Главная > Документ


from

A Bibliography of Literary Theory, Criticism and Philology

http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel García Landa

(University of Zaragoza, Spain)

James Joyce (1882-1941)

(Expatriate Irish writer, leading modernist, experimental novelist; l. Trieste, Paris)

Works

Joyce, James. Chamber Music. Ed. William York Tindall. New York: Columbia, 1954.

_____. Exiliados. Ediciones de Bolsillo.

_____. Dubliners. Short stories. 1914.

_____. Dubliners. New York: Huebsch, 1916.

_____. Dubliners. Harmondsworth: Penguin, 1956.

_____. Dubliners. New York: Viking, 1961.

_____. Dubliners. London: Grant Richards, 1914; New York: Modern Library, 1926. Harmondsworth: Penguin.

_____. Dubliners: Text, Criticism, and Notes. Ed. Robert Scholes and A. Walton Litz. New York: Viking, 1967.

_____. Dubliners. London: Grafton, 1977.

_____. Dubliners. New York: Random House-Vintage International.

_____. Dubliners. Ed. Terence Brown. (Penguin Twentieth-Century Classics). Harmondsworth: Penguin, 1992.*

_____. Dubliners. Ware: Wordsworth, 1993.*

_____. Dublineses. Ed. Fernando Galván. Trans. Eduardo Chamorro. Madrid: Cátedra, 1993.

_____. Gente de Dublín. Trans. I. Abelló. Barcelona: Tartesos, 1942.

_____. The Sisters. The Dead. Cáceres: Universidad de Extremadura.* (From Dubliners).

_____. "Grace." Story. In Dubliners.

_____. "Araby." Story. From Dubliners. In The Norton Introduction to Literature. 5th ed. Ed. Carl Bain et al. New York: Norton, 1991. 382-6.*

_____. "Araby." Story. In The Arnold Anthology of British and Irish Literature in English. Ed. Robert Clark and Thomas Healy. London: Arnold, 1997. 1242-46.*

_____. "Araby." Story. 1905, pub. 1914. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2236-40.*

_____. "Eveline." Short story, from Dubliners. In Perrine's Literature: Structure, Sound, and Sense. By Thomas R. Arp and Greg Johnson. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002. 218-22.*

_____. "A Little Cloud." In Reading Narrative Fiction. By Seymour Chatman with Brian Attebery. New York: Macmillan, 1993.*

_____. The Dead. Ed. Daniel R. Schwarz. (Case Studies in Contemporary Criticism). Houndmills: Macmillan; Boston: St.Martin's-Bedford, 1994.

_____. "The Dead." Novella. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2240-68.*

_____. Los muertos. Madrid: Alianza (Alianza Cien), 1994.

_____. Collected Poems. Huebsch, 1918. Viking Press.

_____. In Understanding Poetry. By Cleanth Brooks and Robert Penn Warren. Fort Worth: Harcourt, 1988.

_____. Stephen Hero. New York: New Directions, 1944. 1963.

_____. Stephen Hero. St Albans: Triad-Panther, 1977.

_____. A Portrait of the Artist as a Young Man. Novel. London: Egoist; New York: Huebsch, 1916.

_____. A Portrait of the Artist As a Young Man. 1916. New York: Modern Library, 1928.

_____. A Portrait of the Artist as a Young Man. Harmondsworth: Penguin, 1960. 1975. 1976.

_____. A Portrait of the Artist as a Young Man. London: Jonathan Cape, 1964.

_____. A Portrait of the Artist as a Young Man. Ed. Chester G. Anderson. New York: Viking, 1968.

_____. A Portrait of the Artist as a Young Man. London: Granada, 1977.

_____. A Portrait of the Artist as a Young Man. New York: Random House-Vintage International.

_____. A Portrait of the Artist as a Young Man. Ed. R. B. Kershner. (Case Studies in Contemporary Criticism). Basingstoke: Macmillan,1993.

_____. A Portrait of the Artist as a Young Man. Ware: Wordsworth.

_____. A Portrait of the Artist as a Young Man. Ed. Jeri Johnson. (Oxford World's Classics). Oxford: Oxford UP, 2000.*

_____. A Portrait of the Artist as a Young Man (Retrato del Artista Adolescente). Ed. José Antonio Alvarez Amorós. Salamanca: Ed. Colegio de España, 1995.

_____. Exiliados. Ed. Manuel Almagro. Trans. Fernando Toda. Madrid: Cátedra, 1987.

_____ . Ulysses. Paris: Shakespeare & Co., 1922.*

_____. Ulysses. Facsimile of the Rosenbach manuscript and the 1922 edition. 3 vols. 1975.

_____. Ulysses. Ed. Morris L. Ernst. New York: Random House /Modern Library, 1934. New ed. 1961. 1990.

_____. Ulysses. London: Bodley Head, 1937. 1960.

_____. Ulysses. New York: Modern Library, 1961.

_____. Ulysses. New American Library.

_____. Ulysses. Harmondsworth: Penguin, 1969.*

_____. Ulysses. Harmondsworth: Penguin, 1992. (Reissue of Bodley Head 1960).

_____. Ulysses: A Facsimile of the Manuscript. 3 vols. New York: Farrar-Octagon, 1975.

_____. Ulysses. Franklin Library, 1976. 1979.

_____. Ulysses. Book of the Month Club. 1982.

_____. Ulysses. (Oxford Library of the World's Great Books).

_____. Ulysses: A Critical and Synoptic Edition. 3 vols. Ed. Hans Walter Gabler, with Wolfhard Steppe and Claus Melchior. 3 vols. New York: Garland, 1984.

_____. Ulysses: The Corrected Text. Ed. Hans Walter Gabler, with Wolfhard Steppe and Claus Melchior. New York: Random House; Harmondsworth: Penguin, 1986.*

_____. Ulysses. New York: Random House-Vintage International.

_____. Ulysses: A Text for Teaching. Ed. Jeri Johnson. Oxford: Oxford UP, 1993.

_____. Ulysses. Ed. John Kidd. New York: Norton, 1994.

_____. Ulysses: A Reader's Edition. Ed. Danis Rose. London: Macmillan-Picador, 1997.*

_____. Selections from Ulysses. In The Arnold Anthology of British and Irish Literature in English. Ed. Robert Clark and Thomas Healy. London: Arnold, 1997. 1246-70.*

_____. From Ulysses. [Proteus; Lestrygonians] In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2269-2309.*

_____. Ulysse. Trans. Auguste Morel. Rev. Valery Larbaud, Stuart Gilbert and James Joyce. Paris: Gallimard, 1957.

_____. Ulises. Trans. J. Salas Subirat. Buenos Aires: Rueda, 1966.

_____. Ulises. Trans. José María Valverde. Barcelona: Lumen, 1989.

_____. Ulysses. Illust. Eduardo Arroyo. Introd. Julián Ríos. Madrid: Círculo de Lectores, 1994.

_____. Ulysses. Chinese trans. Jin. Di. Rev. by Kun-liang Chuang. James Joyce Quarterly 32.3-4 (Spring / Summer 1995): 761-65.

_____. Uliss. Russian trans. Viktor Khinkis and Sergei Khoruzhii. Rev. Irina Plumlee. James Joyce Quarterly 32.3-4 (Spring / Summer 1995): 766-71.*

_____. (Ulysses). Turkish translation. Trans. Nezvat Erkmen. 1996.

_____. "Definición del fantasma." From Ulysses. 1921. In Antología de la Literatura Fantástica. Ed. Jorge Luis Borges, Silvina Ocampo and Adolfo Bioy Casares. 1965. Barcelona: Edhasa, 1983. 1989. 1991. 221.*

_____. "May Goulding." From Ulysses. 1921. In Antología de la Literatura Fantástica. Ed. Jorge Luis Borges, Silvina Ocampo and Adolfo Bioy Casares. 1965. Barcelona: Edhasa, 1983. 1989. 1991. 221.*

_____. Pomes Penyeach. 1966.

_____. "A Prayer." Poem. In Joyce, Poems Penyeach.

_____. Collected Poems. 1937.

_____. Collected Poems. New York: Viking, 1957.

_____. Finnegans Wake. Novel. New York: Viking, 1939.

_____. Finnegans Wake. London: Faber, 1950. 1964. 1971.

_____. Finnegans Wake. Harmondsworth: Penguin, 1976.

_____. Finnegans Wake. (Penguin Classics). London: Penguin, 1999.

_____. Finnegans Wake. Select. and trans. Víctor Pozanco. Barcelona: Lumen, 1993?

_____. A Shorter Finnegans Wake. Ed. Anthony Burgess.

_____. Anna Livia Plurabelle (Finnegans Wake I.viii.) Bilingual ed. Ed. Francisco García Tortosa. Trans. Francisco García Tortosa, Ricardo Navarrete Franco and José María Tejedor Cabrera. Madrid: Cátedra, 1992.

_____. From Finnegans Wake. [from "Anna Livia Plurabelle"]. 1923-38, pub. 1939. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2310-13.*

_____. Trans. from Finnegans Wake by James Joyce (Penguin Classics, 1999. p. 627-28). Trans. Cecilia Fernández Santomé. Miscelánea 42 (2010): 139-40.*

_____. The Portable James Joyce. Ed. Harry Levin. New York: Viking, 1947.

_____. The Essential James Joyce. Ed. Harry Levin. 1948. Harmondsworth: Penguin, 1963.

_____. The Essential James Joyce. Ed. Harry Levin. London: Granada, 1981.

_____. Letters of James Joyce. Ed. Stuart Gilbert. London: Faber, 1957.

_____. The Letters of James Joyce. Vol. 1. Ed. Stuart Gilbert. New York: Viking, 1957. Vol.2. Ed. Richard Ellmann. London: Faber, 1966.

_____. The Critical Writings of James Joyce. Ed. Ellsworth Mason and Richard Ellman. New York: Viking, 1964.

_____. Selected Letters. Ed Richard Ellmann. New York: Viking, 1975.

_____. Scritti italiani. Milan: Mondadori, 1979.

_____. Critical Writings. London: Faber, 1979.

_____. Œuvres. Vol. 1. Ed. Jacques Aubert. (Bibliothèque de la Pléiade). Paris: Gallimard, 1982. (Épiphanies, Stephen héros, Portrait de l'artiste en jeune homme and others).

_____. Works in Progress. (Drafts for Finnegans Wake ). Edinburgh: Split Pea Press.

_____. Poems and Shorter Writings. Ed. Richard Ellmann, A. Walton Litz and John Whittier Ferguson. London: Faber, 1991.

_____. The Dead and Other Stories. (Penguin Audiobook). Harmondsworth: Penguin, 1995.

_____. Joycechoyce: The Poems in Verse and Prose of James Joyce. Ed. A. Norman Jeffares and Brendan Kennelly. Rev. by Sebastian D. G. Knowles. James Joyce Quarterly 32.3-4 (Spring / Summer 1995): 777-83.

_____. Political, Critical, and Occasional Writings. Ed. K. Barry. 1995.

_____. Obras completas. Madrid: Aguilar-Santillana, 2004.

Joyce, J. Daniel Defoe. Trans. Joseph Prescott. Buffalo: SUNY, 1964.

Biography

Beja, Morris. James Joyce: A Literary Life. Columbus: Ohio State UP, 1992.

Concha, Berta Inés. "Siete pies de foto para Nora Joyce." Quimera 127 (1994): 49-54.

Ellmann, Richard. Introduction to My Brother's Keeper, by Stanislaus Joyce. New York: Viking, 1958.

_____. James Joyce. New York: Oxford UP, 1959.

_____. James Joyce. Rev. ed. Oxford: Oxford UP, 1982.

Joyce, Stanislaus. My Brother's Keeper. Ed. Richard Ellmann. London: Faber and Faber, 1982.

Lorenzo Modia, María Jesús. Rev. of A Portrait of the Artist as a Young Man. By James Joyce. Ed. J. A. Alvarez Amorós. Salamanca: Colegio de España, 1995. Papers on Joyce 3 (1997): 73-74.

Maddox, Brenda. Nora. London: Minerva-Mandarin, c. 1992.

_____. Nora Joyce. Barcelona: Plaza y Janés, 199-?

Marías, Javier. "James Joyce en sus gestos." In Marías, Vidas escritas. Madrid: Siruela, 1992. 33-38.

Peake, C. H. James Joyce: The Citizen and the Artist. London: Arnold, 1977; Stanford (CA): Stanford UP, 1977.

Criticism

Ackroyd, Peter. Rev. of Joyce's Voices. By Hugh Kenner. The Spectator 9 Sept. 1978. Rpt. in Ackroyd, The Collection. Ed. Thomas Wright. London: Chatto & Windus, 2001. 64-65.*

Adams, H. "Critical Construction of the Literary Text: The Example of Ulysses." New Literary History 17 (1986): 595-619.

