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On Charles Dickens

Biography

Ackroyd, Peter. Dickens. 1990. London: Minerva-Mandarin, 1991.*

DeVries, D. Dickens's Apprentice Years. New York: Barnes, 1976.

Easson, Angus. "The Mythic Sorrows of Charles Dickens." Literature and History 1 (1975).

Forster, John. The Life of Charles Dickens. Ed. J. W. T. Ley. London, 1928.

_____. The Life of Charles Dickens. 3 vols. Vol. 1, 1812-1842. Cambridge: Cambridge UP, 2011.

/gb/knowledge/isbn/item6633829/?site_locale=en_GB

2011

Johnson, Edgar. Charles Dickens: His Tragedy and his Triumph. 2 vols. Boston: Little, 1952.

_____. Charles Dickens. Biography. Harmondsworth: Penguin.

Kaplan, Fred. Dickens and Mesmerism.

_____. Dickens: A Biography. New York: Morrow, 1988.

_____. Dickens: A Biography. Baltimore: Johns Hopkins UP, 1999.

Kingsmill, Hugh. (Dickens). Biography. 1935.

Méndez Herrera, José. "Un viaje por el mar de Dickens." In Dickens, Obras completas, vol. 1. Trans., notes and biographical essay by José Méndez Herrera.. Madrid: Aguilar. Rpt. Madrid: Santillana Ediciones Generales, 2004. 9-270.*

Moss, Sidney P., and Carolyn J. Moss. Charles Dickens and His Chicago Relatives: A Documentary Narrative. Troy (NY): Whitston, 1994.

Tomalin, Claire.The Invisible Woman: The History of Nelly Ternan and Charles Dickens. Harmondsworth: Penguin, 1991. NCR Book Award 1991.

Wilson, Angus. The World of Charles Dickens. London: Granada, 1983.

Criticism

Ackroyd, Peter. Introduction to Dickens. London: Sinclair-Stevenson, 1991.*

_____. Introduction to Dickens. New York: Ballantine Books, 1992.

Alain. Dickens. 1945.

Alexander, Michael. "10. Fiction." In Alexander, A History of English Literature. 2nd ed. Houndmills: Palgrave Macmillan, 2007. (The Triumph of the Novel. Charles Dickens, George Eliot).

Altman, Rick. (Charles F.). "Dickens, Griffith, and Film Theory Today." South Atlantic Quarterly 88 (Spring 1989): 321-59.

Arac, Jonathan. "Hamlet, Little Dorrit, and the History of Character." South Atlantic Quarterly 87.2 (Spring 1988).

Armstrong, Nancy. "Dickens between Two Disciplines: A Problem for Theories of Reading." Semiotica 38.34 (1982).

_____. "The Politics of Domestic Fiction: Dickens, Thackeray and the Brontës." In New Historicism and Cultural Materialism: A Reader Ed. Kiernan Ryan. London: Arnold, 1996. 157-65.*

Ayres, Brenda. Dissenting Women in Dickens's Novels: The Subversion of Domestic Ideology. Greenwood P, 1998.

Bakhtin, Mikhail. "Heteroglossia in Dickens's Little Dorrit." 1934-35. In Issues in Contemporary Literary Theory. Ed. Peter Barry. Houndmills: Macmillan, 1987. 143-45.*

Barnard, Robert. "Images and Theme in Great Expectations." Dickens Studies Annual 1 (1970): 238-51.

Baston, Jane. "World and Image: The Articulation and Visualization of Power in Great Expectations." Literature/Film Quaterly 24.3 (1996): 322-32.*

Bauer, Matthias. "Foreign Languages in Dickens's Little Dorrit." 1996. European English Messenger 6.2 (1997): 48-52.*

Beatty, Bernard. "Two Kinds of Clothing: Sartor Resartus and Great Expectations." In Rereading Victorian Fiction. Ed. Alice Jenkins and Juliet John. Houndmills: Palgrave, 2000. 2002. 44-58.*

Bentley, Nicolas, Michael Slater and Nina Burgis, eds. The Dickens Index. Oxford: Oxford UP, 1991.

Blake, Peter. "Dickens, Money, and America." Rev. of Charles Dickens and His Chicago Relatives: A Documentary Narrative. By Sidney P. Moss and Carolyn J. Moss. Troy (NY): Whitston, 1994. TLS 10 June 1994: 28.

Bloom, Harold. "The Canonical Novel: Dickens's Bleak House, George Eliot's Middlemarch?' In Bloom, The Western Canon. 1994. London: Macmillan, 1995. 310-31.*

Bort, Barry D. "Trabb's Boy and Orlick." Victorian Newsletter 29 (1966): 27-28.

Bowen, John. "Performing Business, Training Ghosts: Transcoding Nickleby." ELH 63.1 (Spring 1996): 153-76.*

_____. Other Dickens: Pickwick to Chuzzlewit. Oxford: Oxford UP, 2003.

Bowen, John, and Robert L. Patten. Charles Dickens Studies. (Palgrave Advances). Houndmills: Palgrave Macmillan, c. 2006.

Bradbury, Nicola. Charles Dickens's Great Expectations. Hemel Hempstead: Harvester Wheatsheaf, 1990.

