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A Bibliography of Literary Theory, Criticism and Philology

http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel García Landa

(University of Zaragoza, Spain)

Cultural Criticism in English: other critics

Abbas, Niran. (U of London). "Burroughs' Bedfellows: 'Viral Bodies without Organs'." In Proceedings of the 22nd International Conference of AEDEAN (Asociación Española de Estudios Anglonorteamericanos). Lleida, 17-19 December 1998. Ed. Pere Gallardo and Enric Llurda. Lleida: Edicions de la Universitat de Lleida, 2000. 505-8.*

Abbott, Franklin, ed. Boyhood, Growing Up Male: A Multicultural Anthology. U of Wisconsin P, dist. Eurospan, 1998.

Abdel-Malek, Anouar, and Anisuzzaman, eds. Culture and Thought: The Transformation of the World. New York: United Nations University/St Martin's Press, 1983.

Adams, William. "Natural Virtue: Symbol and Imagination in the American Farm Crisis." Georgia Review 39.4 (Winter 1985).

Aers, David, ed. Culture and History, 1350-1600: Essays on English Communities, Identities and Writing. Hemel Hempstead: Harvester Wheatsheaf, 1992.

Alcoff, Linda Martin (Syracuse U). "Cultural Feminism versus Post-Structuralism: The Identity Crisis in Feminist Theory." In The Second Wave: A Reader in Feminist Theory. Ed. Linda Nicholson. New York: Routledge, 1997. 330-55.*

_____. "Phenomenology, Post-Structuralism and Feminist Theory on the Concept of Experience." In Feminist Phenomenology. Ed. Linda Fisher and Lester Embree. Dordrecht: Kluwer Academic Publishers, 2000. 39-56.*

Alcoff, Linda Martin, and Eduardo Mendieta. Identities: Race, Class, Gender and Nationality. Oxford: Blackwell, 2002.

Andre, Linda. "The Politics of Postmodern Photography." Minnesota Review 23 (Fall 1984.

Andrews, Molly. Shaping History: Narratives of Political Change. Cambridge: Cambridge UP, 2007.

Andrews, Molly, and Michael Bamberg, eds. Considering Counter-Narratives: Narrating, Resisting, Making Sense. Amsterdam: John Benjamins, 2004.

Annesley, James. Blank Fictions: Consumerism, Culture, and the Contemporary American Novel. St. Martin's, 1998.

_____. "'Thigh Bone Connected to the Hip Bone': Don Delillo's Underworld and the Fictions of Globalization." Amerikastudien / American Studies 47.1 (2002): 85-96.*

Antonette, Lesliee. (1958). The Rhetoric of Diversity and the Traditions of American Literary Study: Critical Multiculturalism in English. (Critical Studies in Education and Culture series, ed. Henry A. Giroux). Westport (CT): Bergin & Garvey, 1998.*

Antonijevic, Smiljana, Laura Gurak, Laurie Johnson, Clancy Ratliff, and Jessica Reyman (all University of Minnesota). "Introduction: Weblogs, Rhetoric, Community, and Culture." In Gurak et al., Into the Blogosphere. 2004.

http://blog.lib.umn.edu/blogosphere/introduction.html

2009

_____, eds. Into the Blogosphere. U of Minnesota, 2004.

http://blog.lib.umn.edu/blogosphere/

2005-08-08

Apple, Michael W. "Curricular Form and the Logic of Technical Control." Economic and Industrial Democracy 2.3 (August 1981).

_____. "Social Structure, Ideology and Curriculum." In Rethinking Curriculum Studies: A Radical Approach. Ed. Martin Lawn and Len Burton. London: Croom Helm; New York: Wiley, 1981.

Arato, Andrew, and Eike Gebhardt, eds. The Essential Frankfurt School Reader. New York, 1978.

_____, ed. The Essential Frankfurt School Reader. New York: Continuum, 1982.

Arato, Andrew, and Michel Rosenfeld, eds. Habermas on Law and Democracy: Critical Exchanges. Berkeley: U of California P, c. 1999.