Adams, Martin. Afterjoyce: Studies in Fiction after Ulysses. New York: Oxford UP, 1977.

_____. James Joyce: Common Sense and Beyond. New York: Random House, 1966.

Adams, R. M. Surface and Symbol: The Consistency of James Joyce's Ulysses. New York, 1962.

Aguilera Linde, Mauricio D. "Carlyle in Ulysses." Papers on Joyce 3 (1997): 49-56.*

_____. "Subtexto Homérico y Nautical Drama: Algunos Problemas en la Descodificación Mítica de Ulysses." The Grove 5 (1998): 7-18.

Aldington, Richard. "Mr. James Joyce's Ulysses." In Aldington, Literary Studies and Reviews. London: Allen, 1924. 192-207.

Almagro Jiménez, Manuel. "Ulysses entre Escila y Caribdis." Atlantis 4.1-2 (1982).

_____. "One Thinks of Homer: Ulysses and the Epic Tradition." In Actas del VII Congreso de la Asociación Española de Estudios Anglo-Norteamericanos. Madrid: Ediciones de la UNED, 1986. 51-56.

_____. James Joyce y la épica moderna: Introducción a la lectura de Ulysses. Sevilla: Publicaciones de la Universidad de Sevilla, 1985.

_____. "Modernismo y/o postmodernismo en Ulysses." Revista Alicantina de Estudios Ingleses 5 (1992): 23-34.*

_____. "To Be and (or?) Not to Be: Joyce's Rewriting of Shakespeare." Papers on Joyce 2 (1996): 3-18.*

Altamiranda, Daniel. "Joyce en el espejo de Eco." Cuadernos de Literatura Inglesa y Norteamericana 1.1 (1996): 57-64.*

Alvarez Amorós, José Antonio. En torno al discurso narrativo de Dubliners. Alicante: Secretariado de Publicaciones de la Universidad de Alicante, 1986.

_____. Ulysses como paradigma de intertextualidad. 1990.

Anderson, Chester G."James Joyce's 'Tilly'". PMLA 73 (1958): 285-98.

Armstrong, Paul B. "James Joyce and the Politics of Reading: Power, Belief and Justice in Ulysses." BAS 1.1 (1996): 24-41.*

Arnold, Bruce. The Scandal of Ulysses. New York: St. Martin's, 1991.

Attridge, Derek. Joyce Effects: On Language, Theory, and History. Cambridge: Cambridge UP, 2000.

_____, ed. The Cambridge Companion to James Joyce. Cambridge: Cambridge UP.

Attridge, Derek, and Daniel Ferrer, eds. Post-Structuralist Joyce: Essays from the French. Cambridge: Cambridge UP, 1984.

Ballesteros González, Antonio. "Digression and Intertextual Parody in Nashe, Sterne, and Joyce." In Laurence Sterne in Modernism and Postmodernism: A Symposium. U of York, 1993.

_____. "Digression and Intertextual Parody in Nashe, Sterne and Joyce." In Laurence Sterne in Modernism and Postmodernism. Ed. David Pierce and Peter de Voogd. Amsterdam: Rodopi, 1996. 55-64.*

_____. "Metaliterary Parody in The Unfortunate Traveller and Ulysses." Papers on Joyce 1 (1995): 5-12.*

_____. "Retratos del Artista Adolescente: James Joyce y Ramón Pérez de Ayala." The Grove 5 (1998): 19-30.

_____. "Confesiones femeninas: Menchu y Molly frente a Mario y Leopold." In aedeanXXXIII, Cádiz 12-14 Nov. 2009. Ed. R. Galán et al. CD-ROM. Cádiz: Servicio de Publicaciones, U de Cádiz, 2010.*

Barbeito Varela, Manuel. "John Huston's vs. James Joyce's The Dead." In Books in Motion: Adaptation, Intertextuality, Authorship. Ed. Mireia Aragay. Amsterdam and New York: Rodopi, 2005. 145-61.*

Barthelme, Donald. "After Joyce." Location 1 (1964).

Bauerle, Ruth H., ed. Picking Up Airs: Hearing the Music in Joyce's Text. Urbana: U of Illinois P, 1993. Rev. in English Literature in Transition 37.3 (1994).

Beach, Joseph Warren. "Post-Impressionism: Joyce." In Beach, The Twentieth Century Novel. New York: Appleton, 1932. 403-24.

Beck, U. "A Discourse Analysis of Passages of Interior Monologue from Ulysses by James Joyce to Elucidate Aspects of Bloom's and Stephen's Thought Patterns." Diss. U of Nottingham, 1977-78.

Beckman, Richard. "Perils of Marriage in Finnegans Wake." James Joyce Quarterly 33.1 (Fall 1996): 83-100.*

Beja, Morris. Joyce, the Artist Manqué, and Indeterminacy. Monaco: Princess Grace Irish Library Lectures.

_____. James Joyce: Dubliners and A Portrait of the Artist as a Young Man. (Casebooks series). Basingstoke: Macmillan, 1973.

Beja, Morris, Philip Herring, Maurice Harmon and David Norris, eds. James Joyce: The Centennial Symposium. Chicago, 1986.

Benstock, Bernard. "Paname-Turricum and Tarry Easty: James Joyce's Città immediata." Papers on Joyce 1 (1995): 13-20.*

_____, ed. The Seventh of Joyce. Bloomington: Indiana UP; Brighton: Harvester, 1982.

Bersani, Leo. The Culture of Redemption. Cambridge (MA): Harvard UP, 1990.

Besa Camprubí, Josep. "'The Dead', de James Joyce, desde la narratología." Cuadernos de Investigación Filológica 21-22 (1995-1996): 215-26.*

Bickerton, Derek. "James Joyce and the Development of Interior Monologue." Essays in Criticism 18 (1968): 32-46.

Blackmur, R. P. Eleven Essays on the European Novel. 1964.

Blades, John. How to Study James Joyce. (How to Study series). Houndmills: Macmillan, 1996.

Blamires, Harry. The Bloomsday Book: A Guide Through Joyce's Ulysses. London: Methuen.

_____. The New Bloomsday Book: A Guide Through Joyce's Ulysses: The Corrected Text. London: Routledge, 1988.

_____. The New Bloomsday Book: A Guide through Ulysses. London: Routledge, 1996.

Bloom, Harold. "Joyce's Agon with Shakespeare." In Bloom, The Western Canon. 1994. London: Macmillan, 1995. 413-32.*

_____. "Beckett . . . Joyce . . . Proust . . . Shakespeare." In Bloom, The Western Canon. 1994. London: Macmillan, 1995. 493-514.

Boheemen, C. van .Joyce, Modernity, and Its Mediation.1989.

Bollettieri Bosinelli, R. M., C. Marengo Vaglio, and Christine van Boheemen, eds. The Languages of James Joyce: Selected Papers from the International James Joyce Symposium, Venice, 12-18 June 1988. (Reviewed by Corinna del Greco Lobner). James Joyce Quaterly 31.2 (1994) .*

Bonnerot, Louis, et al. Ulysses cinquante ans après: témoignages franco-anglais sur le chef-d'œuvre de James Joyce. Paris: Didier, 1974.

Booker, M. Keith. "Finnegans Wake and The Satanic Verses: Two Modern Myths of the Fall." Critique 32.3 (1991): 190-207.

Booth, Wayne C. The Rhetoric of Fiction. Chicago: U of Chicago P, 1961.*

_____. Rhetoric of Fiction. London: U of Chicago P, 1969.

_____. The Rhetoric of Fiction. 2nd. ed. Chicago: U of Chicago P, 1983.

_____. The Rhetoric of Fiction. 2nd ed. Harmondsworth: Penguin, 1987.*

_____. La retórica de la ficción. Ed. and trans. Santiago Gubern Garriga-Nogues. Barcelona: Bosch, 1974.*

Borg, Ruben. The Measureless Time of Joyce, Deleuze and Derrida. 2007.

_____. "Between Fact and Fiction: The Nature of Events in Joyce and Beckett." Narrative 18.2 (May 2010): 179-98.*

Borges, Jorge Luis. "El Ulises de Joyce." In Borges, Inquisiciones. Barcelona: Seix Barral, 1994. 23-28.*

_____. "James Joyce." 1937. In Borges, Textos cautivos: Ensayos y reseñas en El Hogar. Ed. Enrique Sacerio Garí and Emir Rodríguez Monegal. Barcelona: Tusquets, 1986.*

_____. "El último libro de Joyce." 1939. In Borges, Textos cautivos: Ensayos y reseñas en El Hogar. Ed. Enrique Sacerio Garí and Emir Rodríguez Monegal. Barcelona: Tusquets, 1986.*

Bormanis, John. "Lilith in the Liffey: Gender, Rebellion and Anticolonialism in Finnegans Wake." James Joyce Quarterly 34.4 (Summer 1997): 490-504.

Boyd, Michael. "Joyce into Beckett: Prolegomena to Any Future Fictions." In Boyd, The Reflexive Novel. London: Associated UPs, 1983. 118-45.

Brannigan, John, Geoff Ward and Julian Wolfreys, eds. Re: Joyce: Text, Culture, Politics. Basingstoke: Macmillan, 1997.

Brick, Alan. "The Madman in his Cell: Joyce, Beckett, Nabokov and the Stereotypes." Massachusetts Review (Fall 1959): 40-55.

Brivis, Sheldon. "Reality as Fetish: The Crime of Finnegans Wake." James Joyce Quarterly 34.4 (Summer 1997), 449-460.

Brown, D. Intertextual Dynamics within the Literary Group Joyce, Lewis, Pound and Eliot: The Men of 1914. Baskingstoke: Macmillan, 1990.

Brown, Richard. James Joyce and Sexuality. 1988.

Brunsdale, Mitzi M. James Joyce: A Study of the Short Fiction. Rev. by John Bormanis. James Joyce Quarterly 32.3-4 (Spring / Summer 1995): 783-86.

Bucher, Urs. Stream of Consciousness: Dorothy Richardson and James Joyce. Lausanne, 1982.

Budgen, Frank. James Joyce and the Making of Ulysses. 1934. Bloomington: Indiana UP, 1960.

_____. James Joyce and the Making of Ulysses. 1934. Oxford: Oxford UP, 1989.

Burgess, Anthony. Here Comes Everybody: An Introduction to James Joyce for the Ordinary Reader. London: Arrow.

_____. Joysprick: An Introduction to the Language of James Joyce. London: Deutsch. London: Deutsch, 1973.

_____. "The Language of Joyce's Portrait." 1973. Select. in The Language of Literature. Ed. Norman Page. London: Macmillan, 1984. 193-97.*

Burns, Christy L. "Parodic Irishness: Joyces's Reconfigurations of the Nation in Finnegans Wake." Novel: A Forum on Fiction (Spring 1998): 237-256.

Bushrui, Shuheil, and Bernard Benstock, eds. James Joyce: An International Perpective. Gerrards Cross, 1982. 156-69.

Buttigieg, Joseph A. "Joyce Redivivus: An Interested Meditation." In De-Structing the Novel: Essays in Applied Postmodern Hermeneutics. Troy (NY): Whitston, 1982. 113-54.*

Calahan, James M. "'Dear Reader' and 'Dear Writer': Joyce's Direct Address to His Readers in Finnegans Wake. Twentieth-Century Literature 41.3 (Fall 1995): 306-318.*

Callow, Heather Cook. "Joyce's Female Voices in Ulysses." Journal of Narrative Technique 22.3 (1992): 151-163.*

Campbell, Joseph. Mythic Worlds, Modern Words: On the Art of James Joyce. (Reviewed by Mary T. Reynolds) In James Joyce Quaterly 32.1 (1994) *

Campos, Haroldo de. "Sanscreed Latinized: The Wake in Brazil and Hispanic America." TriQuarterly 38 (Winter 1977). Rpt. in In the Wake of the Wake. Ed. David Hayman and Elliott Anderson. Madison: U of Wisconsin P, 1978. 54-62.*

Caneda Cabrera, Mª Teresa. "'Who Was Gerty?' The Disruption of Voices in the 'Nausicaa' Episode of Ulysses." Revista de Filología Moderna 2/3 (1992): 169-78.

_____. "Ulysses and Heteroglossia: A Bakhtinian Reading of the 'Nausicaa' Episode." Revista Alicantina de Estudios Ingleses 9 (November 1996): 33-40.*

_____. "Cómo convertir barro en ceniza: 'Clay' de James Joyce y 'Polvo y ceniza' de Cabrera Infante. Una reflexión sobre la traducción del texto modernista." Proceedings of the 20th International AEDEAN Conference. Barcelona: Universitat de Barcelona, Facultat de Filología, 1997. 395-400.*

Caneda Cabrera, Mª Teresa, Vanessa Silva Fernández, and Martín Urdiales Shaw, eds. Vigorous Joyce: Atlantic Readings of James Joyce. Vigo: Universidade de Vigo: Servizo de Publicacións, 2010.