Brimley, George. "Dickens' Bleak House." Spectator 24 September 1853. In Brimley, Essays. London: Routledge, 1882. 252-62.*

Bronzwaer, W. J. M. "Implied Author, Extradiegetic Narrator and Public Reader...". Neophilologus 62 (1978): 1-18.*

Brook, G. L. The Language of Dickens. London: André Deutsch, 1970.*

Brooks, Peter. Reading for the Plot: Design and Intention in Narrative. Oxford: Clarendon Press, 1984.*

_____. Realist Vision. New Haven: Yale UP, 2005. (Balzac, Dickens, Flaubert, Eliot, Zola, Courbet, Manet, Caillebotte, Tissot, Lucian Freud).

Budd, Dona. "Language Couples in Bleak House." Nineteenth-Century Literature 49.2 (1994).*

Butt, John, and Kathleen Tillotson. Dickens at Work. London, 1957.

_____. "Hard Times: The Problems of a Weekly Serial." 1958. In Twentieth Century Interpretations of Hard Times. Ed. Paul Edward Gray. Englewood Cliffs (NJ): Prentice, 1969.*

Calvo Montaña, Ana María. Rev. of Canción de Navidad. El árbol de Navidad. By Charles Dickens. Illust. Robert Ingpen. Trans. Carlos Herrero Quirós. Hermeneus 12 (2010): 251-56.*

Carey, John. The Violent Effigy: A Study of Dickens's Imagination. London: Faber, 1973.

Carmichael, Virginia. "In Search of Beein': Non/Nom du Père in David Copperfield." ELH 54.3 (Fall 1987).

Case, Alison. "Gender and History in Narrative Theory: The Problem of Retrospective Distance in David Copperfield and Bleak House." In A Companion to Narrative Theory. Ed. James Phelan and Peter J. Rabinowitz. Malden (MA): Blackwell, 2005. 312-21.*

Caserio, Robert L. Plot, Story and the Novel: From Dickens and Poe to the Modern Period. Princeton (NJ): Princeton UP, 1979.

_____. "The Name of the Horse: Hard Times, Semiotics, and the Supernatural." Novel 20 (1986): 5-23.

Cecil, David. "Charles Dickens." In Cecil, Early Victorian Novelists: Essays in Revaluation. London: Constable, 1934. 27-66.*

Cerny, Lothar. Erinnerung bei Dickens. Amsterdam, 1975

_____. "Dickens' A Christmas Carol: Revisiting and Reformation." Connotations 7.3 (1997/98): 255-272.

Charles Dickens. Exhibition catalogue. Victoria & Albert Museum, 1970.

Chase, Karen. Eros and Psyche: The Representation of Personality in Charlotte Brontë, Charles Dickens, George Eliot. New York: Methuen, 1984.

Chesterton, G. K. Charles Dickens. 1906.

_____. Charles Dickens. Valencia: Pre-Textos, 1995.

Churchill, R. C. "Dickens, Drama and Tradition." Scrutiny 10 (1941-42). Rpt. Cambridge: Cambridge UP, 1963.

_____. "Charles Dickens." In The Pelican Guide to English Literature: From Dickens to Hardy. Ed. Boris Ford. Harmondsworth: Penguin, 1958.

Clayton, Jay. Charles Dickens in Cyberspace: The Afterlife of the Nineteenth Century in Postmodern Culture. Oxford: Oxford UP, 2003. (Austen, Babbage, Darwin, Dickens, Mary Shelley, Andrea Barrett, Peter Carey, Richard Powers, Salman Rushdie, Ridley Scott, Neal Stephenson, Tom Stoppard).

Cockshut, A. O. J. "Hard Times: Dickens's Masterpiece?" 1961. In Twentieth Century Interpretations of Hard Times. Ed. Paul Edward Gray. Englewood Cliffs (NJ): Prentice, 1969.*

Coletes, Agustín. "Linguistic Caricature in Hard Times." Atlantis 7 (1985): 19-36.*

Collins, Philip. Dickens and Crime. 2nd ed. London: Macmillan, 1964.

_____. Dickens and Crime. 1997.

_____. Dickens and Education. London: Macmillan, 1963.

_____. "Good Intentions and Bad Results." 1963. In Twentieth Century Interpretations of Hard Times. Ed. Paul Edward Gray. Englewood Cliffs (NJ): Prentice, 1969.*

_____. "A Twinkle in the Narratorial Eye: Dickens, Thackeray and Eliot." In Literary and Linguistic Aspects of Humour: VIth AEDEAN Conference Proceedings. Barcelona: Departamento de Lengua y Literatura Inglesa de la Universidad de Barcelona, 1984. 9-26.*

Columbus, Claudette Kemper. "The (Un)Lettered Ensemble: What Charley Does Not Learn about Writing in Bleak House." Studies in English Literature 1500-1900 28.4 (Autumn 1988).

Connor, Steven. Charles Dickens. Oxford: Blackwell, 1985.

