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On Charles Dickens


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Baston, Jane. "World and Image: The Articulation and Visualization of Power in Great Expectations." Literature/Film Quaterly 24.3 (1996): 322-32.*

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Beatty, Bernard. "Two Kinds of Clothing: Sartor Resartus and Great Expectations." In Rereading Victorian Fiction. Ed. Alice Jenkins and Juliet John. Houndmills: Palgrave, 2000. 2002. 44-58.*

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Bloom, Harold. "The Canonical Novel: Dickens's Bleak House, George Eliot's Middlemarch?' In Bloom, The Western Canon. 1994. London: Macmillan, 1995. 310-31.*

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_____. "Hard Times: The Problems of a Weekly Serial." 1958. In Twentieth Century Interpretations of Hard Times. Ed. Paul Edward Gray. Englewood Cliffs (NJ): Prentice, 1969.*

Calvo Montaña, Ana María. Rev. of Canción de Navidad. El árbol de Navidad. By Charles Dickens. Illust. Robert Ingpen. Trans. Carlos Herrero Quirós. Hermeneus 12 (2010): 251-56.*

Carey, John. The Violent Effigy: A Study of Dickens's Imagination. London: Faber, 1973.

Carmichael, Virginia. "In Search of Beein': Non/Nom du Père in David Copperfield." ELH 54.3 (Fall 1987).

Case, Alison. "Gender and History in Narrative Theory: The Problem of Retrospective Distance in David Copperfield and Bleak House." In A Companion to Narrative Theory. Ed. James Phelan and Peter J. Rabinowitz. Malden (MA): Blackwell, 2005. 312-21.*

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_____. "Oliver Twist: Educational Experience in the Victorian Underworld." Miscelánea 9 (1988): 53-68.*

_____. "Iconography and Ideology in Twentieth Century Film Adaptations of Dickens's Novels." In Memory, Imagination and Desire in Contemporary Anglo-American Literature and Film. Ed. Constanza del Río-Álvaro and Luis Miguel García-Mainar. Heidelberg: Winter, 2004. 145-60.*

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Couturier, Maurice. La Figure de l'auteur. Paris: Seuil, 1995.*

Dabney, Ross H. Love and Property in the Novels of Dickens. London: Chatto, 1967.

Daldry, Graham. Charles Dickens and the Form of the Novel: Fiction and Narrative in Dickens's Work. London: Croom Helm, 1987.

Dañobeitia Fernández, María Luisa. "El delantal de la señora Gargery: apunte breve en torno a Great Expectations." In De habitaciones propias y otros espacios conquistados: Estudios sobre mujeres y literatura en lengua inglesa en homenaje a Blanca López Román. Ed. Margarita Carretero González, Mª Elena Rodríguez Martín and Gerardo Rodríguez Salas. Granada: Servicio de Publicaciones de la Universidad de Granada, 2006.

Davis, Earle. "The Social Microcosmic Pattern." 1963. In Twentieth Century Interpretations of Hard Times. Ed. Paul Edward Gray. Englewood Cliffs (NJ): Prentice, 1969.*

DeBona, Guerric, O.S.B. "Dickens, the Depression, and MGM's David Copperfield. In Film Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers UP, 2000. 106-28.*

Delibes, Miguel. Introd. to Cuento de Navidad. El Grillo del Hogar. By Charles Dickens. Trans. José Millás Raurell. Barcelona: Salvat, 1971.

Dessner, Lawrence Jay. "Great Expectations: The Tragic Comedy of John Wemmick." Ariel: A Review of International English Literature 6 (1975): 65-80.

_____. "Great Expectations: The Ghost of a Man's Own Father." PMLA 91 (1976): 436-49.

Dickens: A Tale of Two Cities. (Brodie's Notes). Houndmills: Macmillan.

Dickens: Bleak House. (Macmillan Master Guides). Houndmills: Macmillan.

Dickens: Great Expectations. (Brodie's Notes). Houndmills: Macmillan.

Dickens: Great Expectations. (Macmillan Master Guides). Houndmills: Macmillan.

Dickens: Hard Times (Brodie's Notes). Houndmills: Macmillan.

Dickens: Oliver Twist. (Brodie's Notes). Houndmills: Macmillan.

Dilthey, Wilhelm. "Charles Dickens y el genio de la narración." In Dilthey, Literatura y fantasía. Trans. Emilio Uranga and Carlos Gerhard. México: FCE, 1963. 232-88.*

Donovan, Robert Alan. The Shaping Vision: Imagination in the English Novel from Defore to Dickens. Ithaca: Cornell UP, 1966.

_____. "Structure and Idea in Bleak House." 1971. In Watt 1990: 83-109.

Duncan, Ian. Modern Romance and Transformations of the Novel: The Gothic, Scott, Dickens. Cambridge: Cambridge UP, 1992.

Dyson, A. E. The Inimitable Dickens. 1970.