Carnero González, José. James Joyce y la explosión de la palabra: Aproximación a la lectura de Finnegans Wake. Sevilla: Publicaciones de la Universidad de Sevilla, 1989.

_____. "Leafyspeafing. Lpf!" (Joyce). Revista Alicantina de Estudios Ingleses 5 (1992): 47-56.

_____. "Notes Toward a Reading Proposal: WP and FW." Papers on Joyce 1 (1995): 21-28.*

Cato, Bob, and Greg Vitiello, eds. Joyce Images. Introd. Anthony Burgess. New York: Norton, 1994.

Chatman, Seymour. "New Ways of Analyzing Narrative Structure, with an Example from Joyce's Dubliners." Language and Style 2 (1969): 3-36.

Cheng, Vincent. Joyce, Race, and Empire. Cambridge: Cambridge UP, 1995.

Cheng, Vincent J. and Timothy Martin, eds. Joyce in Context. (Reviewed by Rosemarie A. Battaglia). Textual Practice 8.2 (1994).*

Chesnutt, Margaret. "Joyce's Dubliners: History, Ideology, and Social Reality." Eire-Ireland 14.2 (Summer 1979).

Cheu, Hoi Fung. "Translation, Transubstantiation, Joyce: Two Chinese Versions of Ulysses." James Joyce Quarterly 35.1 (Fall 1997): 59-70.

Childress, Lynn. "The Missing 'Cicones' Episode of Ulysses." James Joyce Quarterly 33.1 (Fall 1996): 69-82.*

Chin, Sheon-Joo. "Aristotle's Masterpiece: A Possible Source Book for the 'Ithaca' Episode of Ulysses." Papers on Joyce 2 (1996): 19-24.*

Cianci, Giovanni. La Fortuna di Joyce in Italia.

Cixous, Hélène. L'Exil de James Joyce ou l'art du remplacement. Paris: Grasset, 1968.

_____. The Exile of James Joyce or the Art of Replacement. Trans. Sally Purcell. New York: David Lewis; London: John Calder, 1972.

_____. Prénoms de personne. Criticism. Paris: Seuil, 1974. (On Freud, Hoffman, Kleist, Poe, Joyce).

_____. "La Missexualite: où jouis-je?" First published in Poétique 26 (1976): 240-9. Rpt. in Cixous, Entre l'écriture. Paris: Editions des femmes, 1986. 75-95. (Finnegans Wake).

_____. "Freincipe de plaisir ou paradoxe perdu. " First published in Temps de la réflexion 4 (1983): 427-33. Rpt. in Cixous, Entre l'écriture. Paris: Editions des femmes, 1986. 99-112. (Portrait of the Artist as a Yougg Man, Ulysses)

_____. The Poetics of Blanchot, Joyce, Kafka, Kleist, Lispector and Tsvetayeva. Ed. and trans. Verena Andermatt Conley. Hemel Hempstead: Harvester Wheatsheaf, 1992.

_____, ed. Poétique 26 (1976). Special Issue on Finnegans Wake.

Clayton, Jay. "Londublin: Dickens's London in Joyce's Dublin." Novel 28.3 (1995): 327-342.*

Clayton, Jay. "Londublin: Dickens's London in Joyce's Dublin." Novel: A Forum on Fiction 28 (1995): 327-342.*

Cohen, Alan M. "Joyce's Notes on the End of 'Oxen of the Sun'." James Joyce Quarterly 4 (Spring 1967): 194-201.

Conde-Parrilla, Mª Angeles. "James Joyce's Ulysses: The Obscene Nature of Molly's Soliloquy and Two Spanish Translations." James Joyce Quaterly 33.2 (Winter 1996): 211-36.*

Connor, Steven. James Joyce. (Writers and Their Work). Plymouth: Northcote House / British Council, 1996.*

Cosgrove, Brian. "Flaubert, Schlegel, Nietzsche: Joyce and Some European Precursors." Miscelánea 20 (1999): 193-207.*

Couturier, Maurice. La Figure de l'auteur. Paris: Seuil, 1995.*

Crooks, Robert. "Triptych Vision: Voyeurism and Screen Memories in Joyce's Portrait." MFS 38.2 (1992).*

Cuartero Sancho, Mª Pilar, and Fco. Javier Sánchez Escribano. "Fuente latina en 'The Cat and the Devil' de Joyce." Homenaje a Esteban Pujals Fontrodona. Oviedo: U de Oviedo / AEDEAN, 1982.*

Cupchick, G. C., K. Oatley and P. Vorderer "Emotional Effects of Reading Excerpts from Short Stories by James Joyce." Poetics 25.6 (June 1998): 363-378.

Curtius, E. R. "James Joyce y su Ulysses." 1929. In Curtius, Ensayos críticos sobre literatura europea. Trans. Eduardo Valentí. Madrid: Visor, 1989. 251-74.*

Daiches, David. "The importance of Ulysses." New Literary Values: Studies in Modern Literature. Edinburgh: Oliver and Boyd, 1936. 69-82.

Dahl, Liisa. "The Attributive Sentence Structure in the Stream of Consciousness Technique with Special Reference to the Interior Monologue Used by Virginia Woolf, James Joyce and Eugene O'Neill." Neuphilologische Mitteilungen 68 (1967): 440-54.

_____. "A Comment on Similarities Between Edouard Dujardin's monologue intérieur and James Joyce's Interior Monologue." Neuphilologische Mitteilungen 73 (1972): 45-54.

_____. Linguistic Features of the Stream-of-Consciousness Techniques of James Joyce, Virginia Woolf and Eugene O'Neill. Turku: Turun Yliopisto, 1970.

_____. "The Linguistic Presentation of the Interior Monologue in James Joyce's Ulysses." James Joyce Quarterly 7 (1970): 114-19.

Daiches, David. "Dubliners." In Daiches, The Novel in the Modern World. Chicago: U of Chicago P, 1960. 66-82.

Dalton, Jack P. "The Text of Ulysses." In New Light on Joyce from the Dublin Symposium. Ed. Fritz Senn. Bloomington: Indiana UP, 1972. 99-119.

Davison, Neil R. "'Cyclops,' Sinn Fein, and 'the Jew': An Historical Reconsideration." Journal of Modern Literature 19.2 (Fall 1995): 245-57.*

Deane, Seamus. "'Masked with Matthew Arnold's Face': Joyce and Liberalism." In Beja et al. 1986.

Derrida, Jacques. "Ulysse Gramophone: L'oui dire de Joyce." In Genèse de Babel: Joyce et la création. Paris: CNRS, 1985. 227-64. Rpt. in Derrida, Ulysse Gramophone: Deux Mots pour Joyce. Paris: Galilée, 1987. 55-143.

_____. "Ulysses Gramophone: Hear Say Yes in Joyce." In Derrida, Acts of Literature. Ed. Derek Attridge. New York: Routledge, 1992. 253-309.*

_____. "Ulises gramófono: el oui-dire de Joyce." In Teoría literaria y deconstrucción. Ed. Manuel Asensi. Madrid: Arco/Libros, 1990. 81-134.*

_____. Ulysse gramophone: Deux mots pour Joyce. Paris: Galilée, 1987.

Devlin, Kimberly J. "Pretending in 'Penelope': Masquerade, Mimicry, and Molly Bloom." Novel 25.1: 71-89.*

_____. "Bloom and the Police: Regulatory Vision and Vissions in Ulysses." Novel. A Forum on Fiction (Fall 1995): 45-62.*

Di Pietro, Robert J. "A Transformational Note on a Few Types of Joycean Sentences." Style 3 (1969): 156-67.

Dietz, Bernd. "Relectura de la obra poética de James Joyce". In Francisco García Tortosa et al. 27-37.

Dilworth, Thomas. "Not 'too much noise': Joyce's Sister in Irish Catholic Perspective." Twentieth Century Literature 39.1 (1993).*

Doherty, Gerald. "Undercover Stories: Hypodiegetic Narration in James Joyce's Dubliners." Journal of Narrative Technique 22.1 (1992): 23-34.*

Donoghue, Denis. The Practice of Reading. New Haven: Yale UP.

Dowling, David, ed. "James Joyce." In Dowling, Novelists on Novelists. London: Macmillan, 1983. 151-58.*

Eagleton, Terry. "James Joyce." In Eagleton, The English Novel. Oxford: Blackwell, 2005. 281-307.*

Eco, Umberto. "Le Moyen Age de James Joyce." Tel Quel (autumn 1958).

_____. Las poéticas de Joyce. Trans. Helena Lozano. Barcelona: Lumen, 1993.

_____. "A Portrait of the Artist as a Young Bachelor." In Eco, Sobre literatura. Barcelona: RqueR editorial, 2002. 93-114.*

Egri, Péter. "The Place of James Joyce's Interior Monologue in World Literature." Umana 20.5-8 (1971): 32-35.

Eide, Marian. "The Language of Flows: Fluidity, Virology and Finnegans Wake." James Joyce Quarterly 34.4 (Summer 1997): 473-488.

Eliot, T. S. "Ulysses, Order and Myth." The Dial (Nov. 1923).

_____. "Ulysses, Order and Myth." In Criticism: The Foundations of Modern Literary Judgment. In Ed. Mark Schorer J. Miles, and G. MacKenzie. 1948. New York: Harcourt, 1958.

_____. "Ulysses, Order and Myth." In Eliot, Selected Prose. Ed. F. Kermode. London: Faber, 1975.

_____. Introducing James Joyce. London: Faber.

Ellmann, Maud. "Disremembering Dedalus: A Portrait of the Artist as a Young Man." In Young, Untying the Text 189-206.

Ellmann, Richard. The Consciousness of Joyce. New York: Oxford UP, 1977.

_____. _____. Preface to "The Corrected Text" of Ulysses by James Joyce. New York: Random House, 1969.

_____. Ulysses on the Liffey. New York: Oxford UP, 1972.

Egri, Péter. "The Place of James Joyce's Interior Monologue in World Literature." Umana 20.5-8 (1971): 32-35.

Engstrom, Alfred G. "A Few Comparisons and Contrasts in the Word-Craft of Rabelais and James Joyce." In Renaissance and Other Studies in Honor of William Leon Wyley. Chapel Hill: U of North Carolina P, 1968. 65-82.

Estévez Saá, Margarita. "La identidad femenina en Ulysses: 'yes so we are flowers all'." In Fifty Years of English Studies in Spain […] Actas del XXVI Congreso de AEDEAN, ed. Ignacio Palacios et al. Santiago de Compostela: U de Santiago de Compostela, 2003. 249-55.*

_____. "La figura femenina en Finnegans Wake: 'Are We Fairly Represented'?" 2003. In Actas del XXVII Congreso Internacional de AEDEAN / Proceedings of the 27th International AEDEAN Conference. Ed. Antonio R[odríguez] Celada, Daniel Pastor García, and Pedro Javier Pardo García. CD-ROM. Salamanca: Departamento de Filología Inglesa (Universidad de Salamanca) / Asociación Española de Estudios Anglo-Norteamericanos, 2004.*

Fairhall, James. James Joyce and the Question of History. 1993. (Reviewed by Andrew Gibson). English 45.182 (1996): 166-69.*

Fernández Fernández, Francisco. "'Oxen of the Sun': ¿síntesis de la historia de la lengua y la literatura inglesas?" In James Joyce: A New Language. Actas/Proceedings del Simposio Internacional en el Centenario de James Joyce. Sevilla: Publicaciones de la Universidad de Sevilla, 1982. 193-222.

Fischer-Seidel, Therese. (Fischer, Therese). "From Reliable to Unreliable Narrator: Rhetorical Changes in Joyce's 'The Sisters'." James Joyce Quarterly 9 (1971): 85-92.

_____, ed. James Joyces 'Ulysses': Neue deutsche Aufsätze. Ed. Therese Fischer-Seidel. Frankfurt/M: Suhrkamp, 1977.

Frehner, R., and U. Zeller, eds. A Collideorscope of Joyce. Dublin: Lilliput, 1998.

Freund, Gisèle, and V. B. Carleton. James Joyce in Paris: His Final Years. London: Cassell, 1966.

Friedman, Susan Stanford, ed. Joyce: The Return of the Repressed. Ithaca: Cornell UP, 1993. Rev. in English Literature in Transition 37.3 (1994).