Cornut-Gentille D'Arcy, Chantal. "Oliver Twist: 'An Irreclaimable Wretch'." Miscelánea 8 (1987): 123-34.*

_____. "Oliver Twist: Educational Experience in the Victorian Underworld." Miscelánea 9 (1988): 53-68.*

_____. "Iconography and Ideology in Twentieth Century Film Adaptations of Dickens's Novels." In Memory, Imagination and Desire in Contemporary Anglo-American Literature and Film. Ed. Constanza del Río-Álvaro and Luis Miguel García-Mainar. Heidelberg: Winter, 2004. 145-60.*

Correa, Delia de Sousa, ed. The Nineteenth-Century Novel: Realisms. London: Routledge, 2001. (Northanger Abbey, Middlemarch, Jane Eyre, Dombey and Son, Far from the Madding Crowd, Germinal).

Couturier, Maurice. La Figure de l'auteur. Paris: Seuil, 1995.*

Dabney, Ross H. Love and Property in the Novels of Dickens. London: Chatto, 1967.

Daldry, Graham. Charles Dickens and the Form of the Novel: Fiction and Narrative in Dickens's Work. London: Croom Helm, 1987.

Dañobeitia Fernández, María Luisa. "El delantal de la señora Gargery: apunte breve en torno a Great Expectations." In De habitaciones propias y otros espacios conquistados: Estudios sobre mujeres y literatura en lengua inglesa en homenaje a Blanca López Román. Ed. Margarita Carretero González, Mª Elena Rodríguez Martín and Gerardo Rodríguez Salas. Granada: Servicio de Publicaciones de la Universidad de Granada, 2006.

Davis, Earle. "The Social Microcosmic Pattern." 1963. In Twentieth Century Interpretations of Hard Times. Ed. Paul Edward Gray. Englewood Cliffs (NJ): Prentice, 1969.*

DeBona, Guerric, O.S.B. "Dickens, the Depression, and MGM's David Copperfield. In Film Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers UP, 2000. 106-28.*

Delibes, Miguel. Introd. to Cuento de Navidad. El Grillo del Hogar. By Charles Dickens. Trans. José Millás Raurell. Barcelona: Salvat, 1971.

Dessner, Lawrence Jay. "Great Expectations: The Tragic Comedy of John Wemmick." Ariel: A Review of International English Literature 6 (1975): 65-80.

_____. "Great Expectations: The Ghost of a Man's Own Father." PMLA 91 (1976): 436-49.

Dickens: A Tale of Two Cities. (Brodie's Notes). Houndmills: Macmillan.

Dickens: Bleak House. (Macmillan Master Guides). Houndmills: Macmillan.

Dickens: Great Expectations. (Brodie's Notes). Houndmills: Macmillan.

Dickens: Great Expectations. (Macmillan Master Guides). Houndmills: Macmillan.

Dickens: Hard Times (Brodie's Notes). Houndmills: Macmillan.

Dickens: Oliver Twist. (Brodie's Notes). Houndmills: Macmillan.

Dilthey, Wilhelm. "Charles Dickens y el genio de la narración." In Dilthey, Literatura y fantasía. Trans. Emilio Uranga and Carlos Gerhard. México: FCE, 1963. 232-88.*

Donovan, Robert Alan. The Shaping Vision: Imagination in the English Novel from Defore to Dickens. Ithaca: Cornell UP, 1966.

_____. "Structure and Idea in Bleak House." 1971. In Watt 1990: 83-109.

Duncan, Ian. Modern Romance and Transformations of the Novel: The Gothic, Scott, Dickens. Cambridge: Cambridge UP, 1992.

Dyson, A. E. The Inimitable Dickens. 1970.

Eagleton, Terry. "Charles Dickens." In Eagleton, The English Novel. Oxford: Blackwell, 2005. 143-62.*

Easson, Angus. "A Novel Scarcely Historical? Time and History in Dickens's Little Dorrit." In History and the Novel. Ed. Angus Easson. Cambridge: Brewer, 1991. 27-40.

Eigner, Edwin M. The Metaphysical Novel in England and America: Dickens, Bulwer, Hawthorne, Melville. Berkeley and Los Angeles, 1978.

Eisenstein, Sergei M. "Dickens, Griffith, and the Film Today." In Eisenstein, Film Form: Essays in Film Theory. Trans. Jay Leyda. New York: Harcourt, 1949.

_____. From "Dickens, Griffith and Ourselves" ("Dickens, Griffith and Film Today"). 1942. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 426-34.*

Eliot, T. S. "Wilkie Collins and Dickens." 1927. Rpt. in Eliot, Selected Essays. 1932. London: Faber, 1951. 460-70.*

Elton, Oliver. "Charles Dickens, Wilkie Collins, Charles Reade." In Elton, A Survey of English Literature 1830-1880. 2 vols. London: Arnold, 1920. 2.195-230.

Fein, Mara H.. "The Politics of Family in The Pickwick Papers." ELH (1994).*

Feltes, N. N. "The Moment of Pickwick, or the Production of a Commodity Text." Literature and History 10.2 (Autumn 1984).

Fido, Martin. Charles Dickens. (Profiles in Literature). London: Routledge and Kegan Paul, 1968.*

Fielding, K. J. "The Battle for Preston." 1954. In Twentieth Century Interpretations of Hard Times. Ed. Paul Edward Gray. Englewood Cliffs (NJ): Prentice, 1969.*

_____. Charles Dickens: A Critical Introduction. 2nd ed. London: Longman, 1965.

_____. "The Critical Autonomy of Great Expectations." In Fielding, The Idea of the Gentleman in the Victorian Novel. London: Allen, 1981. 105-48.