Eagleton, Terry. "Charles Dickens." In Eagleton, The English Novel. Oxford: Blackwell, 2005. 143-62.*

Easson, Angus. "A Novel Scarcely Historical? Time and History in Dickens's Little Dorrit." In History and the Novel. Ed. Angus Easson. Cambridge: Brewer, 1991. 27-40.

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_____. From "Dickens, Griffith and Ourselves" ("Dickens, Griffith and Film Today"). 1942. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 426-34.*

Eliot, T. S. "Wilkie Collins and Dickens." 1927. Rpt. in Eliot, Selected Essays. 1932. London: Faber, 1951. 460-70.*

Elton, Oliver. "Charles Dickens, Wilkie Collins, Charles Reade." In Elton, A Survey of English Literature 1830-1880. 2 vols. London: Arnold, 1920. 2.195-230.

Fein, Mara H.. "The Politics of Family in The Pickwick Papers." ELH (1994).*

Feltes, N. N. "The Moment of Pickwick, or the Production of a Commodity Text." Literature and History 10.2 (Autumn 1984).

Fido, Martin. Charles Dickens. (Profiles in Literature). London: Routledge and Kegan Paul, 1968.*

Fielding, K. J. "The Battle for Preston." 1954. In Twentieth Century Interpretations of Hard Times. Ed. Paul Edward Gray. Englewood Cliffs (NJ): Prentice, 1969.*

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_____. "The Critical Autonomy of Great Expectations." In Fielding, The Idea of the Gentleman in the Victorian Novel. London: Allen, 1981. 105-48.

Finn, Margot. "Being in Debt in Dickens' London: Fact, Fictional Representation and the Nineteenth-Century Prison." Journal of Victorian Culture 1.2 (1996): 203-26.*

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(Sir Gawain and the Green Knight - Utopia - Antony and Cleopatra - The Tempest - Gulliver's Travels - Tom Jones - Great Expectations - Far from the Madding Crowd - The Turn of the Screw - A Portrait of the Artist as a Young Man - Point Counter Point - The Road to Wigan Pier - Under the Volcano - Lord of the Flies - The Human Factor).

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_____. "Aspectos de la técnica narrativa en Hard Times de Charles Dickens." Resúmenes de tesis de licenciatura: Curso 83-84. Zaragoza: Secretariado de Publicaciones de la Universidad de Zaragoza, 1986. 339-344.*

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David Copperfield. Dir. George Cukor. Screenplay by Howard Estabrook and Hugh Walpole, based on Dickenss's novel. Cast: Freddie Bartholomew, Frank Lawton, W. C. Fields, Lionel Barrymore, Madge Evans, Roland Young, Basil Rathbone, Edna May Oliver, Maureen O'Sullivan, Lewis Stone, Lennox Pawle, Elsa Lanchester, Una O'Connor, Arthur Treacher, Hugh Walpole. USA: MGM, 1935. (Reissued in computer-colored version).

David Copperfield. Dir. Delbert Mann. Cast: Robin Phillips, Susan Hampshire, Edith Evans, Michael Redgrave, Ralph Richardson, Laurence Olivier, Wendy Hiller, Emlyn Williams, Richard Attenborough. USA, 1970.

David Copperfield. Children's animation feature. Prod. Australia. Spanish DVD. Alilaguna, n.d.*

Great Expectations. Dir. Stuart Walker. Based on Charles Dickens's novel. Cast: Jane Wyatt, Philips Holmes, George Breakston, Henry Holt, Florence Reed, Alan Hale, Francis L. Sullivan. USA, 1934.

Great Expectations. Dir. David Lean. Script by David Lean, Kay Walsh, Cecil McGivern, Anthony Havelock-Allan and Ronald Neame, based on Charles Dickens's novel. Cast: John Mills, Valerie Hobson, Bernard Miles, Francis L. Sulllivan, Finaly Currie, Martita Hunt, Anthony Wager, Jean Simmons, Alec Guinness, Ivor Barnard, Freda Jackson, Torin Thatcher, Eileen Erskine, Hay Petrie. Cinematography by Guy Green. Art dir. John Bryan. Prod. Anthony Havelock-Allan and Ronald Neame. UK, 1946.

Great Expectations. Dir. Joseph Hardy. Cast: Michael York, Sarah Miles, James Mason, Margaret Leighton, Robert Morley, Anthony Quayle, Joss Ackland, Rachel Roberts, Heather Sears, Peter Bull. USA/UK, 1974. (Prod. as a musical, songs deleted).

Great Expectations. TV miniseries. With Jean Simmons. 1989.

Great Expectations. Dir. Alfonso Cuarón. Modernized version of Charles Dickens's novel. Cast: Ethan Hawke, Gwyneth Paltrow, Anne Bancroft, Chris Cooper, Hank Azaria, Robert De Niro, Johs Mostel, Kim Dickens, Nell Campbell, Stephen Spinella. Panavision. USA, 1998.

Martin Chuzzlewit. Screenplay by David Lodge, based on Charles Dickens's novel. 6-part BBC TV serial.