Friedrich, Gerhard. "The Perspective of Joyce's Dubliners." College English 26 (1965): 421-26.

Frye, Northrop. "Cycle and Apocalypse in Finnegans Wake." In Frye, Myth and Metaphor: Selected Essays 1974-1988. Ed. Robert D. Denham. Charlottesville: UP of Virginia, 1990. 1991. 356-74.*

Füger, Wilhelm. James Joyce: Epoche-Werk-Wirkung. (Arbeitsbücher für Literaturgeschichte). München: Beck, 1994.

Fuller, David. James Joyce's Ulysses. Hemel Hempstead: Harvester Wheatsheaf, 1992.

Gaipa, Mark. "Culture, Anarchy, and the Politics of Modernist Style in Joyce's 'Oxen of the Sun'." Modern Fiction Studies 41.2 (Summer 1995): 195-219.*

Garcés García, Pilar, and Juan Sanz Gil. "Del sonido al significado: Análisis del primer párrafo de la segunda parte de Finnegans Wake." ES 17 (1993): 119-26.

García Landa, José Ángel. "Reading Notes on Some English Classics." 1981-1982. Online edition (2005):

http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/notes.html

(Sir Gawain and the Green Knight - Utopia - Antony and Cleopatra - The Tempest - Gulliver's Travels - Tom Jones - Great Expectations - Far from the Madding Crowd - The Turn of the Screw - A Portrait of the Artist as a Young Man - Point Counter Point - The Road to Wigan Pier - Under the Volcano - Lord of the Flies - The Human Factor).

García León, Rafael I. "The 'Chittering Waters' of Bloom and Stephen." Papers on Joyce 1 (1995): 29-38.*

_____. "Reading Ulysses at a Gallop." Papers on Joyce 3 (1997): 3-8.*

García Tortosa, Francisco, et al., eds. James Joyce: A New Language: Actas/Proceedings del Simposio Internacional en el Centenario de James Joyce. Sevilla: Publicaciones de la Universidad de Sevilla, 1982. 27-37.

García Tortosa, F., and A. R. de Toro Santos, eds. Joyce en España I. A Coruña: Servicio de Publicaciones de la Universidad, 1994.

_____. Joyce en España II.

Garrett, Peter K. Scene and Symbol from George Eliot to James Joyce: Studies in Changing Fictional Mode. New Haven, 1969.

Gaskell, Philip, and Clive Hart. Ulysses: A Review of Three Texts. Monaco: Princess Grace Irish Library Series.

Genèse de Babel: Joyce et la création. Paris: CNRS, 1985.

Ghiselin, Brewster. "The Unity of Joyce's Dubliners." 1956. Rpt. in Garrett, Twentieth-Century Interpretations of Dubliners 57-85.

Gibert, Teresa. "En el centenario de James Joyce. James Joyce y T. S. Eliot: Ulysses y The Waste Land." Arbor (CSIC) 444 (diciembre 1982): 55-65.

_____. "Sobre Joyce y la alteridad femenina: Hermanas solteras en Dubliners." BELLS (Barcelona English Language and Literature Studies) 6 (1995): 63-70.

Gibson, Andrew. "'History, all That': Revival Historiography and Literary Strategy in the 'Cyclops' Episode in Ulysses." In History and the Novel. Ed. Angus Easson. Cambridge: Brewer, 1991. 53-69.

Gifford, Don. Joyce Annotated. 2nd ed. Berkeley: U of California P, 1982.

Gifford, Don, and Robert J. Seidman. Notes for Joyce: An Annotation of James Joyce's Ulysses. New York: Dutton, 1974.

_____. Ulysses annotated: Notes for James Joyce's Ulysses. London, 1988.

Gilbert, Stuart. James Joyce's Ulysses: A Study. Rev. ed. New York: Vintage-Random House, 1952.

_____. The Art of Joyce's Syntax in Ulysses. Athens: U of Georgia P, 1980.

Groden, Michael L. "The Growth of James Joyce's Ulysses." Diss. Princeton University, 1975.

Guidi, Augusto. Il primo Joyce. Roma: Edizioni di Storia e Letteratura, 1954.

Goldman, Arnold. The Joyce Paradox. Evanston (IL): Northwestern UP, 1966.

Goldberg, S. L. The Classical Temper: A Study of James Joyce's Ulysses. London: Chatto, 1961. 1963.

_____. James Joyce. New York: Barnes, 1962.

Gorman, Herbert. James Joyce. New York: Holt, Rinehart and Winston, 1940.

Gottfried, Roy K. The Art of Joyce's Syntax in Ulysses. Athens: U of Georgia P, 1980.

Griffith, Owen, and Michel Sauer. Feeding the Lion. (James Joyce). Edinburgh: Split Pea Press.

Groden, Michael. Ulysses in Progress. Princeton, 1977.

Gunn, Ian, and Alistair McCleery, eds. Ulysses Pagefinder. Edinburgh: Split Pea Press.

Hanley, Miles L., ed. Word-Index to James Joyce's Ulysses. Madison: U of Wisconsin P, 1937.

Hart, Clive. Joyce, Huston, and the Making of The Dead. Monaco: Princess Grace Irish Library Lectures.

Hart, Clive, and David Hayman, eds. James Joyce's Ulysses: Critical Essays. Berkeley: U of California P, 1974.

Hart, Michael. "'Many Planes of Narrative': A Comparative Perspective on Sterne and Joyce." In Laurence Sterne in Modernism and Postmodernism. Ed. David Pierce and Peter de Voogd. Amsterdam: Rodopi, 1996. 65-80.*

Hassan, Ihab. "Joyce, Beckett, and the Postmodern Imagination." Tri-Quarterly 34 (1975).

_____. "Joyce, Beckett, and the Postmodern Imagination." 1975. In Hassan, Rumors of Change: Essays of Four Decades. Tuscaloosa: U of Alabama P, 1995. 99-119.

Hayman, David. Ulysses: The Mechanics of Meaning. Englewood Cliffs (NJ): Prentice-Hall, 1970.

_____. "'The Pilsener Had the Beer': HCE's Sorry Case." Papers on Joyce 1 (1995): 39-52.*

_____. "Raising in the Grain of the Work: The Arroyo/Ríos Reading of Ulysses." Papers on Joyce 1 (1995): 99-104.*

_____. "Some Writers in the Wake of the Wake." TriQuarterly 38 (Winter 1977). Rpt. in In the Wake of the Wake. Ed. David Hayman and Elliott Anderson. Madison: U of Wisconsin P, 1978.*

Heller, V. Joyce, Decadence, and Emancipation. 1996.

Henke, Suzette, and Elaine Unkeless, eds. Women in Joyce. Brighton: Harvester; Urbana: U of Illinois P, 1982.

Herman, D. "'Sirens' after Schoenberg." James Joyce Quarterly 31 (1994): 473-94.

Hernández Hernández, Manuel Augusto. "El exilio de Stephen." Revista Canaria de Estudios Ingleses 24 (1992): 107-18.

_____. "Posibilidades de análisis lingüístico del vocabulario de Finnegans Wake." Actas del XV Congreso de AEDEAN. Logroño: Colegio Universitario de La Rioja, 1993. 143-9.

Herr, Cheryl. Joyce's Anatomy of Culture. Urbana: U of Illinois P, 1986.

Herring, Philip F., ed. Joyce's Ulysses Notesheets in the British Museum. Charlottesville: UP of Virginia, 1972.

_____. Joyce's Notes and Early Drafts for Ulysses: Selections from the Buffalo Collection. Charlottesville, 1977.

Hidalgo Tenorio, Encarnación. "James Joyce y el Movimiento Dramático Irlandés, o sobre la incomunicación desde el prejuicio: The Day of the Rabblement." The Grove 4 (1997): 445-456.

Hodgart, Matthew. James Joyce: A Student's Guide. London, 1978.

Hollington, Michael. "Svevo, Joyce, and Modernist Time." In Modernism. Ed. Malcolm Bradbury and James McFarlane. 1976. Harmondsworth: Penguin, 1991. 430-42.*

Hughes, Brian. "The Whispering Gallery: Stylistic Echoes in Dubliners." Actas del XV Congreso de AEDEAN. Logroño: Colegio Universitario de La Rioja, 1993. 129-36.

Hühn, Peter. "Functions and Forms of Eventfulness in Narrative Fiction." In Theorizing Narrativity. Ed. John Pier and José Ángel García Landa. (Narratologia, 12). Berlin and New York: Walter de Gruyter, 2008. 141-63.* (Richardson, Pamela; Joyce, "Grace").

_____. "James Joyce: 'Grace' (1914)." In Eventfulness in British Fiction. By Peter Hühn et al. Berlin and New York: De Gruyter, 2010. 125-32.*

Hutcheon, Linda, and S. A. Butler. "The Literary Semiotics of Verbal Irony: The Example of Joyce's 'The Boarding House'." Recherches Sémiotiques / Semiotic Inquiry 1.3 (1981): 244-60.

Hutchins, Patricia. James Joyce's Dublin. 1950.

Iser, Wolfgang. "Doing Things in Style: An Interpretation of 'The Oxen of the Sun' in James Joyce's Ulysses." In Iser, The Implied Reader. Baltimore: Johns Hopkins UP, 1974. 179-95.

_____. "Patterns of Communication in Joyce's Ulysses." In Iser, The Implied Reader: Patterns of Communication in Prose Fiction from Bunyan to Beckett. Baltimore: Johns Hopkins UP, 1974.196-33.*

_____. "Patterns of Communication in Joyce's Ulysses." In A Companion to James Joyce's Ulysses. Ed. Margot Norris. Boston: Bedford, 1998. 108-28.

_____. "Ulysses and the Reader." In Iser, Prospecting: From Reader Response to Literary Anthropology. Baltimore: Johns Hopkins UP, 1989. Pbk. 1993. 131-39.*

Jackson, Tony E. The Subject of Modernism: Narrative Alterations in the Fiction of Eliot, Conrad, Woolf, and Joyce. Rev. by Frank C. Manista in James Joyce Quarterly 34.3 (Spring 1997): 405-411.*

Jacquet, Claude. Joyce et Rabelais: aspects de la création verbale dans Finnegans Wake. Paris: Didier, 1973.

_____, ed. Génése de Babel: Joyce et la création. Paris: CNRS, 1985.

Jaurretche, Colleen. The Sensual Philosophy: Joyce and the Aesthetics of Mysticism. Madison: U of Wisconsin P, c. 1999.

Jefferson, Ann. "The Place of Free Indirect Discurse in the Poetics of Fiction: With Examples from Joyce's 'Evelina'." Essays in Poetics 5 (1980): 36-47.

Jones, Jennifer Waldron. "Performance of the Narrator in James Joyce's Ulysses." DAI 38.3 (1977): 1120A.

Joyce: A Portrait of the Artist as a Young Man. (Brodie's Notes). Houndmills: Macmillan.

Kain, Richard. Fabulous Voyager: James Joyce's Ulysses. 1947.

Kelly, H. A., S. J. "Consciousness in the Monologues of Ulysses." Modern Language Quarterly 24 (1963): 3-12.

Kenner, Hugh. Dublin's Joyce. Bloomington: Indiana UP, 1956.

_____. The Stoic Comedians: Flaubert, Joyce and Beckett. 1962. Berkeley: U of California P, 1974.

_____. The Pound Era: The Age of Ezra Pound, T. S. Eliot, James Joyce and Wyndham Lewis. London: Faber and Faber, 1975.

_____. Joyce's Voices. London: Faber, 1978.

_____. "The Computerized Ulysses." Harper's (April 1980): 89-95.

_____. Ulysses. London: Allen, 1980.

_____. The Mechanic Muse. New York: Oxford UP, 1987.

Kershner, R. Brandon. "Modernism and Popular Culture: Joycean and Eliotic Examples." Papers on Joyce 3 (1997): 9-20.*

Kenner, Hugh. The Pound Era. Berkeley (CA), 1971.

_____. The Pound Era: The Age of Ezra Pound, T. S. Eliot, James Joyce and Wyndham Lewis. London: Faber and Faber, 1972. 1975.

Kettle, Arnold. "James Joyce: Ulysses." In Kettle, An Introduction to the English Novel. London: Hutchinson, 1953. 2.135-51.

_____. "The Consistency of James Joyce." InThe Modern Age. Vol. 7 of The Pelican Guide to English Literature. Ed. Boris Ford. Harmondsworth: Penguin, 1961. 2nd ed. 1963. 301-14.*

Kiberd, Declan. "The Vulgarity of Heroics: Joyce's Ulysses." In Bushrui and Benstock 1982: 156-69.

Kidd, John. "An Inquiry into Ulysses: The Corrected Text." Papers of the Bibliographical Society of America 82.4 (1988): 411-584.