Argiro, Thomas. "Semiotic Estrangement and Cultural Refugees: Ethnic Subversions and the Wandering Latino in Ana Castillo's Sapogonia." In Culture and Power IV: Cultural Confrontations. Ed. Chantal Cornut-Gentille D'Arcy. Zaragoza, 1999. 255-65.*

Arluke, A., J. Levin, and A. Mody-Desbareau. "The Gossip Tabloid as Agent of Social Control." Journalism Quarterly 65.2 (1988): 514-517.

Arndt, Marie. (Bath, UK; mariearndt@). "Narratives of Internal Exile in Mary Lavin's Short Stories." In Irish Studies Today. Ed. Keith Gregor. Monograph issue of IJES 2.2 (2002): 109-22.*

Arnold, A. James, series ed. (New World Studies). Charlottesville: UP of Virginia, c. 2000.*

Arnold, Gina. Route 666: On the Road to Nirvana. New York: St. Martin's Press, 1993.

Arnold, Matthew. See English humanist criticism 1830-1900.

_____. Culture and Anarchy: An Essay in Political and Social Criticism. 1869. 3rd. ed.: London: Smith, Elder, 1882.*

_____. Culture and Anarchy. London: Cambridge UP, 1960.

Arnold, Robert. "The Architecture of Reception." Journal of Film and Video 37.1 (Winter 1985).

Arnold, Robert F. "Termination or Transformation? The Terminator Films and Recent Changes in the U.S. Auto Industry." Film Quarterly 52.1 (Fall 1998): 20-30.

Auslander, Philip. "Toward a Concept of the Political in Postmodern Theatre." Theatre Journal 39.1 (March 1987).

_____. "Ping Chong." In Postmodernism: The Key Figures. Ed. Hans Bertens and Joseph Natoli. Oxford: Blackwell, 2002.*

Avisar, Ilan. "Holocaust Movies and the Politics of Collective Memory." In Thinking About the Holocaust: After Half a Century. Ed. Alvin H. Rosenfeld. Bloomington: Indiana UP, 1997.

Avrutin, Lily. "The Soldier, the Girl and the Dragon: Battles of Meaning in Post-Sovietic Cinematic Space." Cinema Journal 38.2 (Winter 1999):

Bady, Aaron. "The Hurt Locker's Addiction to Detachment, and Ours." The Valve 6 March 2010.* (Bigelow).

/go/valve/article/the_hurt_lockers_addiction_to_detachment_and_ours1/

2010

_____. "Founding Macondo on Forgetting Rape." The Valve 2 march 2010.*

/go/valve/article/founding_macondo_in_forgetting_rape/

2010

Baker, Steve. "Frank Kermode and Art Criticism." British Journal of Aesthetics 21.2 (Spring 1981).

Baker, Stephen. "The Fetish of the New: Culture and Class in Something Leather." (A. Gray). The Glasgow Review 3 (1995). Internet:

http://www.arts.gla.ac.uk/www/english/comet/others/glasgrev/issue3/baker.htm

Baker, Stephen, and Heather Green. "Blogs Will Change Your Business." 2 May 2005.

Bailey, Peter. Popular Culture and Performance in the Victorian City. Cambridge: Cambridge UP.

Baldwin, Elaine, Brian Longhurst, Scott McCracken, Miles Ogborn and Greg Smith. Introducing Cultural Studies. Hemel Hempstead: Prentice Hall Europe, 1999.