Finn, Margot. "Being in Debt in Dickens' London: Fact, Fictional Representation and the Nineteenth-Century Prison." Journal of Victorian Culture 1.2 (1996): 203-26.*

Flint, Kate. Dickens. (Harvester New Readings). Hemel Hempstead: Harvester Wheatsheaf, 1986.

Ford, Boris, ed. The Pelican Guide to English Literature. Vol 6: From Dickens to Hardy. Harmondsworth: Penguin Books, 1958. 1973.*

Ford, George H. "The Poet and the Critics of Probability." In Dickens: A Collection of Critical Essays. Ed. Martin Price. Englewood Cliffs (NJ): Prentice, 1967.

Frye, Northrop. "Dickens and the Comedy of Humours." 1968. In Frye, The Stubborn Structure. London: Methuen, 1970. 218-40.*

_____. "Dickens and the Comedy of Humours." In The Victorian Novel: Modern Essays in Criticism. Ed. Ian Watt. London: Oxford UP, 1976.*

Fulweiler, Howard W. "'A Dismal Swamp': Darwin, Design, and Evolution in Our Mutual Friend. Nineteenth-Century Literature 49.1 (1994).*

Gager, Valerie L. Shakespeare and Dickens: The Dynamics of Influence. Cambridge: Cambridge UP, 1996.

Gallagher, Catherine, and Stephen Greenblatt. Practising New Historicism. Chicago: U of Chicago P, c. 2000. (Great Expectations)

Galván, Fernando. "Poe versus Dickens: An Ambiguous Relationship." In A Descent into Edgar Allan Poe and His Works: The Bicentennial. Ed. Beatriz González Moreno and Margarita Rigal Aragón. Bern: Peter Lang, 2010. 3-24.*

García Landa, José Ángel. "Reading Notes on Some English Classics." 1981-1982. Online edition (2005):

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(Sir Gawain and the Green Knight - Utopia - Antony and Cleopatra - The Tempest - Gulliver's Travels - Tom Jones - Great Expectations - Far from the Madding Crowd - The Turn of the Screw - A Portrait of the Artist as a Young Man - Point Counter Point - The Road to Wigan Pier - Under the Volcano - Lord of the Flies - The Human Factor).

_____. "Aspectos de la técnica narrativa en Hard Times de Charles Dickens." Tesis de Licenciatura. Universidad de Zaragoza, Facultad de Filosofía y Letras, 1984.* Internet edition (2004):

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_____. "Aspectos de la técnica narrativa en Hard Times de Charles Dickens." Resúmenes de tesis de licenciatura: Curso 83-84. Zaragoza: Secretariado de Publicaciones de la Universidad de Zaragoza, 1986. 339-344.*

_____. "Aspectos de la técnica narrativa en Hard Times de Charles Dickens." Summary. Online ed:

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2009

_____. "Oliver Twist." Rev. of Roman Polanski's film. In García Landa, Vanity Fea Dec. 2005:

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Garis, Robert. The Dickens Theatre. Oxford: Clarendon, 1965.

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_____. "Dickens: Machinery in Motion." In Garrett, The Victorian Multiplot Novel: Studies in Dialogical Form. New Haven: Yale UP, 1980. 52-94.*

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Giffone, Tony. "Putting Master Humphrey Back Together Again."The Journal of Narrative Technique 17.1 (1987): 102-106.*

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_____. Critical Studies of the Works of Charles Dickens. New York, 1963.

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Gomme, A. H. Dickens. (Literature in Perspective). London: Evans Bro., Ltd., 1971.*

Gottfried, Barbara. "Household Arrangements and the Patriarchal Order in Bleak House. " Journal of Narrative Technique 24.1 (1994): 1-17.*

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Gross, John, and Gabriel Pearson, eds. Dickens and the Twentieth Century. London: Routledge, 1962.

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Hager, Kelly. "Estranging David Copperfield: Reading the Novel of Divorce." ELHi 63.4 (Winter 1996): 989-1020.*

Hallan, Clifford. "The Structure of Great Expectations." Dickens Studies 2 (1966): 26-33.

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Harrison, Mary-Catherine. "The Paradox of Fiction and the Ethics of Empathy: Reconceiving Dickens's Realism." Narrative 16.3 (Oct. 2008): 256-78.*

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_____. A Reader's Guide to Charles Dickens. Syracuse: Syracuse UP, 1998.

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_____. Dickens's Women and the Language of Subversion.. Rev. by Barbara Frey Waxman in Papers on Language and Literature 29.1(1993).*

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_____. "The Fiction of Realism: Sketches by Boz, Oliver Twist, and Cruickshank's Illustrations." In Charles Dickens and George Cruickshank. By J. Hillis Miller and David Borowitz. Los Angeles: Williams Andrews Clark Memeorial Library, University of California. 1-69. Rpt. in Dickens's Centennial Essays. Ed. Ada Nisbet and Blake Nevius. Berkeley: U of California P, 1971. 85-153.