_____. "Errors of Execution in the 1984 Ulysses." Studies in the Novel 22 (1990): 243-49.

Kiely, Robert. Beyond Egotism: The Fiction of James Joyce, Virginia Woolf, and D. H. Lawrence. Cambridge (MA): Harvard UP, 1980.

Kimpel, Ben D. "The Voices of Ulysses." Style 9 (1975): 283-319.

Klitgård, Ilda (Roskilde U, Denmark). "'The Irresistible Tug of the Tides: The Danish Translations of Stylistic Shapeshifting in the 'Proteus' Episode of James Joyce's Ulysses." Language and Literature 15.2 (2006): 141-58.*

Kolocotroni, Vassiliki. "'Familiar Materials': Joyce among Europeans." Miscelánea 20 (1999): 209-22.*

Kristeva, Julia. "Joyce 'The Gracehoper' or Orpheus's Retun." In Kristeva, The New Maladies of the Soul. New York: Columbia UP, 1996. 172-88.*

Kross, Richard K. Flaubert and Joyce: The Rite of Fiction. Princeton (NJ): Princeton UP, 1971.

Lamos, Colleen. "Signatures of the Invisible: Homosexual Secrecy and Knowledge in Ulysses." James Joyce Quaterly 31.2 (1994) *

_____. "James Joyce and the English Vice." Novel. A Forum on Fiction (Fall 1995): 19-31.*

Landuyt, Ingeborg. "Shaun and His Post: La poste et les moyens de communication in VI B 16." Papers on Joyce 3 (1997): 21-48.*

Lawrence, Karen. The Odyssey of Style in Ulysses. Princeton: Princeton UP, 1981.

_____. "Style and Narrative in the 'Ithaca' Chapter of Joyce's Ulysses." Journal of English Literary History 47 (1980): 559-74.

_____, ed. Transcultural Joyce. Cambridge: Cambridge UP, 1998.

Lawson, David. "Chamber Music XXXVI As Prototaxic Experience". James Joyce Quarterly 24 (1986): 83-85.

Lázaro, Luis Alberto. "James Joyce and Juan Goytisolo: Echoes from Ulysses in Reivindicación del Conde Don Julián." Papers on Joyce 2 (1996): 25-34.*

_____. (Alberto Lázaro). "James Joyce and the Embodiment of Blasphemy: The Banning of Stephen Hero in Spain." RANAM: Recherches anglaises et nord-américaines no. 36 (2003): ESSE 6—Strasbourg 2002. 1- Literature. Gen. ed. A. Hamm. Sub-eds. Claire Maniez and Luc Hermann. Strasbourg: Université Marc Bloch, Service des périodiques, 2003. 161-68.*

Leavis, F. R. "Joyce and 'The Revolution of the Word'." Scrutiny 2 (1933).

_____. "James Joyce and the Revolution of the Word." In The Importance of Scrutiny. Ed. Eric Bentley. New York: New York UP, 1948.

_____. "James Joyce and the Revolution of the Word." In Leavis, The Critic as Anti-Philosopher. 121-8.

Lecercle, Jean-Jacques. "Interlude 2: Making Sense of Literature—Joyce, cummings, Woolf." In Lecercle, Deleuze and Language. Houndmills: Palgrave Macmillan, 2002. In Lecercle, Deleuze and Language. Houndmills: Palgrave Macmillan, 2002. 132-53.*

Lechte, John. Fifty Key Contemporary Thinkers. 1994.

_____. 50 pensadores contemporáneos esenciales. Trans. Mª Luisa Rodríguez Tapia. Madrid: Cátedra, 1996.

Leonard, Garry. "Cultural Contexts and Poststructuralism: The Truth about Joyce´s Fiction." Novel 24.1: 86-99.*

_____. "The City, Modernism, and Aesthetic Theory in A Portrait of the Artist as a Young Man." Novel. A Forum on Fiction (Fall 1995): 79-99.*

Lernout, Geert. The French Joyce. Ann Arbor: U of Michigan P, 1990.

_____. "Further Notes Toward a Reading Proposal: Work in Progress and Finnegans Wake." Papers on Joyce 2 (1996): 35-40.*

Lernout, Geert, and Wim Van Mierlo (eds.), The Reception of James Joyce in Europe. Rev. in BELL ns 2 (2004).

Levenston, E. A. "Narrative Technique in Ulysses: A Stylistic Comparison of 'Telemachus' and 'Eumaeus'." Language and Style 5 (1972): 260-75.

Levin, Harry. James Joyce. 1944.

_____. "James Joyce." Atlantic Monthly (Dec. 1946): 125-9.

Levin, Lawrence L. "The Sirens Episode as Music: Joyce's Experiments in Prose Poliphony." James Joyce Quarterly 3 (1965): 12-24.

Levine, Jeniffer. "Rejoycings in Tel Quel." James Joyce Quarterly 16.1/2 (1978-1979): 17-26.

_____. "Originality and Repetition in Finnegans Wake and Ulysses." PMLA 94.1 (1979): 106-20.

Lewiecki-Wilson, Cynthia.Writing Against the Family: Gender in Lawrence and Joyce. Carbondale: Southern Illinois UP, 1994.

Lillyman, W. J. "The Interior Monologue in James Joyce and Otto Ludwig." Comparative Literature 23 (1971): 45-54.

Litz, A. Walton. The Art of James Joyce. London: Oxford UP, 1961.

Llamas Muñoz, Mª Eugenia. "Una aproximación a la traducción de las variaciones dialectales en James Joyce: Ulysses." Actas del XV Congreso de AEDEAN. Logroño: Colegio Universitario de La Rioja, 1993. 137-42.

Lobner, Corina del Greco. "James Joyce's 'Tilly' and Gabriele D'Annunzio's 'I Pastori d'Abruzzo'".James Joyce Quarterly 9 (1972): 383-89.

López-Peláez Casellas, Jesús. (U de Jaén). "The Lost Leader: C. S. Parnell in the Writings of J. Joyce." The Grove 1 (1996): 61-72.*

Lorenzo Modia, María Jesús. "Stephen Dedalus into Spanish and Back into English: Genesis of the Translations." Galician Review 1 (1997): 52-61.

Losada Goya, José Manuel. "Paradojas de la Analogía en Ulysses de Joyce." In De Baudelaire a Lorca. Ed. Manuel Losada et al. Kassel: Reichenberger, 1996. 407-18.*

Loss, Archie K. "The Use of Collage in 'Aeolus'." Journal of Modern Literature 9 (1982): 175-82.

Lothe, Jakob. "James Joyce's 'The Dead' and John Huston's The Dead." In Lothe, Narrative in Fiction and Film: An Introduction. Oxford: Oxford UP, 2000. 127-56.*

Loy, Mina. "Joyce's Ulysses." In The Last Lunar Baedeker. Ed. Roger L. Conover. Highlands (NC): Jargon Society, 1982, 20-22. Rpt. in The Gender of Modernism. Ed. Bonnie Kime Scott. Bloomington: Indiana UP, 1990: 248-9.

MacCabe, Colin. James Joyce and the Revolution of the Word. London: Macmillan, 1978.

MacCarthy, Anne. "'Ireland Is the Old Sow that Eats Her Farrow'." Papers on Joyce 2 (1996): 41-48.*

_____. "Joyce and the Irish Literary Tradition: Major Writing and Minor Writing." In Estudios de literatura en lengua inglesa del siglo XX, 3. Ed. P. Abad, J. M. Barrio and J. M. Ruiz. 1996.

MacCarthy, Desmond. "James Joyce's Exiles." In Desmond MacCarthy: The Man and His Writings. Introd. David Cecil. London: Constable, 1984. 220-6.

Macura, Vladimir. "Polysemantization as a Constructional Principle in James Joyce's Novel." Umana 20 (1971): 36-37.

Maddox, James H., Jr. Joyce's Ulysses and the Assault upon Character. New Brunswick: Hassocks, 1978.

Magalaner, Marvin, and Richard M. Kain. Joyce: The Man, the Work, the Reputation. New York: New York UP, 1956.

Mahaffey, Vicki. Reauthorizing Joyce. 1988.

_____. "Fascism and Silence: The Coded History of Amalia Popper." James Joyce Quarterly 32.3-4 (Spring / Summer 1995): 501-22.*

Manglaviti, Leo M. J. "The Consistency of Multi-Perspectival Narration in James Joyce's Ulysses." DAI 34.6 (1973): 3413A.

Marías, Javier. Literatura y fantasma. Madrid: Siruela, 1993.

Marichalar, Antonio. "James Joyce en su laberinto." Revista de Occidente 146-7 (1993): 35-54.

Martin, Tim. "The 1997 Trieste Joyce School." James Joyce Quarterly 35.1 (Fall 1997): 16-17.

Martin, Timothy, and Vincent J. Cheng, eds. Joyce in Context. New York: Cambridge UP, 1992. Rev. in English Literature in Transition 37.3 (1994).

Martín Mingorance, Leocadio. "Motivación lúdica y creación léxica en Ulysses: apuntes para un fragmento de una gramática textual." In James Joyce: A New Language: Actas/ Proceedings del Simposio Internacional en el Centenario de James Joyce." Ed. Francisco García Tortosa. Sevilla: Publicaciones de la Universidad de Sevilla, 1982. 133-44.

Martinez, Horacio. "James Joyce's Ulysses and Dentistry." Bulletin of the History of Dentistry.

Mason, Ellsworth. "The 'Oxen of the Sun'." Analyst 10 (March 1956): 10.

Mason, Michael. James Joyce: Ulysses. London, 1972.

McCabe, Colin. James Joyce and the Revolution of the Word. London, 1978.

_____, ed. James Joyce: New Perspectives. Hemel Hempstead: Harvester Wheatsheaf, 1991.

McCleery, Alistair. "A Curious History: United Kingdom Government Reaction to Ulysses." James Joyce Quarterly 32.3-4 (Spring / Summer 1995): 631-40.*

Mc Cormack, W. J. "James Joyce: Bás nó Beatha." In Mc Cormack, From Burke to Beckett. Cork: Cork UP, 1994. 257-301.*

McDonald, Michael Bruce. "'Circe' and the Uncanny, or Joyce from Freud to Marx." James Joyce Quarterly 33.1 (Fall 1996): 49-68.*

McGrath, F. C. "Ulysses and the Pragmatic Semiotics of Modernism." Comparative Literature Studies 19 (1982): 164-74.

McLuhan, Marshall. The Gutenberg Galaxy: The Making of Typographic Man. Toronto: U of Toronto P, 1962. (Governor-General's Award for Non-Fiction, 1962).

_____. The Gutenberg Galaxy: The Making of Typographic Man. New York: Signet, 1969.

_____. La galaxia Gutenberg. Trans. Juan Novella. Introd. Javier Echeverría. (Biblioteca Universal, Ensayo Contemporáneo) Barcelona: Círculo de Lectores, 1998.*

_____. War and Peace in the Global Village. 1968.

_____. "Joyce, Mallarmé, and the Press." In Essential McLuhan. Routledge 1995.

McNelly, Willis E. "Science Fiction in the Wake of James Joyce." /drmcnelly/willis11.html

2004-06-05

Melchiori, Giorgio. Joyce: Il mestiero Dello Scrittore. By Giorgio Melchiori. Torino: Einaudi, 1994.

Michels, James. "The Role of Language in Consciousness: A Structuralist Look at 'Proteus' in Ulysses." Language and Style 15.1 (1982): 23-32.

Milesi, Laurent. "In-Law and Out-Lex: Some Linguistic Aspects of 'Barbarity' and Nationalism in Ulysses and Finnegans Wake." Papers on Joyce 3 (1997): 57-122.*

_____. "In the Beginning Was the Nil: Finnegans Wake and the Postmodern 'Rhetoric of Silence'." In Anatomies of Silence. Ed. Ann R. Cacoullos and Maria Sifianou. Athens: U of Athens, 1998. 114-27.*

Millán-Varela, Carmen. "Hearing Voices: James Joyce, Narrative Voice and Minority Translation." Language and Literature 13.1 (2004): 37-54.* (Special issue on "Translation and Style").

Miller, J. Hillis. "From Narrative Theory to Joyce; from Joyce to Narrative Theory." In The Seventh of Joyce. Ed. Bernard Benstock. Bloomington: Indiana UP; Brighton: Harvester, 1982.

Miroiu, Mihai. "The Makers of the Stream of Consciousness Novel." Analele Universitatii Bucuresti (Limbi germanice) 19 (1970): 139-49.

_____. "In the Stream: James Joyce and Virginia Woolf." Analele Universitatii Bucuresti (Limbi germanice) 20 (1971): 145-57.