Banner, Deborah. "Why Don't They Just Shoot Them? The Bond Villains and Cold War Heroism." In The Devil Himself: Villainy in Detective Fiction and Film. Ed. Stacy Gillis and Philippa Gates. Westport (CT): Greenwood Press, 2002. 121-34.*

Bannet, Eve Tavor. Postcultural Theory. (Reviewed by John Storey) In Textual Practice 8.3 (1994).*

Barrett, Lindon. "Presence of Mind: Detection and Racialization in 'the Murders in the Rue Morgue'." In Romancing the Shadow: Poe and Race. Ed. J. Gerald Kennedy and Liliane Weissberg. New York: Oxford UP, 2001. 157-76.*

Barrow, Logie. (U Bremen, Germany). "Victorian 'Pest-Houses': Amid London's March of Bricks and Mortar." RANAM: Recherches anglaises et nord-américaines no. 36 (2003): ESSE 6—Strasbourg 2002. 3- Cultural Studies. Gen. ed. A. Hamm. Sub-eds. Christian Civardi and Jürgen Schlaeger. Strasbourg: Université Marc Bloch, Service des périodiques, 2003. 127-37.*

Bassnett, Susan. "British Cultural Studies: What It Is and What Can We Do With It." European English Messenger 2.1 (1993): 64-67.

Bathrick, David. "The Politics of Culture: Rudolf Bahro and Opposition in the GDR." New German Critique 15 (Fall 1978).

Bathrick, David and Andreas Huyssen. Modernity and the Text: Revisions of German Modernism. New York: Columbia UP, 1989.

Baxandall, M. "Exhibiting Intention: Some Preconditions of the Visual Display of Culturally Purposeful Objects." In Exhibiting Cultures: The Poetics and Politics of Museum Display. Washington, DC: Smithsonian Institution P, 1991.

Beardsworth, Richard. Derrida and the Political. London: Routledge, 1996.

Beckenbridge, C. A. "The Aesthetics and Politics of Colonial Collecting: India at World Fairs." Comparative Studies in Society and History 31.2 (1989) 195-216.

Bee, Jim. (Queen Margaret College, Edinburgh). "British Television Satire." RANAM: Recherches anglaises et nord-américaines no. 36 (2003): ESSE 6—Strasbourg 2002. 3- Cultural Studies. Gen. ed. A. Hamm. Sub-eds. Christian Civardi and Jürgen Schlaeger. Strasbourg: Université Marc Bloch, Service des périodiques, 2003. 49-57.*

Bell, Eleanor. Questioning Scotland: Literature, Nationalism, Postmodernism. Basingstoke: Macmillan-Palgrave, 2004.

Bellow, Gary, and Martha Minnow, eds. Law's Stories. Minneapolis: University of Michigan Press, 1996.

Benedetti, Paul, and Nancy DeHart. Forward Through the Rearview Mirror: Reflections on and by Marshall McLuhan. Boston: MIT Press, 1997.

Benedict, Ruth. Patterns of Culture. Boston: Houghton Mifflin, 1934.

Benhabib, Seyla. "Epistemologies of Postmodernism: A Rejoinder to François Lyotard." New German Critique 33 (1984).

_____. Critique, Norm, and Utopia: A Study of the Foundations of Critical Theory. New York: Columbia UP, 1986.

_____. "The Utopian Dimension in Communicative Ethics." In Critical Theory: The Essential Readings. Ed. David Ingram and Julia Simon-Ingram. St. Paul (MN): Paragon House, 1991. 388-400.*

_____. "Feminism and the Question of Postmodernism."

_____. The Claims of Culture: Equality and Diversity in the Global Era.

_____. Las reivindicaciones de la cultura: Igualdad y diversidad en la era global. Katz, 2006.

Benhabib, Seyla, and Fred Dallmayr, eds. The Communicative Ethics Controversy. Cambridge (MA): MIT Press, 1990.

Bennett, Tony. See English Marxist criticism.

Bercovich, Sacvan. See English myth criticism.

Berman, Jaye. "Parody as Cultural Criticism in The Dead Father." Dutch Quarterly Review of Anglo American Letters 17.1 (1987).

Berman, Marshall. The Politics of Authenticity: Radical Individualism and the Emergence of Modern Society. New York: Athenaeum; London: George Allen and Unwin, 1970.