Oliver Twist. Dir. Frank Lloyd. Cast: Jackie Coogan, Lon Chaney, Gladys Brockwell, George Siegmann, Ester Ralston. USA, 1922.

Oliver Twist. Dir. David Lean. Cast: Alec Guinness, Robert Newton, John Howard Davies, Kay Walsh, Francis L. Sullivan, Anthony Newley, Henry Stephenson. UK, 1948.

Oliver! Dir. Carol Reed. Film version of Lionel Bart's musical based on Dickens's novel. Screenplay by Vernon Harris. Cast: Ron Moody, Oliver Reed, Shani Wallis, Mark Lester, Jack Wild, Harry Secombe, Hugh Griffith, Sheila White. Panavision. Columbia Pictures, 1968. (6 oscars including Best Picture, Director, Art Direction, Scoring, special prize for choreographer Onna White).

_____. Oliver! Dir. Carol Reed. DVD. Columbia Tristar Home Video, 2000.*

Oliver Twist. Dir. Clive Donner. Script by James Goldman, based on Dickens's novel. Cast: George C. Scott, Tim Curry, Michael Hordern, Timothy West, Eileen Atkins, Cherie Longhi, Richard Charles, Lysette Anthony. USA, 1982.

Oliver Twist. TV film. With Richard Dreyfuss. 1997.

Oliver Twist. Dir. Roman Polanski. Script by Ronald Harwood, based on the novel by Charles Dickens. Cast: Ben Kingsley, Jamie Foreman, Barney Clark, Harry Eden, Leanne Rowe, Edward Hardwicke, Mark Strong. Ed. Hervé De Luze. Prod. Des. Allan Starski. Photog. Pawel Edelman. Music by Rachel Portman. Exec prod. Timothy Burrill, Petr Moravec. Prod. Alain Sarde / Robert Benmussa / R. P. Films Runteam II / Etic Films SRO, 2005.*

_____. Oliver Twist. DVD. Barcelona: RBA-SpeakUP / Sogedasa-Filmax, 2006.*

A Tale of Two Cities. Vitagraph, 1911.

A Tale of Two Cities. Dir. Frank Lloyd. Cast: William Farnum, Jewel Carmen, Joseph Swickard, Herschell Mayall, Rosita Marstini. 1917.

A Tale of Two Cities. Dir. Jack Conway. Script by W. P. Lipscomb and S. N. Behrman. Cast: Ronald Colman, Elizabeth Allan, Edna May Oliver, Reginald Owen, Basil Rathbone, Blanche Yurka, Isabel Jewell, Walter Catlett, Henry B. Walthall, H. B. Warner, Donald Woods. 1935. (Reissued in computer colored version).

A Tale of Two Cities. Dir. Ralph Thomas. Based on the novel by Charles Dickens. Cast: Dirk Bogarde, Dorothy Tutin, Cecil Parker, Stephen Murray, Athene Seyler, Christopher Lee, Donald Pleasence, Ian Bannen. UK, 1958.

A Tale of Two Cities. TV series. 1980.

A Christmas Carol. Animated feature. Dir. Robert Zemeckis. Based on Charles Dickens's novel. Cast: Jim Carrey, Colin Firth, Gary Oldman, Bob Hoskins, Robin Wright Penn. 2009.

Internet resources

Dickens Project. U of California website.


Dickens in The Literature Network




Browne, Hablôt K. ("Phiz"). "Mr Pickwick in the Pound." Engraving. From The Pickwick Papers. By Charles Dickens. London, 1837.

_____. "The Valentine." Engraving. From The Pickwick Papers. By Charles Dickens. London, 1837.

_____. "Christmas Eve at Mr Warldle's." Engraving. From The Pickwick Papers. By Charles Dickens. London, 1837.

_____. "Mr Pickwick Slides." Engraving. From The Pickwick Papers. By Charles Dickens. London, 1837.

_____. "Mr Wardle and His Friends under the Influence of the Salmon." Engraving. From The Pickwick Papers. By Charles Dickens. London, 1837.

_____. "Mr Pickwick Sits for His Portrait." Engraving. From The Pickwick Papers. By Charles Dickens. London, 1837.

_____. "Discovery of Jingle in the Fleet." Engraving. From The Pickwick Papers. By Charles Dickens. London, 1837.

_____. "The Card Room at Bath." Engraving. From The Pickwick Papers. By Charles Dickens. London, 1837.


The Dickensian

Dickens Quarterly 6 (1989).

Dickens Studies Annual 13 (1984).


Jones, Lloyd. Mr Pip. Novel. (Commonwealth Prize 2007).

Pearl, Matthew. The Last Dickens. Novel. 2009.

_____. El último Dickens. Trans. Manu Berástegui. Madrid: Santillana-Punto de Lectura, 2011.*


(The Popular Edition of the Complete Works of Charles Dickens). London: Chapman & Hall, c. 1907.*

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