Mitchell, Breon. "Hans Henny Jahnn and James Joyce: The Birth of the Inner Monologue in the German Novel." Arcadia 6 (1971): 44-71.

Morales Ladrón, Marisol. "The Impact of James Joyce on the Work of Juan Ramón Jiménez." Papers on Joyce 2 (1996): 49-66.*

_____. "James Joyce y la reescritura de Stephen Dedalus: 'A shape that can't be changed?'" In Proceedings of the 22nd International Conference of AEDEAN (Asociación Española de Estudios Anglonorteamericanos). Lleida, 17-19 December 1998. Ed. Pere Gallardo and Enric Llurda. Lleida: Edicions de la Universitat de Lleida, 2000. 453-56.*

_____. "La temporalidad bergsoniana en las estéticas de Antonio Machado y James Joyce." BELLS 13 (Autumn 2004):

http://www.publicacions.ub.es/revistes/bells13/

_____. Las poéticas de James Joyce y Luis Martín-Santos: Aproximación a un estudio de deudas literarias. (Perspectivas Hispánicas). Bern: Peter Lang, 2005.

Moreno-Duran, R. H. "El linaje lunar de Molly Bloom." Quimera 118 (1993): 54-63.

Morrison, Mark. "Stephen Dedalus and the Ghost of the Mother." Modern Fiction Studies 39.2 (1993)*

Moynahan, Julian. "Nabokov and Joyce." In The Garland Companion to Vladimir Nabokov. Ed. Vladimir Alexandrov. New York: Garland, 1995. 433-44.*

Murillo, Luis Andrés. The Cyclical Night: Irony in James Joyce and Jorge Luis Borges. Cambridge (MA): Harvard UP, 1968.

Murphy, Michael. "'Protheus' and Prose: Paternity or Workmanship?" James Joyce Quarterly 35.1 (Fall 1997): 71-82.

Nabokov, Vladimir. "James Joyce, Ulises." In Nabokov, Curso de literatura europea. Trans. Francisco Torres Oliver. Barcelona: Ediciones B, 1987. 407-526.*

_____. Lectures on Ulysses. Facsimile of the manuscript. With a foreword by A. Walton Litz. Bloomfield Hills (MI): Bruccoli Clark, 1980.

_____. Lectures on Ulysses. Columbia (SC): Bruccoli Clark, 1981.

Nalbantian, Suzanne. Aesthetic Autobiography: From Life to Art in Marcel Proust, James Joyce, Virginia Woolf and Anais Nin.

_____. "5. Woolf, Joyce and Faulkner: Associative Memory." In Nalbantian, Memory in Literature: From Rousseau to Neuroscience. Houndmills: Palgrave Macmillan, 2003. 77-99.*

Navarrete Franco, Ricardo. "Alliteration and Reading in Finnegans Wake." Papers on Joyce 1 (1995): 53-60.*

Newman, Robert D., and Weldon Thornton, eds. Ulysses: The Larger Perspective. London, 1987.

Nørgaard, Nina. Systemic Functional Linguistics and Literary Analysis: A Hallidayan Approach to Joyce / A Joycean Approach to Halliday. Odense: UP of Southern Denmark, 2003.

Norris, Margot. The Decentered Universe of Finnegans Wake: A Structuralist Analysis. Baltimore: Johns Hopkins UP, 1976.

_____. "Gambling with Gambles in 'Two Gallants'." Novel. A Forum on Fiction (Fall 1995): 32-44.*

_____. "Undone by Ulysses: A Virgin Reading of the Novel." James Joyce Journal 10.2 (2004): 13-28.

_____, ed. Joyce's Web: The Social Unraveling of Modernism. (Reviewed by Garry Leonard).James Joyce Quaterly 32.2 (1995) *

Norris. "The 'unhappy mania' and Mr. Bloom's Cigar: Homosexuality and the Works of James Joyce." James Joyce Quaterly 31.2 (1994) *

Oates, Joyce Carol. "Jocoserious Joyce." Critical Inquiry 2 (1976): 677-88.

O'Connor, Frank [Michael O'Donovan]. "Work in Progress." In O'Connor, The Lonely Voice: A Study of the Short Story. New York: World Publishing Co., 1963. 113-27. Rpt. in Garrett, Twentieth-Century Interpretations of Dubliners 18-26.

_____. "Work in Progress." In Dubliners: Text, Criticism, and Notes. Ed. Robert Scholes and A. Walton Litz. New York: Viking, 1967. 304-15.

O'Hehir, Brendan, and John M. Dillon. A Classical Lexicon for Finnegans Wake. Barkeley: U of California P, 1977.

Oliva Cruz, Juan Ignacio. "James Joyce: El exilio como sustento narrativo." Revista Canaria de Estudios Ingleses 21 (1990): 179-86.

Owens, Cólilín. "The University of Virginia Conference on Ulysses." James Joyce Quarterly 35.1 (Fall 1997): 18

Pardo, Pedro Javier. "Female Characters in A Portrait of the Artist as a Young Man: A Text within the Text." Estudios Ingleses de la Universidad Complutense 2 (1994): 157-84.*

Paris, Jean. Joyce par lui-même. (Ecrivains de toujours). Paris: Seuil, 1957.*

Parrinder, Patrick. James Joyce. Cambridge, 1984.

_____. "On Geert Lernout's 'The Real "Scandal" of Ulysses'." European English Messenger 2.2 (1993): 35-6.

Pascual Soler, Mª Nieves. "Joyce's Dubliners as Postmodern Anti-Detective Stories." Actas del XXI Congreso Internacional de AEDEAN. Ed. F. Toda et al. Sevilla: U de Sevilla, 1999. 365-70.*

Pearce, Richard. The Politics of Narration: James Joyce, William Faulkner, and Virginia Woolf. (Reviewed by Bonnie Kime Scott). James Joyce Quaterly 31.2 (1994) *

Pearce, Richard, ed. Molly Blooms: A Polylogue on 'Penelope' and Cultural Studies. Madison: U of Wisconsin P, 1994.

Pelaschiar, Laura. "'In All Habitable Lands and Islands Explored or Unexplored': Politics and Poetics of Space in Joyce's Ulysses." In Transits: The Nomadic Geographies of Anglo-American Modernism. Ed. Giovanni Cianci, Catherine Patey and Sara Sullam. (Cultural Interactions: Studies in the Relationships between the Arts, 18). Oxford, Bern, Berlin, Brussels, Frankfurt a/M, New York, Vienna, 2010. 123-42.*

Pérez-Llantada Auría, Carmen. "Joyce's Ulysses: A Writer's Commitment to the (Scientific) Sign of the Times." Papers on Joyce 2 (1996): 67-78.*

Pier, John. "Dimensions de la parodie dans 'Les Morts' de Joyce." In Mélanges offerts à Jean Peytard. (Annales Littéraires de l'Université de Besançon). Besançon: U of Besançon, 1994. 1.203-210.

Piette, Adam. Remembering the Sound of Words: Mallarmé, Proust, Joyce, Beckett. Oxford: Clarendon Press, 1996.

Pinto Basto, Inês Lage. "Caminhos para mais do que a India: A Redescoberta da América no Mundo Tódo as Sós de Crane, Joyce e Pessoa." Op.Cit. 1 (1998): 107-30.*

Platt, L. H. "The Buckeen and the Dogsbody: Aspects of History and Culture in 'Telemachus'." James Joyce Quarterly 27 (1989): 77-87.

Pollak, Paulina Salz. "Joyce's Use of the Structural Pattern from Mozart's Don Giovanni in the 'Circe' Chapter of Ulysses." English Language Notes 36.1 (September 1998): 51-58.

Pound, Ezra. Pound / Joyce: The Letters of Ezra Pound to James Joyce, with Pound's Essays on Joyce. Ed. Forrest Reid. London: Faber and Faber, 1968.

Power, Mary, and Ulrich Schneider, eds. New Perspectives on Dubliners. (European Joyce Studies 7). Amsterdam: Rodopi, c. 1997.

Pozo Montaño, Mª Ángeles. "Apuntes sobre el léxico de James Joyce y Seamus Heaney." In New Perspectives on English Studies. [32nd International Conference of AEDEAN, Nov. 2008]. CD-ROM. Ed. Marian Amengual et al. Palma: U de les Illes Balears, 2009.*

Pringle, Mary Beth. "Funfersum: Dialogue as Metafictional Technique in the Cyclops Episode of Ulysses." James Joyce Quarterly 18.4 (1981): 115-21.

Pringle, Mary Beth, and Donald Ross, Jr. "Dialogue and Narration in Joyce's Ulysses." In Computing in the Humanities: Proceedings of the Third International Conference on Computing in the Humanities. Waterloo (ON): U of Waterloo P, 1977.

Purdue, T. "Joyce (1882-1941)." In A History of European Literature. Ed. Annick Benoit-Dusausoy and Guy Fontaine. London: Routledge, 2000. 573-76.*

Rabaté, Jean-Michel. Joyce: Portrait de l'auteur en autre lecteur. Petit-Rœlx: Cistre, 1984.

_____. "James Joyce (1882-1941): Theories of Literature." In The Edinburgh Encyclopaedia of Modern Criticism and Theory. Ed. Julian Wolfreys et al. Edinburgh: Edinburgh UP, 2002. 673-80.*

Rademacher, Jörg. "Anglo-German Adolescent Portraits." Papers on Joyce 2 (1996): 79-92.*

_____. James Joyce's Own Image: Über die allmähliche Verfertigung der Begriffe 'Image' und 'Imagination' beim Schreiben in A Portrait and Ulysses. Münster: Waxmann, 1993.

_____. James Joyce's Other Image: Essays in Joyce Criticism. Münster: Lit Verlag, 1996.

_____. "Totalized (Auto-)Biography as Fragmented Intertextuality: Shakespeare, Sterne, Joyce." In Laurence Sterne in Modernism and Postmodernism. Ed. David Pierce and Peter de Voogd. Amsterdam: Rodopi, 1996. 81-86.*

Rader, R. "Defoe, Richardson, Joyce, and the Concept of Form in the Novel." In Autobiography, Biography, and the Novel. Ed. W. Matthews and R. Rader. Los Angeles: William Andrews Clark Memorial Library, UCLA, 1973. 31-72.

Radford, F. L. "King, Pope, and Hero-Martyr: Ulysses and the Nightmare of Irish History." James Joyce Quarterly 15 (1978): 275-323.

Rainsford, Dominic. Authorship, Ethics, and the Reader: Blake, Dickens, Joyce. Basingstoke: Macmillan, 1997.

Ransom. (On Finnegans Wake). Kenyon Review 1.4.

Rasula, Jed. "Finnegans Wake and the Character of the Letter." James Joyce Quarterly 34.4 (Summer 1997): 517-530

Rathjen, Friedhelm. "Thorne Smith in the Wake: Arno Schmidt's Neglected Recommendation." Papers on Joyce 2 (1996): 93-98.*

Readdy, Coral Ann. "An Approach to the Stream of Consciousness in Ulysses." Gahlmara (Brisbane) (1963): 14-16.

Restivo, Giuseppina. "The 'Ulyssean' and the 'Kolossalich': Joyce and de Chirico in Beckett's Endgame." In Transits: The Nomadic Geographies of Anglo-American Modernism. Ed. Giovanni Cianci, Catherine Patey and Sara Sullam. (Cultural Interactions: Studies in the Relationships between the Arts, 18). Oxford, Bern, Berlin, Brussels, Frankfurt a/M, New York, Vienna, 2010. 165-86.*

Reynolds, Mary T. "Joyce's Villanelle and D'Annunzio's Sonnet Sequence". Journal of Modern Literature 5 (1976): 19-45.

Rice, Thomas Jackson. "Ulysses, Chaos, and Complexity." James Joyce Quaterly 31.2 (1994) *

Richardson, Brian. "Beyond the Poetics of Plot: Alternative Forms of Narrative Progression and the Multiple Trajectories of Ulysses." In A Companion to Narrative Theory. Ed. James Phelan and Peter J. Rabinowitz. Malden (MA): Blackwell, 2005. 167-80.*

_____. "Bad Joyce: Anti-Aesthetic Practices in Ulysses." Hypermedia Joyce Studies 7.1 (Feb. 2006):

/hypermedia.joyce

2008-02-20

_____. "Unnatural Voices in Ulysses: Joyce's Postmodern Modes of Narration." In Strange Voices in Narrative Fiction. Ed. Per Krogh Hansen et al. Berlin and New York: De Gruyter, 2011. 253-63.*

Río Molina, Benigno del. "Mr. Deasy y el Caballero del Verde Gabán: Un estudio comparativo entre Ulysses y Don Quijote." In AEDEAN XXX: Proceedings of the 30th International AEDEAN Conference. [Huelva, 2006]. Ed. María Losada Friend et al. Huelva: U de Huelva, 2007.*

_____. "Las aventuras de Bloom en 'Circeland': Presencia de Lewis Carroll en Ulises." In aedeanXXXIII, Cádiz 12-14 Nov. 2009. Ed. R. Galán et al. CD-ROM. Cádiz: Servicio de Publicaciones, U de Cádiz, 2010.*

_____. "L'Écriture ouverte: Instrucciones para (des)gramaticalizar a Molly Bloom." In aedeanXXXIII, Cádiz 12-14 Nov. 2009. Ed. R. Galán et al. CD-ROM. Cádiz: Servicio de Publicaciones, U de Cádiz, 2010.*

Riquelme, John Paul. "Modes of Consciousness in James Joyce's Ulysses." DAI 38.6 (1977): 3488A.