_____. All that Is Solid Melts into Air: The Experience of Modernity. London: Verso, 1983.

_____. "The Twentieth Century: The Halo and the Highway." From All that is Solid Melts into Air. Rpt. in Modernism/Postmodernism. Ed. Peter Brooker. London: Longman, 1992. 74-81.

_____. "Why Modernism Still Matters." In Modernity and Identity. Ed. Scott Lash and Jonathan Friedman. Oxford: Blackwell, 1992. 33-58.

_____. "Weird but Brilliant Light on the Way We Live Now." In Erving Goffman. Ed. Gary Alan Fine and Gregory W. H. Smith. 4 vols. (SAGE Masters in Modern Social Thought). London: SAGE, 2000.

Bernard, Andréa, and Elzbieta H. Oleksy. "Sophie's Choice: The Depiction of Poles in the American Popular Imagination." In Images of Central Europe in Travelogues and Fiction by North American Writers. Ed. Waldemar Zacharasiewicz. Tübingen: Stauffenberg, 1995.

Bernheimer, Charles, ed. Comparative Literature in the Age of Multiculturalism. (Parallax: Re-Visions of Culture and Society). Baltimore: Johns Hopkins UP, 1995.

Bernstein, Matthew "High and Low: Art Cinema and Pulp Fiction in Yokohama." In Film Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers UP, 2000. 172-89.* (Kurosawa, 1963).

Bernstein, Matthew, and Gaylyn Studlar, eds. Visions of the East: Orientalism in Film. 1997.

Berry, Chris, and Ying Zhu. TV China. Indiana UP, 2009.

diana.edu/catalog/product_info.php?products_id=84762

2009

Berry, Ellen E. (Bowling Green State U) and Mikhail N. Epstein. Transcultural Experiments. Houndmills: Macmillan, 1999.

Bérubé, Michael. (Penn State U). "Political Correctness and the Media's Big Lie." Village Voice Literary Supplement 18 June 1991: 76-81.

_____. Public Access: Literary Theory and American Cultural Politics. London: Verso, 1994.

_____. "There is Nothing Inside the Text, or, Why No One’s Heard of Wolfgang Iser." In Postmodern Sophistry: Stanley Fish and the Critical Enterprise. Ed. Gary A. Olson and Lynn Worsham. SUNY, 2004. 11-26.

_____. Michael Bérubé. Website.

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2005-08-25

_____. Rhetorical Occasions: Humans and the Humanities. U of North Carolina P, 2006.

_____. The Left at War. New York: New York UP, 2006.

_____. "The Play's the Thing." Rev. of On the Origin of Stories, by Brian Boyd. American Scientist (Jan-Feb. 2010, issued Dec. 2009).

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2009

Bérubé, M., and G. Graff. "Regulations for Literary Criticism in the 1990s." Democratic Culture 2.2 (1993): 2-3.

Best, Steven, and Douglas Kellner. Postmodern Theory: Critical Interrogations. Houndmills: Macmillan, 1991.

Bewes, Timothy. Cynicism and Postmodernity. London: Verso, 1997.

_____. The Event of Postcolonial Shame. Princeton: Princeton UP, 2010.

Bhabha, Homi K.The Location of Culture. London: Routledge, 1994.*

(Birmingham) Centre for Contemporary Cultural Studies. Culture, Media, Language: Working Papers in Cultural Studies, 1972-1979. London: Hutchinson, 1980.

Billig, M. "Flagging the Homeland Daily." In Billig, Banal Nationalism. London: Sage, 1995. 93-127.

_____. "Flagging the Homeland Daily." In Critical Discourse Analysis: Critical Concepts in Linguistics. Ed. Michael Toolan. London: Routledge, 2002. 3.59-97.*

_____. "Whose Terms? Whose Ordinariness? Rhetoric and Ideology in Conversation Analysis." Discourse and Society 10.4 (1999): 543-58.