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Poe, Edgar Allan. "Watkins Tottle." Rev. of Watkins Tottle, and Other Sketches, Illustrative of Every-Day Life, and Every-day People. By Boz. Philadelphia: Carey, Lea, and Blanchard. In Selected Writings of Edgar Allan Poe. Ed. David Galloway. Harmondsworth: Penguin, 1985. 411-13.*

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Robbins, Bruce. "Telescopic Philathropy: Professionalism and Responsibility in Bleak House." In Nation and Narration. Ed. Homi K. Bhabha. London: Routledge, 1990. 2002. 213-30.*

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Sadoff, Dianne F. Monsters of Affection: Dickens, Brontë and Eliot on Fatherhood.

Sadrin, Anny. (U of Burgundy, Dijon). Great Expectations. (Unwin Critical Library). London: Unwin Hyman, 1988.

_____. Parentage and Inheritance in the Novels of Charles Dickens. Cambridge: Cambridge UP, 1994.

_____, ed. Dickens, Europe and the New Worlds. Houndmills: Macmillan, 1999.

Samuels, Allen. An Introduction to the Variety of Criticism on Hard Times. London: Macmillan, 1992.*

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_____. Charles Dickens Resurrectionist. London: Macmillan, 1982.

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_____. Dickens and the Spirit of the Age. 1998.

_____, ed. The Dickensian. Periodical.

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Sawicki, Joseph. "'The Mere Truth Won't Do': Esther as Narrator in Bleak House. " The Journal of Narrative Technique 17.2 (1987): 209-224.*

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Schwarzbach, F. Dickens and the City. London: Athlone, 1979.

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Sedgwick, Eve Kosofsky. "Homophobia, Misogyny, and Capital: The Example of Our Mutual Friend." In Sedgwick, Between Men: English Literature and Male Homosocial Desire. New York: Columbia UP, 1985. 161-79.*

_____. "Up the Postern Stair: Edwin Drood and the Homophobia of Empire." In Sedgwick, Between Men: English Literature and Male Homosocial Desire. New York: Columbia UP, 1985. 180-200.*

Selby, Keith. How to Study a Charles Dickens Novel. (How to Study series). Houndmills: Macmillan, 1989.*

Sell, Roger D. "Projection Characters in David Copperfield." Studia Neophilologica 55 (1983). 19 30.

_____. "Dickens and the New Historicism: The Polyvocal Audience and Discourse of Dombey and Son." In The Nineteenth Century British Novel. Ed. Jeremy Hawthorn. London: Arnold, 1986. 67-79.

_____. "Modernist Readings Mediated: Dickens and the New Worlds of Later Generations." In Dickens, Europe and the New Worlds. Ed. Anny Sadrin. Houdmills: Macmillan, 1999. 294-99.

_____. "Blessings, Benefactions, Bear's Services: Great Expectations and Communicational Narratology." European Journal of English Studies 8.1 (2004): 49-80.*

_____. "Dialogicality and Ethics: Four Cases of Literary Address." Language and Dialogue 1.1 (2011): 79-104.* doi 10.1075/ld.1.1.06sel (Winston Churchill, Wordsworth, Dickens, Pinter).

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2011

_____. Communicational Criticism: Studies in Literature as Dialogue. (Dialogue Studies, 11). Amsterdam: John Benjamins, 2011. (Shakespeare, Pope, Wordsworth, Dickens, Churchill, Orwell, Pinter, traumas, ethics, children's literature).

/#catalog/books/ds.11

2011

Shatto, Susan. "Byron, Dickens, Tennyson, and the Monstrous Efts." Yearbook of English Studies 6 (1976): 144-55.

Shuman, Cathy. "Invigilating Our Mutual Friend: Gender and the Legitimation of Professional Authority." Novel 28.2: 154-172.*

Slater, Michael. "The Bastille Prisoner: A Reading Dickens Never Gave." Etudes Anglaises 23.2 (1970).

_____. Dickens and Women. London: Dent, 1983.

Smith, Allan Lloyd. "The Phantoms of Drood and Rebecca : The Uncanny Re encountered through Abraham and Torok's "Cryptonomy" Poetics Today 13.2 (1992): 285-308.*

Steig, Michael. Dickens and Phiz. Bloomington: Indiana UP, 1978.

Stephen, James Fitzjames. "Little Dorrit." The Saturday Review (1857) (Dickens, Plot; Characterisation; Society; Morality)

_____."Novels and Novelists." The Saturday Review (1858) (Flaubert, Madame Bovary; Realism; Novel; Dickens)

Stoehr, Taylor. Dickens: The Dreamer's Stance. Ithaca: Cornell UP, 1965.

Stone, Harry. "Fire, Hand and Gate: Dickens's Great Expectations." Kenyon Review 24 (1962): 662-90.

_____. Dickens and the Invisible World: Fairy Tales, Fantasy and Novel-Making. Bloomington: Indiana UP, 1979; London: Macmillan, 1980.

Style, John. "Dirk Bogarde's Sidney Carton: More Faithful to the Character than Dickens Himself?" In Books in Motion: Adaptation, Intertextuality, Authorship. Ed. Mireia Aragay. Amsterdam and New York: Rodopi, 2005. 69-86.*

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Tambling, Jeremy. "Death and Modernity in Dombey and Son." Essays in Criticism 43 (1983): 308-29.