_____. "Enjoying Invisibility: The Myth of Joyce's Impersonal Narrator." In The Seventh of Joyce. Ed. Bernard Benstock. Bloomington: Indiana UP. Brighton: Harvester, 1982.

_____. Teller and Tale in Joyce's Fiction: Oscillating Perspectives. Baltimore: Johns Hopkins UP, 1983.

Risco, Vicente. "Dedalus en Compostela: Pseudoparáfrasis." Trans. Maria Jesús Lorenzo Modia. In Joyce en España I. Ed. Francisco García Tortosa and Antonio Raúl de Toro Santos. A Coruña: Servicio de Publicaciones de la Universidad, 1994. 121-32. Filmed as Dedalus in Compostela. VHS. Oleiros: Servicio de Medios Audiovisuales de la Universidade da Coruña, 1998.

_____. "Dedalus en Compostela: Pseudoparáfrasis." Trans. Maria Jesús Lorenzo Modia. Espéculo: Revista de estudios literarios 3.7 (1997): 1-10.

http://www.ucm.es/OTROS/ especulo/numero7/v-risco.htm

_____. "Dedalus in Compostela: A Pseudoparaphrase." Trans. María Jesús Lorenzo Modia and David Clark. Galician Review 1 (1997): 62-72; Risco 3.7 (1997): 1-11.

Rocco, John. "Drinking Ulysses: Joyce, Bass Ale, and the Typography of Cubism." James Joyce Quaterly 33.3: 399-410.*

Rodríguez López-Vázquez, Alfredo. "Hamlet, Laforgue, and Joyce." Papers on Joyce 2 (1996): 99-104.*

Romera, Antonio R. "El monólogo silente en Galdós y en Joyce." Atenea 257-258 (1946): 373-79.

Rose, Danis, and John O'Hanlon, eds. The Lost Notebook. Edinburgh: Split Pea Press.

Roughley, Alan. James Joyce and Critical Theory: An Introduction. Hemel Hempstead: Harvester Wheatsheaf, 1991.

Russel, Myra Teicher. James Joyce's 'Chamber Music': The Lost Song Settings. Bloomington: Indiana UP, 1993. Rev. in English Literature in Transition 37.4 (1994).

Ryf, Robert S. A New Approach to Joyce: The Portrait of the Artist as a Guide Book. Berkeley: U of California P, 1962.

Sandquist, Brigitte L. "The Tree Wedding in 'Cyclops' and the Ramifications of Cata-logic." James Joyce Quaterly 33.2 (Winter 1996): 195-210.*

Sandulescu, C. George. The Joycean Monologue. Bucharest: Contemporary Literature Press, 2010.

_____. In Arnold Goldman. Synge's The Aran Islands: A World of Grey. C. George Sandulescu. Joyce & Vico & Linguistic Theory. Monaco: Princess Grace Irish Library Lectures.

Sandulescu, C. George, and Clive Hart, eds. Assessing the 1984 Ulysses. Monaco: Princess Grace Irish Library Series.

Schechner, Mark. Joyce in Nighttown: A Psychoanalytic Inquiry into Ulysses. Berkeley: U of California P, 1974.

Schoenberg, E. I. "The Identity of the 'Cyclops' Narrator in James Joyce's Ulysses." Journal of Modern Literature 6 (1976): 534-39.

Scholes, Robert. "James Joyce, Irish Poet". James Joyce Quarterly 2 (1965): 255-70.

_____. "Semiotic Approaches to Joyce's 'Eveline'." In Scholes, Semiotics and Interpretation. New Haven: Yale UP, 1982. 87-109.

_____. In Search of James Joyce. Urbana: U of Illinois P, 1992.

Scholes, Robert, and Richard M. Kain, eds. The Workshop of Daedalus: James Joyce and the Raw Materials for A Portrait of the Artist as a Young Man. Evanston: Northwestern UP, 1965.

Schoonbroodt, Jean. Point of View and Expressive Form in James Joyce's Ulysses. Eupen (Belgium): The Author, 1967.

Schork, R. J. "Significant Names in Finnegans Wake 46.20 and 371.22." James Joyce Quarterly 34.4 (Summer 1997): 505-516

_____. Greek and Hellenic Culture in Joyce. (Florida James Joyce Series). UP of Florida, 1998.

Schutte, M. Joyce and Shakespeare: A Study in the Meaning of Ulysses. New Haven: Yale UP, 1957.

Schutte, William M., and Erwin R. Steinberg. "The Fictional Technique of Ulysses." In Approaches to Ulysses: Ten Essays. Ed. Thomas F. Staley and Bernard Benstock. Pittsburgh: U of Pittsburgh P, 1970. 157-78.

Schwarz, Daniel R. Reading Joyce's Ulysses. Basingstoke: Macmillan; New York: St. Martin's, 1987.

_____. "'Tell Us in Plain Words': An Introduction to Reading Joyce's Ulysses." The Journal of Narrative Technique 17.1 (1987): 25-38.*

Scott, Bonnie Kime. Joyce and Feminism. Bloomington: Indiana UP, 1984.

_____. James Joyce. Hemel Hempstead: Harvester Wheatsheaf, 1987.

Seed, David. James Joyce's A Portrait of the Artist as a Young Man. Hemel Hempstead: Harvester Wheatsheaf, 1992.

Seidel, Michael. "James Joyce." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 765-88.*

_____. James Joyce: A Short Introduction. (Blackwell Introductions to Literature). Oxford: Blackwell, 2002.

Senn, Fritz. "Hawklike Man?" Papers on Joyce 1 (1995): 61-68.*

_____. "Off the Mark: The Thematic Dispersion of 'Hamarte'." Papers on Joyce 2 (1996): 105-16.*

_____, ed. New Light on Joyce from the Dublin Symposium. Bloomington: Indiana UP, 1972.

_____, ed. James Joyce, Hades: Ein Beispiel aus dem Ulysses, Englisch-Deutsch. Trans. Hans Wollschläger. Rev. by Manfred Jahn. James Joyce Quarterly 32.3-4 (Spring / Summer 1995): 774-77.

Servidei, Brunella. "En la estética del sueño: la traducción española del Finnegans Wake." Quimera 122 (1994): 45-51.

Shawcross, John T. "'Tilly' and Dante". James Joyce Quarterly 7 (1969): 61-64.

Shloss, Carol Loeb. "Joyce's Will." Novel. A Forum on Fiction (Fall 1995): 114-127.*

Simons, Jeffrey, José María Tejedor Cabrera, Margarita Estévez Saá and Rafael I. García León, eds. Silverpowdered Olivetrees: Reading Joyce in Spain. Sevilla: Secretariado de Publicaciones de la Universidad de Sevilla, 2003.

Slote, Sam. "Swerving Shores, Bendings Abeyed." Papers on Joyce 2 (1996): 117-24.*

_____. "Nulled Thought: The Desistance of Ulyssean Narrative in Finnegans Wake." James Joyce Quarterly 34.4 (Summer 1997): 531-542.

Smith, Craig C. "Joyce's Ulysses: Dimensions of the Sacred at Sandymount." English Language Notes. 27.4 (1990): 57-62.

Smith, Paul Jordan. A Key to the Ulysses of James Joyce. 1927. San Francisco: City Lights, 1970.

Sollers, Philippe. "Joyce and Co." Trans. Stephen Heath. Tel Quel 64 (1975): 3-13.

_____. "Joyce & Co." TriQuarterly 38 (Winter 1977). Rpt. in In the Wake of the Wake. Ed. David Hayman and Elliott Anderson. Madison: U of Wisconsin P, 1978. 107-21.*

Solomon, Margaret C. "Character as a Linguistic Mode: A New Look at Stream-of-Consciousness in Ulysses." In Ulysses cinquante ans après: témoignages franco-anglais sur le chef-d'œuvre de James Joyce. Paris: Didier, 1974.

Somer, John. "The Self-Reflexive Arranger in the Initial Style of Joyce's Ulysses." James Joyce Quaterly 31.2 (1994) *

Sosnoski, James J. "Story and Discourse and the Practice of Literary Criticism: 'Araby', a Test Case." James Joyce Quarterly 18 (1981): 255-65.

Sosnoski, James J., et al. "Analyzing 'Araby' As Story and Discourse: A Summary of the MURGE Project." James Joyce Quarterly 18 (1981): 237-54.

Spencer, John. "A Note on the 'Steady Monologuy of the Interiors." Review of English Literature 6.2 (1965): 32-41.

Spiegel, Alan. "Flaubert to Joyce: Evolution of a Cinematographic Form." Novel 6 (1973): 229-43.

Spoo, Robert. "Unpublished Letters of Ezra Pound to James, Nora, and Stanislaus Joyce." James Joyce Quarterly 32.3-4 (Spring / Summer 1995): 533-82.*

Spraggins, Mary Pringle. "A Stylistic Analysis of Dialogue and Narrative Modes in James Joyce's Ulysses." DAI 38.6 (1977): 3490A.

Staley, Thomas F. "A Beginning: Signification, Story, and Discourse in Joyce's 'The Sisters'." Genre 12 (1979): 533-49.

Staley, Thomas F., and Bernard Benstock, eds. Approaches to Ulysses: Ten Essays. Pittsburgh: U of Pittsburgh P, 1970.

Stanier, Michael. "The Void Awaits Surely All Them That Weave the Wind: 'Penelope' and 'Sirens' in Ulysses." Twentieth-Century Literature 41.3 (Fall 1995): 319-331.*

Stanzel, Franz K. Die Typischen Erzählsituationen im Roman: Dargestellt an Tom Jones, Moby-Dick, The Ambassadors, Ulysses, u. a. Vienna: Braumüller, 1955.

_____. Narrative Situations in the Novel: Tom Jones, Moby-Dick, The Ambassadors, Ulysses. Trans. James P. Pusack. Bloomington: Indiana UP, 1971.

_____. "Die Personalisierung des Erzählaktes im Ulysses." In James Joyces 'Ulysses': Neue deutsche Aufsätze. Ed. Therese Fischer-Seidel. Frankfurt/M: Suhrkamp, 1977. 284-308.

_____. "All Europe Contributed to the Making of Bloom: New Light on Leopold Bloom's Ancestors." James Joyce Quarterly 32.3-4 (Spring / Summer 1995): 619-30.*

Steeves, Margaret Ann. "Joyce and Rabelais: Processes of Verbal Creativity." DAI 41.2 (1980): 694A.

Steinberg, Edwin R. The Stream of Consciousness and Beyond in Ulysses. Pittsburgh: U of Pittsburgh P, 1958.

_____. "Introducing the Stream-of-Consciousness Technique in Ulysses." Style 5 (1968): 49-58.

_____. "The Sources of the Stream." In In Honor of Austin Wright. Ed. Joseph Baim, Ann L. Hayes and Robert J. Gangewere. Pittsburgh: Carnegie-Mellon University, 1972. 87-101.

_____, ed. The Stream of Consciousness Technique in the Modern Novel. Port Washington (NY): Kennikat, 1979.

Steppe, Wolfhard. "The Merry Greeks (With a Farewell to epicleti). James Joyce Quarterly 32.3-4 (Spring / Summer 1995): 597-618.*

Stern, Richard. "Proust and Joyce Underway: Jean Santeuil and Stephen Hero." Kenyon Review 18 (1956): 486-96.

Sternberg, Meir. "Proteus in Quotation-Land: Mimesis and the Forms of Reported Speech." Poetics Today 3 (1982): 107-56.

Stonehill, Brian. "Getting Back at James Joyce." In Stonehill, The Self-Conscious Novel: Philadelphia: U of Pennsylvania P, 1988. 48-72.*

Sturgess, Philip J. M. "A Story of Narrativity in Ulysses." In Sturgess, Narrativity: Theory and Practice. Oxford: Clarendon Press, 1992. 189-234.*

Suárez Castiñeira, María Luz, Asier Altuna García de Salazar and Olga Fernández Vicente, eds. New Perspectives on James Joyce. Bilbao: Deusto University Press, 2009.

