapter 4: George Orwell 1903-1950." In Writers of the Spanish Civil War: The Testimony of their Auto/Biographies. Ed. Celia Wallhead. Bern: Peter Lang, 2011. 187-234.*

Matanle, Stephen. "Love and Strife in William Gaddis' JR." In Kuehl and Moore, In Recognition of William Gaddis 106-18.

Matheson, Mark. "Venetian Culture and the Politics of Othello." Shakespeare Survey 48: Shakespeare and Cultural Exchange. Ed. Stanley Wells. Cambridge: Cambridge UP, 1996.

_____. "Hamlet and A Matter Tender and Dangerous." Shakespeare Quarterly 46.4 (Winter 1997): 383-398.*

Matheson, Neill. "Heavy Spirits: Depression and Materiality in The Marble Faun. " Journal of Narrative Technique 24.3 (1994): 237-255.*

Matheson, Peter.The Rhetoric of the Reformation. Edinburgh: T. and T. Clark, 1998.

Matheus, John F. "Langston Hughes as Translator." In Langston Hughes: Black Genius. Ed. Therman B. O'Daniel. New York: Morrow, 1971.

Mathews, J. H. "Poetic Principles of Surrealism." Chicago Review 14 (Summer-Autumn 1962): 27-45.

_____. Surrealism and the Novel. Ann Arbor: U of Michigan P, 1966.

Matlaw, Ralph E., ed. Notes from Underground and The Grand Inquisitor. By Fyodor Dostoevsky. Trans. Constance Garnett, rev. and ed. Ralph Matlaw. New York: Dutton, 1960.

_____, ed. Anton Chekhov's Short Stories. (Norton Critical Edition). New York: Norton, 1979.

_____, ed. The Brothers Karamazov. By Fyodor Dostoevski. (Norton Critical Edition). New York: Norton, 1976.

_____, ed. Fathers and Sons. By Ivan Turgenev. (Norton Critical Edition). New York: Norton, 1989.

Matlowsky, Bernice D. Antologías del cuento americano. Guía Bibliográfica. Washington, 1950.

Mattheisen, Paul, Arthur C. Yound, and Pierre Coustillas, eds. The Collected Letters of George Gissing: Volume Four, 1889-1891. Athens: Ohio State UP, 1993. Rev. English Literature in Transition 37.2 (1994).

Matthews, Franklin J. Introd. to La maison de rendez-vous. By A. Robbe-Grillet. Paris: UGE, 1972. 7-43.

Matthews, Honor. See English myth criticism.

Matthews, Jackson, ed. The Collected Works of Paul Valéry. Princeton: Princeton UP, 1956-75.

Mathews, Nieves. Francis Bacon: The History of a Character Assassination. New Haven: Yale UP, 1996.

Matthew, H. C. G., and Brian Harrison, eds. Dictionary of National Biography. Oxford: Oxford UP, 2004.

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2008

Matthews, Samantha. (U of London). Poetical Remains: Poets' Graves, Bodies, and Books in the Nineteenth Century. Oxford: Oxford UP, 2004.

Matthews, Wade A. "El encuentro es una suerte de detonador." La música en nuestros días. Revista de Occidente 151 (1993): 5-8.

_____. "'I Sing the Body Electric': Reflexiones sobre la música en la era electrónica." La música en nuestros días. Revista de Occidente 151 (1993): 47-60.

_____. 1665-1710: La luz de las cantatas. (Historia Deutsche Grammophon de la música). Club Internacional de Libro, 1997.*

Matthews, Wade, et al. Orfeo de Claudio Monteverdi. CD with musical selections (Decca). Book by Wade Matthews, Pedro Elías et al. (La gran ópera, paso a paso). Madrid: Club Internacional del Libro, 1999.*

_____. Acis y Galatea de Georg Friedrich Haendel. Text by Stefano Russomano. Musical dir. Pedro Elías and Wade Matthews. Design by Daniel de Labra. (La Gran Ópera, paso a paso). Book and CD. Edilibro / Club Internacional del Libro / PolyMedia Hamburg, 1998.*

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