_____. Dickens, Violence and the Modern State. London: Macmillan, 1995?

Thatcher, Barry. "Dickens' Bow to the Language Theory Debate." In Dickens Studies Annual 23 (1994): 17-47.

Thoms, Peter. "The Narrow Track of Blood: Detection and Storytelling in Bleak House." Nineteenth-Century Literature 50.2 (1995).*

Thurley, G. The Dickens Myth. London: Routledge, 1976.

Tillotson, Kathleen. "Novels of the Eighteen-Forties." In The Victorian Novel: Modern Essays in Criticism. Ed. Ian Watt. London: Oxford UP, 1976.*

Trilling, Lionel. "La pequeña Dorrit." In Trilling, El yo antagónico: Nueve ensayos críticos. Trans. Alicia Bleiberg. Madrid: Taurus, 1974. 59-74.*

Trotter, David. Circulation: Defoe, Dickens, and the Economies of the Novel. Houndmills: Macmillan, 1988.

Ulrich, Miorita. "Fraseología y traducción: a propósito de los welerismos." In Translation Across Cultures: La traducción entre el mundo hispánico y anglosajón: Relaciones lingüísticas, culturales y literarias. Actas XI Congreso AEDEAN. Ed. J. C. Santoyo. León: Universidad de León, 1989. 199-206.

Vallance, Rosalind, ed. Dickens London. Engr. G. Cruikshank. London: Folio Society, 1966.

Van Ghent, Dorothy. "The Dickens World: A View from Todgers's." In Dickens: A Collection of Critical Essays. Ed. Martin Price. Englewood Cliffs (NJ): Prentice, 1967.

_____. "On Great Expectations." In The Realist Novel. Ed. Dennis Walder. London: Routledge / Open U, 1995. 2001. 246-52.*

Venegas Lagüéns, María Luisa. "Dickens in Ulysses." Papers on Joyce 1 (1995): 91-98.

Vázquez de Prada Merino, Mª Teresa. (U de Valladolid). "Martin Chuzzlewit: La herencias del Quijote." ES 30 (2009): 143-61.*

Walder, Dennis. "Reading Great Expectations." In The Realist Novel. Ed. Dennis Walder. London: Routledge / Open U, 1995. 2001. 135-66.*

Walker, Hugh. The Literature of the Victorian Era. Cambridge: Cambridge UP, 1910.

Waterhouse, Ruth. "Self-Reflexivity and 'Wraetlic Word' in Bleak House and Andreas." The Journal of Narrative Technique 18.3 (1988): 211-225.*

Watts, Richard J. The Pragmalinguistic Analysis of Narrative Texts: Narrative Cooperation in Charles Dickens's Hard Times. Tübingen: Narr, 1981.

Webb, L. K. Charles Dickens. Barcelona: Folio, 1985.*

Weber, Jean Jacques. "Contradictions within Ideological Worlds: Charles Dickens's Hard Times." In Weber, Critical Analysis of Fiction. Amsterdam: Rodopi, 1992. 107-20.*

Wentersdorf, Karl P. "Mirror Images in Great Expectations." Nineteenth-Century Fiction 21 (1969): 203-24.

Whipple, E. P. [On Dickens's Hard Times. ]. Atlantic Monthly 39 (1877): 353-8. Rpt. in Dickens: The Critical Heritage. Ed. Philip Collins. London: Routledge. 315-21.*

Wilde, Alan. The English Novel from Dickens to Lawrence. London, 1970.

Wilde, Oscar. "A New Book on Dickens." Rev. of Dickens, by Frank T. Marzials. Pall Mall Gazette 31 March 1887.

_____. "A New Book on Dickens." In Wilde, Selected Journalism. Ed. Anya Clayworth. (Oxford World's Classics). Oxford: Oxford UP, 2004. 18-20.*

Williams, Raymond. The English Novel from Dickens to Lawrence. New York: Oxford UP, 1970.

_____. The English Novel from Dickens to Lawrence. London: Paladin, 1974.

_____. The English Novel from Dickens to Lawrence. London: Hogarth, 198-?

Wilson, Edmund. "Dickens: The Two Scrooges." In Wilson, The Wound and the Bow. Boston: Houghton Mifflin, 1941. 1-104.

_____. "Dickens: The Two Scrooges." In Wilson, The Wound and the Bow. Oxford, 1965.

Winner, Anthony. "Character and Knowledge in Dickens: The Enigma of Jaggers." Dickens Studies Annual 3 (1974): 100-21.

Witt, Richard. "The Death of Miss Havisham." The Dickensian 80 (1989): 151-6.

Wolfreys, Julian. Writing London: The Trace of the Urban Text from Blake to Dickens. 1998.

Wolfreys, Julian, and Ruth Robbins, eds. Victorian Gothic: The Culture and Literature of Dis-Ease and Desire. Houndmills: Macmillan, 1999.

Yeazell, Ruth Bernard. "Do It or Dorrit." Novel 25.1: 33-49.*

Young, Arlene. Culture, Class and Gender in the Victorian Novel: Gentlemen, Gents and Working Women. Houndmills: Macmillan, 1999.