Billig, Michael, and John Shotter. "A Bakhtinian Psychology: From Out of the Heads of Individuals and into the Dialogues Between Them." In Mikhail Bakhtin. Ed. Michael E. Gardiner. London: SAGE, 2002. Vol. 4.

Biressi, Anita, and Heather Nunn. "'A trust betrayed': Celebrity and the Work of Emotion." Celebrity Studies 1.1 (2010): 49-64.*

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2010

Bishton, Derek, and John Reardon. Home Front. London: Cape, 1984.

Blackman, Lisa (Goldsmiths College, U of London) and Valerie Walkerdine,. Psychology and the Media. Houndmills: Macmillan, 1999.

Blain, Neil, and Hugh O'Donnell. (Glasgow Caledonian U). "Constructing the People's Princess: The State of Britain and the Death of Diana." In Culture and Power IV: Cultural Confrontations. Ed. Chantal Cornut-Gentille D'Arcy. Zaragoza, 1999. 121-36.*

Blake, Linnie. "Whoever Fights Monsters: Serial Killers, the FBI and America's Last Frontier." In The Devil Himself: Villainy in Detective Fiction and Film. Ed. Stacy Gillis and Philippa Gates. Westport (CT): Greenwood Press, 2002. 197-210.*

Bleakley, Alan. (Cornwall Institute of Professional Studies). The Animalizing Imagination: Totemism, Textuality and Ecocriticism. Houndmills: Macmillan, 1999.

Boland, Soba m. G. "The Karbala Paradigm in Iranian Shi'ite Memory: Questions on Tradition, Narrative, Ritual, and Performance." MA thesis. The Ohio State University, 2003.

Boothroyd, David. "Deconstruction and Drugs: A Philosophical/Literary Cocktail." In Deconstructions: A User's Guide. Houndmills: Palgrave, 2000. 44-63.*

Boothroyd, David, and Gary Hall, eds. The Culture Machine. Electronic journal on cultural studies. School of Law, Arts and Humanities, University of Teesside (Borough Road; Middlesbrough, TS1 3BA; UK)

http://culturemachine.tees.ac.uk

Boscagli, M. "Nietzscheanism and the Novelty of the Superman." In The Body. Ed. Tiffany Atkinson. Houndmills: Macmillan, 2000.

Boswell, Freddy. (Summer Institute of Linguistics). "Classifying Cotton Patch Version and Similar Renderings as Adaptive Retelling rather than Translation." Hermeneus 8 (2006): 46-66.* (Clarence Jordan, Bible).

Boyd, Gary A. (U College Dublin). "Spectacle and Myth in O'Connell/Sackville Street, Dublin." RANAM: Recherches anglaises et nord-américaines no. 36 (2003): ESSE 6—Strasbourg 2002. 3- Cultural Studies. Gen. ed. A. Hamm. Sub-eds. Christian Civardi and Jürgen Schlaeger. Strasbourg: Université Marc Bloch, Service des périodiques, 2003. 101-11.*

Boyd, Michael S. (Università Roma Tre / Libera Università 'San Pio V', mboyd@uniroma3.it). "De-constructing Race and Identity in US Presidential Discourse: Barack Obama's Speech on Race." Atlantis 31.2 (Dec. 2009): 75-94.*

Boyer, Paul S. Purity in Print: The Vice-Society Movement and Book Censorship in America. New York: Scribner's, 1968.

Boyer, Paul. By the Bomb's Early Light: American Thought and Culture at the Dawn of the Atomic Age. New York: Pantheon, 1985.

_____. When Time Shall Be No More: Prophecy Belief in Modern American Culture. Cambridge (MA): Harvard UP, 1992.

Boyer, P., F. Pottecher, D. Sarne and B. Clavel. Digno de toda sospecha: Un diagnóstico del error judicial. Ediciones de Bolsillo.

Brand, Dana. "From the flâneur to the Detective: Interpreting the City of Poe." In Popular Fiction: Technology, Ideology, Production, Reading. Ed. Tony Bennet. London: Routledge, 1990.