Sullivan, David. "Answering Joyce's Portrait." Papers on Joyce 1 (1995): 67-84.*

Sultan, Stanley. The Argument of Ulysses. N.p.: Ohio State UP, 1964.

_____. Ulysses, The Waste Land and Modernism: A Jubilee Study. Port Washington (NY): Kennikat, 1977.

_____. Eliot, Joyce and Company. New York: Oxford UP, 1990.

Teal, Laurie. "Batlike Souls and Penile Temptresses: Gender Inversions in A Portrait of the Artist as a Young Man." Novel. A Forum on Fiction (Fall 1995): 63-78.*

Tejedor, José María. "What's in a Word? Or a Minute Minute Encounter." Atlantis 23.2 (Dec. 2001): 119-32.*

Teoharis, Teoharis Constantine. Joyce's Ulysses: An Anatomy of the Soul. Chapel Hill: U of North Carolina P, 1988.

Thomas, Brook. James Joyce's Ulysses. Baton Rouge: Louisiana State UP, 1982.

Thomas, Vlad Ivan. "Narrative Types and Techniques in James Joyce's Ulysses." Diss. U of Wisconsin. DA 23 (1963): 4692.

Thornton, Weldon.The Antimodernism of Joyce's Portrait of the Artist as a Young Man. By Weldon Thornton. Syracuse: Syracuse UP, 1994.

Tindall, William York. "Joyce's Chambermaid Music". Poetry 80 (1952): 105-16.

_____. A Reader's Guide to Finnegans Wake. London: Thames and Hudson.

Topia, André. "The Matrix and the Echo: Intertextuality in Ulysses." In Attridge and Ferrer, Post-Structuralist Joyce 103-25.

Toro Santos, Antonio Raúl de. "Algunas consideraciones sobre el humorismo de James Joyce." In Literary and Linguistic Aspects of Humour: VIth AEDEAN Conference Proceedings. Barcelona: Departamento de Lengua y Literatura Inglesa de la Universidad de Barcelona, 1984. 233-38.

Tratner, M. Modernism and Mass Politics: Joyce, Woolf, Eliot, Yeats. 1996.

Tratner, Michael. "The Freedom to Borrow in Ulysses." In Tratner, Deficits and Desires: Economics and Sexuality in Twentieth-Century Literature. Stanford (CA): Stanford UP, 2001. 19-45.*

Treip, Andrew. "Lost Histereve: Vichian Soundings and Reverberations in the Genesis of Finnegans Wake II.4." James Joyce Quarterly 32.3-4 (Spring / Summer 1995): 641-58.*

_____, ed. Finnegans Wake: Teems of Times. 1994.

Trotter, David. "The Relevance of Ulysses." In Trotter, The English Novel in History 1895-1920. London: Routledge, 1993. 95-110.*

_____. "Stephen Hero and Bloom the Obscure." In Trotter, The English Novel in History 1895-1920. London: Routledge, 1993. 290-303.*

Troy, Michele K. "Two Very Different Portraits: Anglo American and German Perception of Joyce's A Portrait of the Artist as a Young Man." James Joyce Quarterly 35.1 (Fall 1997): 37-58

Valente, Joseph. "Thrilled by His Touch: Homosexual Panic and the Will to Artistry in A Portrait of the Artist as a Young Man ." James Joyce Quaterly 31.2 (1994) *

_____. "Between Resistance and Complicity: Metro Colonial Tactics in Joyce's Dubliners." Narrative 6.3 (October 1998): 325-340.

Van Hulle, Dirk. "The Manner of Meaning: Ogden and Beckett Translating Joyce." BELL ns 2 (2004): 75-84.

Vanderham, Paul. "Ezra Pound's Censorship of Ulysses." James Joyce Quarterly 32.3-4 (Spring / Summer 1995): 583-96.*

_____. James Joyce and Censorship: The Trials of Ulysses. Houndmills: Macmillan, 1997.

Venegas Lagüéns, María Luisa. "Dickens in Ulysses." Papers on Joyce 1 (1995): 91-98.

Wales, Katie.The Language of James Joyce. (The Language of Literature series). Houndmills: Macmillan, 1992.

Wang, Jennie. "The Player's Song of Finnegans Wake : Translating Sound Sense." Journal of Narrative Technique 21.2 (1991): 212-229.*

Warner, John M. Joyce's Grandfathers: Myth and History in Defoe, Smollett, Sterne and Joyce. Athens: U of Georgia P, 1993. Rev. in English Literature in Transition 37.3 (1994).

Warner, William B. "The Play of Fiction and the Succession of Styles in Ulysses." James Joyce Quarterly 15 (1977): 18-35.

Watson, G. J. "The Politics of Ulysses." In Newman and Thornton 1987.

Weaver, Jack W. Joyce's Music and Noise: Theme and Variation in His Writings. (Florida James Joyce Series). UP of Florida, 1999.

Weber, Jean Jacques. "The Process of Schema Construction: James Joyce's 'Eveline'." In Weber, Critical Analysis of Fiction. Amsterdam: Rodopi, 1992. 29-40.*

Weir, David. "A Womb of His Own: Joyce's Sexual Aesthetics." James Joyce Quaterly 31.2 (1994)*

West, Alick. "James Joyce: Ulysses." In West, Crisis and Criticism. London: Lawrence, 1937. 143-80.*

Wheatley-Lovoy, Cynthia. "The Rebirth of Tragedy: Nietzsche and Narcissus in 'A Painful Case' and 'The Dead'." James Joyce Quaterly 33.2 (Winter 1996): 177-94.*

Whittaker, Stephen, and Francis X. Jordan. "The Three Whistles and the Aesthetic of Mediation: Modern Physics and Platonic Metaphysics in Joyce's Ulysses." James Joyce Quarterly 33.1 (Fall 1996): 27-48.*

Wicke, Jennifer. "Enchantment, Disenchantment, Re-enchantment: Joyce and the Cult of the Absolutely Fabulous." Novel. A Forum on Fiction (Fall 1995).*

Williams, Martin T. "Joyce's Chamber Music." The Explicator 10 (1952): item 44.

Williams, Trevor L. "'Brothers of the great white lodge': Joyce and the Critique of Imperialism." James Joyce Quaterly 33.3 (Spring 1996): 377-99.*

_____, ed. Reading Joyce Politically. Gainesville: Florida UP, 1997.

Williams, William Carlos. "A Point for American Criticism." 1929. In Selected Essays of William Carlos Williams. New York: Random House, 1954.

Wilson, Edmund. "James Joyce." In Wilson, Axel's Castle.. 1931. London: Fontana, 1984. 155-89.*

Witemeyer, Hugh. "'He Gave the Name': Herbert Gorman's Rectifications of James Joyce: His First Forty Years." James Joyce Quarterly 32.3-4 (Spring / Summer 1995): 523-32.*

Wolfreys, Julian. The Rhetoric of Affirmative Resistances: Dissonant Identity from Carroll to Derrida. Basingstoke: Macmillan, 1997.

Wollaeger, Mark. "Stephen/Joyce, Joyce/Haacke: Modernism and the Social Function of Art." ELH. 62.3 (1995).*

Wood, Michael. "Joyce's Influenza." New York Review of Books 24.16 (13 Oct. 1977): 10-13.

Woolsey, John M. "The Monumental Decision of the United States Disctrict Court . . . Lifting the Ban on Ulysses." In Ulysses. By James Joyce. Ed. Morris L. Ernst. New York: Random House /Modern Library, 1934. New ed. 1961. vii-xii.

Wright, Glenn Patton. "Narrative Point of View in Ulysses: A Study of the Novel's Implied Values." DAI 39.1 (1978): 282A-283A.

Yeates, Amanda L. "Historical Joyce / Hysterical Joyce." James Joyce Quarterly 35.1 (Fall 1997): 13-15

Zschirnt, Christiane. "1. Obras que describen el mundo. La Biblia. Homero: La Odisea. Dante Alighieri: Divina Comedia. Miguel de Cervantes: El ingenioso hidalgo Don Quijote de la Mancha. Johann Wolfgang Goethe: Fausto. Honoré de Balzac: La comedia humana. Herman Melville: Moby Dick o la ballena blanca. James Joyce: Ulises." In Zschirnt, Libros: Todo lo que hay que leer. Madrid: Santillana-Taurus, 2004. 25-52.*

Anthologies

Emig, Rainer, ed. Ulysses. (New Casebooks). Houndmills: Macmillan, 2000.

Garrett, Peter K., ed. Twentieth-Century Interpretations of Dubliners. Englewood Cliffs: Prentice, 1968.

Norris, Margot, ed. A Companion to James Joyce's Ulysses. (Case Studies in Contemporary Criticism). Houndmills: Macmillan; Boston: Bedford, 1998.

Levin, Harry, ed. The Essential James Joyce. Ed. Harry Levin. London: HarperCollins, 1991.

Reynolds, Mary T., ed. James Joyce: A Collection of Critical Essays. Englewood Cliffs: Prentice-Hall, 1993.

Bibliography

Brockman, William S. "Current JJ Checklist (70)." James Joyce Quarterly 32.3-4 (Spring / Summer 1995): 673-700.*

_____. "Current JJ Checklist (71)." James Joyce Quarterly 33.1 (Fall 1996): 101-12.*

Lázaro Lafuente, Alberto, and Antonio Raúl de Toro, eds. James Joyce in Spain: A Critical Bibliography, 1972-2002. A Coruña: Servicio de Publicaciones de la Universidad da Coruña / Asociación Española James Joyce, 2002.

Staley, Thomas F. An Annotated Critical Bibliography of James Joyce. Hemel Hempstead: Harvester Wheatsheaf, 1989.

Films

Huston, John, dir. The Dead. Film. 1987. Based on the story by James Joyce.

Strick, Joseph, dir. Ulysses. 1967. Screenplay by Joseph Strick and Fred Haines. Based on the novel by James Joyce.

Internet resources

Iberjoyce

http://huespedes.cica.es/aliens/iberjoyce/

2009

The Internet Ulysses. Ed. Jorn Barger.

/jaj/ulysses/

2006-11-17

The James Joyce Centre

http://www.jamesjoyce.ie

James Joyce discussion list.

FWake-l@irlearn.ucd.ie (Autumn 1996).

James Joyce in Cyberspace.

http://astro.ocis.temple.edu/~callahan/joyce.html

James Joyce site.

/quail/libyrinth/joyce/

James Joyce - Work in Progress: James Joyce in Cyberspace

/joyce

Joyce hypertext site. Ed. Daniel Ferrer

ferrer@item.msh-paris.fr

Joyce Wars website. Ed. Daniel Klyn.

/˜fnord32/joycewars/html

Journals

Papers on Joyce 1 (1995).*

James Joyce Quarterly 32.3-4 (Spring / Summer 1995)

Literature

MacDiarmid, Hugh. In Memoriam James Joyce. MacLellan, 1955.

_____. From In Memoriam James Joyce ("We Must Look at the Harebell"). Poem. 1955. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2436.*

Series

(European Joyce Studies 7). Amsterdam: Rodopi, c. 1997.

(Florida James Joyce Series). UP of Florida, c. 1998.

Societies and institutions

Zürich James Joyce Foundation.

Fritz Senn,

'Strauhof', Augustinerstrasse 9,

CH-8001, Zürich

joyce@es.unizh.ch



Скачать документ

Похожие документы:

  1. From A Bibliography of Literary Theory (2)

    Документ
    from A Bibliography of Literary Theory, Criticism and Philology http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html ... Monument: A Study of the Idea of Praise in Renaissance Literary Theory and Practice. Chapel ...
  2. From A Bibliography of Literary Theory (5)

    Документ
    from A Bibliography of Literary Theory, Criticism and Philology http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html ... and the Reader: A View from Cognitive Theory." European Journal of English Studies 9.2 (2005 ...
  3. From A Bibliography of Literary Theory (3)

    Документ
    ... .* García Landa, José Ángel. "Hamlet." From A Bibliography of Literary Theory, Criticism, and Philology. In Academia ...
  4. From A Bibliography of Literary Theory (6)

    Документ
    from A Bibliography of Literary Theory, Criticism and Philology http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html ... ínez Victorio, Luis Javier. Rev. of Literary Theory. By Terry Eagleton. Atlantis 6.1-2 (1983 ...
  5. From A Bibliography of Literary Theory (1)

    Документ
    from A Bibliography of Literary Theory, Criticism and Philology http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html ... Anthology of Literary Criticism. Cleveland: Meridian, 1957. Reising, Russell. The Unusable Past: Theory ...

Другие похожие документы..