Zschirnt, Christiane. "15. Niños. Jean-Jacques Rousseau: Emilio o de la educación. Charles Dickens: Oliver Twist. Lewis Carroll: Alicia en el país de las maravillas. Mark Twain: Las aventuras de Huckleberry Finn. Roald Dahl: Matilda. Joanne K. Rowling: Harry Potter." In Zschirnt, Libros: Todo lo que hay que leer. Madrid: Santillana-Taurus, 2004. 311-330.*

Anthologies

Beckwith, Charles E., ed. Twentieth-Century Interpretations of A Tale of Two Cities. Englewood Cliffs: Prentice, 1972.

Bloom, Harold, ed. Charles Dickens. New York: Chelsea House, 1987.

Collins, Philip, ed. Dickens: The Critical Heritage. New York: Barnes; London: Routledge, 1971.

Connor, Steven, ed. Charles Dickens. (Longman Critical Readers). Harlow: Addison Wesley Longman, 1996.

Dowling, David, ed. "Charles Dickens." In Dowling, Novelists on Novelists. London: Macmillan, 1983. 61-78.*

Dyson, A. E., ed. Dickens: Bleak House. (Casebooks series). Basingstoke: Macmillan, 1969.

Gray, Paul Edward, ed. Twentieth Century Interpretations of Hard Times. Englewood Cliffs (NJ): Prentice Hall, 1969.*

Page, Norman, ed. Dickens: Hard Times, Great Expectations, and Our Mutual Friend. (Casebooks series). Basingstoke: Macmillan, 1979.

Peck, John. David Copperfield and Hard Times. (New Casebooks). Houndmills: Macmillan, 1995.

Price, Martin, ed. Dickens: A Collection of Critical Essays. Englewood Cliffs (NJ): Prentice Hall-Spectrum Books, 1967.*

Sell, Roger, ed. Great Expectations. (New Casebooks). Basingstoke: Macmillan, 1994.

Tambling, Jeremy, ed. Charles Dickens: Bleak House. (New Casebooks). Houndmills: Macmillan, 1998.

Wall, Stephen, ed. Charles Dickens. (Penguin Critical Anthologies). Harmondsworth: Penguin, 1970.*

Bibliographies

Cox, Don Richard. Charles Dickens's The Mystery of Edwin Drood: An Annotated Bibliography. (AMS Studies in the Nineteenth Century, 17). AMS Press, 1998.

CD-Roms

Landow, George, Julie Launhardt, and Paul Kahn. The Dickens Web. Cambridge (MA): Eastgate Systems, 1992.

Dictionaries

Hawes, Donald. Who's Who in Dickens. London: Routledge, 1998.

Méndez y Herrera. "Censo de los principales personajes y lugares citados en las obras completas de Charles Dickens." In Dickens, Obras completas XII. Madrid: Santillana-Aguilar, 2005.

Films

David Copperfield. Dir. George Cukor. Screenplay by Howard Estabrook and Hugh Walpole, based on Dickenss's novel. Cast: Freddie Bartholomew, Frank Lawton, W. C. Fields, Lionel Barrymore, Madge Evans, Roland Young, Basil Rathbone, Edna May Oliver, Maureen O'Sullivan, Lewis Stone, Lennox Pawle, Elsa Lanchester, Una O'Connor, Arthur Treacher, Hugh Walpole. USA: MGM, 1935. (Reissued in computer-colored version).

David Copperfield. Dir. Delbert Mann. Cast: Robin Phillips, Susan Hampshire, Edith Evans, Michael Redgrave, Ralph Richardson, Laurence Olivier, Wendy Hiller, Emlyn Williams, Richard Attenborough. USA, 1970.

David Copperfield. Children's animation feature. Prod. Australia. Spanish DVD. Alilaguna, n.d.*

Great Expectations. Dir. Stuart Walker. Based on Charles Dickens's novel. Cast: Jane Wyatt, Philips Holmes, George Breakston, Henry Holt, Florence Reed, Alan Hale, Francis L. Sullivan. USA, 1934.

Great Expectations. Dir. David Lean. Script by David Lean, Kay Walsh, Cecil McGivern, Anthony Havelock-Allan and Ronald Neame, based on Charles Dickens's novel. Cast: John Mills, Valerie Hobson, Bernard Miles, Francis L. Sulllivan, Finaly Currie, Martita Hunt, Anthony Wager, Jean Simmons, Alec Guinness, Ivor Barnard, Freda Jackson, Torin Thatcher, Eileen Erskine, Hay Petrie. Cinematography by Guy Green. Art dir. John Bryan. Prod. Anthony Havelock-Allan and Ronald Neame. UK, 1946.

Great Expectations. Dir. Joseph Hardy. Cast: Michael York, Sarah Miles, James Mason, Margaret Leighton, Robert Morley, Anthony Quayle, Joss Ackland, Rachel Roberts, Heather Sears, Peter Bull. USA/UK, 1974. (Prod. as a musical, songs deleted).

Great Expectations. TV miniseries. With Jean Simmons. 1989.

Great Expectations. Dir. Alfonso Cuarón. Modernized version of Charles Dickens's novel. Cast: Ethan Hawke, Gwyneth Paltrow, Anne Bancroft, Chris Cooper, Hank Azaria, Robert De Niro, Johs Mostel, Kim Dickens, Nell Campbell, Stephen Spinella. Panavision. USA, 1998.