_____. The Spectator and the City in 19th Century American Literature. 1992.

Brantlinger, Patrick. Crusoe's Footprints: Cultural Studies in Britain and America. New York: Routledge, 1990.

Brenkman, John. Culture and Domination. Ithaca: Cornell UP, 1987.

Brett, Philip, Sue-Ellen Case, and Susan Leigh Foster. Cruising the Performative: Interventions into the Representation of Ethnicity, Nationality, and Sexuality. Bloomington: Indiana UP, 1995.

Briggs, Adam, and Paul Cobley, eds. The Media: An Introduction. Harlow: Longman, 1998.

Britton, Andrew. "The Ideology of Screen." Movie 26 (1978).

Brogan, Kathleen. (Wellesley College). Cultural Haunting: Ghosts and Ethnicity in Recent American Literature. UP of Virginia, 1999.*

Bromley, Roger. "Imagining the Puritan Body: The 1995 Cinematic Version of Nathaniel Hawthorne's The Scarlet Letter." In Adaptations: From Text to Screen, Screen to Text. Ed. Deborah Cartmell and Imelda Whelehan. London: Routledge, 1999. 63-80.*

Brooker, Will. "Batman: One Life, Many Faces." In Adaptations: From Text to Screen, Screen to Text. Ed. Deborah Cartmell and Imelda Whelehan. London: Routledge, 1999. 185-98.*

Brooker, Will, and Peter Brooker, eds. Postmodern After-Images: A Reader in Film, TV and Video. London: Arnold, forthcoming 1997.

Brown, Richard H. "Dialectic and Structure in Jean Paul Sartre and Claude Lévi-Strauss." Human Studies 2.1 (January 1979).

_____. "Métaphore et méthode: De la logique et de la decouverte en sociologie." Trans. Alain Kihm. Cahiers Internationaux de Sociologie 62 (January-June 1977).

_____. "Narrative, Literary Theory, and the Self in Contemporary Society." Poetics Today 6.4 (1985).

_____. "Social Theory as Metaphor: On the Logic of Discovery for the Sciences of Conduct." Theory and Society 3.2 (Summer 1976).

_____. "Theories of Rhetoric and the Rhetorics of Theory: Toward a Political Phenomenology of Sociological Truth." Social Research 50.1 (Spring 1983).

Brown, R. H. "Dialectical Irony, Literary Form and Sociological Theory." Poetics Today 4.3 (1983): 543-64.

Brown, Richard Harvey. "Social Science and Society as Discourse: Toward a Sociology for Civic Competence." In Postmodernism and Social Theory: The Debate over General Theory. Ed. Steven Seidman and David G. Wagner. Cambridge (MA): Blackwell, 1992. 223-43.*

Buchli, V., ed. The Material Culture Reader. Oxford: Berg, 2002.

Buck, Elizabeth, Deanna Robinson, and Marlene Cuthbert. Music at the Margins. London: Sage, 1991.

Buckley, Anthony D., ed. Symbols in Northern Ireland. Belfast: Institute of Irish Studies, Queens U, 1998.

Budick, Sanford, and Wolfgang Iser, eds. The Translatability of Cultures: Figurations in the Space Between. Stanford: Stanford UP, 1995?

Buhler, Stephen M. (1954; Associate Professor of English, U of Nebraska, Lincoln). "Camp Richard III and the Burdens of (Stage/Film) History." In Shakespeare, Film, Fin de Siècle. Ed. Mark Thornton Burnett and Ramona Wray. Houndmills: Macmillan; New York: St: Martin's, 2000. 40-57.*

_____. Shakespeare in the Cinema: Ocular Proof. (The SUNY Series, Cultural Studies in Cinema/Video). Albany: SUNY, 2002.*

Burnett, Robert (Karlstad U, Sweden), and P. David Marshall. Web Theory: An Introduction. London: Routledge, 2002.

Butterss, Philip. "Becoming a Man in Australian Film in the Early 1990s: The Big Steal, Death in Brunswick, Strictly Ballroom and The Heartbreak Kid." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 79-94.*

Buzard, James. The Beaten Track: European Tourism, Literature, and the Ways to 'Culture', 1800-1918. Oxford: Clarendon Press, 1993.

Calderazzo, Diana. "Theory of the Murderous Mind: Understanding the Emotional Intensity of John Doyle’s Interpretation of Sondheim’s Sweeney Todd." In Theory of Mind and Literature. Ed. Paula Leverage et al. Purdue UP, 2011. 93-104.

Carrithaers, Michael. ¿Por qué los humanos tenemos culturas? Una aproximación a la antropología y a la diversidad social. Trans. José Antonio Pérez Alvajar. Madrid: Alianza, 1995.

Caruth, Cathy. Unclaimed Experience: Trauma, Narrative, and History. Baltimore: Johns Hopkins UP, 1996.

Causey, Matthew. (Dublin U). "The Aesthetics of Disappearance and the Politics of Visibility in the Performance of Technology." Gramma/Gramma 10 (2002): 59-72.*

_____. "Postorganic Performance: The Appearance of Theater in Virtual Spaces." In Cyberspace Textuality: Computer Technology and Literary Theory. Ed. Marie-Laure Ryan. Bloomington: Indiana UP, 1999. 182-201.

_____. "La performance post-orgánica: la apariencia del teatro en los espacios virtuales." Trans. Óscar Jiménez. In Literatura y cibercultura. Ed. Domingo Sánchez-Mesa. Madrid: Arco/Libros, 2004. 297-325.*

Cavallaro, Dani (U of Auckland, formerly U of Westminster, London). "Introduction: Cyberpunk and Science Fiction." In Cyberpunk and Cyberculture. London and New Brunswick (NJ).

_____. "La ciencia-ficción y el ciberpunk." Trans. Óscar Jiménez. In Literatura y cibercultura. Ed. Domingo Sánchez-Mesa. Madrid: Arco/Libros, 2004. 235-68.*

_____. (Daniela Cavallaro). "Reading Across Cultures: Two Stories from Papua New Guinea on Arranged Marriages." Miscelánea 32 (2005, issued 2006): 57-68.*

Chambers, Tod. The Fiction of Bioethics: Cases as Literary Texts. (Reflective Bioethics). New York: Routledge, 1999.

Chapple, Eliot D. Culture and Biological Man. New York: Holt, 1970.

Chase, Anthony. "Fear Eats the Soul." Yale Law Journal 94.5 (April 1985).

_____. "Toward a Legal Theory of Popular Culture." Wisconsin Law Review 3 (1986).

Cheetham, M. A., and Martin Kreiswirth, eds. Theory between the Disciplines. Minneapolis: U of Minnesota P, 1990.

Chen, Kuan Hsing. "Beyond Truth and Method: On Misreading Gadamer's Praxical Hermeneutics." Quarterly Journal of Speech 73.2 (May 1987).

Chen, Kuan-Hsing, and Stuart Hall. "Cultural Studies and the Politics of Internationalization: An Interview with Stuart Hall by Kuan-Hsing Chen." In Stuart Hall: Critical Dialogues in Cultural Studies. Ed. David Morley and Kuan-Hsing Chen. London: Routledge, 1996.

Chen, Kuan-Hsing, and David Morley, eds. Critical Dialogues in Cultural Studies. By Stuart Hall. London: Routledge, 1996.

Cheyette, Bryan. Constructions of "the Jew" in English Literature and Society: Racial Representations, 1875-1945. 1993.

Cheyette, Brian. "The Uncertain Certainty of Schindler's List." In Spielberg's Holocaust: Critical Perspectives on Schindler's List. Ed. Yosefa Loshitzky. Bloomington: Indiana UP, 1997.