Martin Chuzzlewit. Screenplay by David Lodge, based on Charles Dickens's novel. 6-part BBC TV serial.

Oliver Twist. Dir. Frank Lloyd. Cast: Jackie Coogan, Lon Chaney, Gladys Brockwell, George Siegmann, Ester Ralston. USA, 1922.

Oliver Twist. Dir. David Lean. Cast: Alec Guinness, Robert Newton, John Howard Davies, Kay Walsh, Francis L. Sullivan, Anthony Newley, Henry Stephenson. UK, 1948.

Oliver! Dir. Carol Reed. Film version of Lionel Bart's musical based on Dickens's novel. Screenplay by Vernon Harris. Cast: Ron Moody, Oliver Reed, Shani Wallis, Mark Lester, Jack Wild, Harry Secombe, Hugh Griffith, Sheila White. Panavision. Columbia Pictures, 1968. (6 oscars including Best Picture, Director, Art Direction, Scoring, special prize for choreographer Onna White).

_____. Oliver! Dir. Carol Reed. DVD. Columbia Tristar Home Video, 2000.*

Oliver Twist. Dir. Clive Donner. Script by James Goldman, based on Dickens's novel. Cast: George C. Scott, Tim Curry, Michael Hordern, Timothy West, Eileen Atkins, Cherie Longhi, Richard Charles, Lysette Anthony. USA, 1982.

Oliver Twist. TV film. With Richard Dreyfuss. 1997.

Oliver Twist. Dir. Roman Polanski. Script by Ronald Harwood, based on the novel by Charles Dickens. Cast: Ben Kingsley, Jamie Foreman, Barney Clark, Harry Eden, Leanne Rowe, Edward Hardwicke, Mark Strong. Ed. Hervé De Luze. Prod. Des. Allan Starski. Photog. Pawel Edelman. Music by Rachel Portman. Exec prod. Timothy Burrill, Petr Moravec. Prod. Alain Sarde / Robert Benmussa / R. P. Films Runteam II / Etic Films SRO, 2005.*

_____. Oliver Twist. DVD. Barcelona: RBA-SpeakUP / Sogedasa-Filmax, 2006.*

A Tale of Two Cities. Vitagraph, 1911.

A Tale of Two Cities. Dir. Frank Lloyd. Cast: William Farnum, Jewel Carmen, Joseph Swickard, Herschell Mayall, Rosita Marstini. 1917.

A Tale of Two Cities. Dir. Jack Conway. Script by W. P. Lipscomb and S. N. Behrman. Cast: Ronald Colman, Elizabeth Allan, Edna May Oliver, Reginald Owen, Basil Rathbone, Blanche Yurka, Isabel Jewell, Walter Catlett, Henry B. Walthall, H. B. Warner, Donald Woods. 1935. (Reissued in computer colored version).

A Tale of Two Cities. Dir. Ralph Thomas. Based on the novel by Charles Dickens. Cast: Dirk Bogarde, Dorothy Tutin, Cecil Parker, Stephen Murray, Athene Seyler, Christopher Lee, Donald Pleasence, Ian Bannen. UK, 1958.

A Tale of Two Cities. TV series. 1980.

A Christmas Carol. Animated feature. Dir. Robert Zemeckis. Based on Charles Dickens's novel. Cast: Jim Carrey, Colin Firth, Gary Oldman, Bob Hoskins, Robin Wright Penn. 2009.

Internet resources

Dickens Project. U of California website.

http://humwww.ucsc.edu/dickens/

Dickens in The Literature Network

/dickens/greatexpectations

2004-09-05

Illustrations

Browne, Hablôt K. ("Phiz"). "Mr Pickwick in the Pound." Engraving. From The Pickwick Papers. By Charles Dickens. London, 1837.

_____. "The Valentine." Engraving. From The Pickwick Papers. By Charles Dickens. London, 1837.

_____. "Christmas Eve at Mr Warldle's." Engraving. From The Pickwick Papers. By Charles Dickens. London, 1837.

_____. "Mr Pickwick Slides." Engraving. From The Pickwick Papers. By Charles Dickens. London, 1837.

_____. "Mr Wardle and His Friends under the Influence of the Salmon." Engraving. From The Pickwick Papers. By Charles Dickens. London, 1837.

_____. "Mr Pickwick Sits for His Portrait." Engraving. From The Pickwick Papers. By Charles Dickens. London, 1837.

_____. "Discovery of Jingle in the Fleet." Engraving. From The Pickwick Papers. By Charles Dickens. London, 1837.

_____. "The Card Room at Bath." Engraving. From The Pickwick Papers. By Charles Dickens. London, 1837.

Journals

The Dickensian

Dickens Quarterly 6 (1989).

Dickens Studies Annual 13 (1984).

Literature

Jones, Lloyd. Mr Pip. Novel. (Commonwealth Prize 2007).

Pearl, Matthew. The Last Dickens. Novel. 2009.

_____. El último Dickens. Trans. Manu Berástegui. Madrid: Santillana-Punto de Lectura, 2011.*

Series

(The Popular Edition of the Complete Works of Charles Dickens). London: Chapman & Hall, c. 1907.*



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