_____. Muriel Spark. (Writers and Their Work). Horndon (Devon): Northcote House / British Council, 2000.*

Cheyette, Bryan, et al. "Writing the Unwritable: A Debate on Holocaust Fiction. Martin Amis, Bryan Cheyette, Lucy Ellmann, Joseph Skibell." Jewish Quarterly 170 (Summer 1998): 12-15.

Cheyette, Brian, and Laura Marcus, eds. Modernity, Culture, and 'the Jew'. Cambridge: Polity Press, 1998.

Chow, Rey. "Listening Otherwise, Music Miniaturized: A Different Type of Question about Revolution." In The Cultural Studies Reader. Ed. Simon During. London: Routledge, 1993. 382-401.*

_____. Rev. of The Power of the Story: Fiction and Political Change. By Michael Hanne. Novel (Winter 1996): 262-65.*

_____. "Rereading Mandarin Ducks and Butterflies: A Response to the 'Postmodern' Condition." Cultural Critique 5 (1986-87): 69-93.

_____. Ethics after Idealism: Theory, Culture, Ethnicity, Reading. Bloomington: Indiana UP, 1998.

Claus, Peter (Raphael Samuel History Centre, U of East London, UK). "Recalling the City: The Lord Mayor's Show and Pageants of Memory." RANAM: Recherches anglaises et nord-américaines no. 36 (2003): ESSE 6—Strasbourg 2002. 3- Cultural Studies. Gen. ed. A. Hamm. Sub-eds. Christian Civardi and Jürgen Schlaeger. Strasbourg: Université Marc Bloch, Service des périodiques, 2003. 139-44.*

Cline, Autin. "Is The Matrix a Gnostic Film? Gnosticism and The Matrix." In : Agnosticism / Atheism

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2007-01-19

Clouet, Richard. (U of Las Palmas de Gran Canaria). "The Robin Hood Legend and its Cultural Adaptation for the Film Industry: Comparing Literary Sources with Filmic Representations." Journal of English Studies 3 (2002/2, issued 2003): 37-46.*

_____. "The Allegory of the Apple in Mark Mehr's The Smell of Apples: The Burden of the Past and the Sense of Guilt." Revista de Filología (U de La Laguna) 22 (2004): 47-54.

Cochran, Terry. La cultura contra el Estado. Trans. Mabel Richart. Madrid: Cátedra, 1996.

Cohen, Sarah. "Localizing Sound: Music, Place, and Social Mobility." In Popular Music: Style and Identity. Ed. Will Staw. Montreal: Centre for Research in Canadian Cultural Industries and Institutions, 1995. 61-7.

Collick, John. (Waseda U, Tokyo). Shakespeare, Cinema, and Society. Manchester: Manchester UP, 1989. (New Casebooks select: "Symbolism...", 80-98, 105-6, on Reinhardt's A Midsummer Night's Dream).

_____. "Symbolism in Shakespeare Film." In Shakespeare on Film. Ed. Robert Shaughnessy. Houndmills: Macmillan, 1998. 83-102.*

Collins, Felicity and Therese Davis. Australian Cinema after Mabo. Cambridge UP, 2004.

Collins, Gerard. "Contagion and Technology in Patricia Cornwell's Scarpetta Novels." In The Devil Himself: Villainy in Detective Fiction and Film. Ed. Stacy Gillis and Philippa Gates. Westport (CT): Greenwood Press, 2002. 159-70.*

Collins, Jim. Uncommon Cultures: Popular Culture and Postmodernism. New York: Routledge, 1989.

_____. "Postmodernism and Television." In Channels of Discourse, Reassembled: Television and Contemporary Criticism. Ed. Robert C. Allen. London: Routledge, 1992.

_____. "Robert Venturi and Denise Scott Brown." In Postmodernism: The Key Figures. Ed. Hans Bertens and Joseph Natoli. Oxford: Blackwell, 2002.*

Collins, Jim, Hilary Radner, and Ava Preacher Collins, eds.Film Theory Goes to the Movies. Ed. Jim Collins, Hilary Radner and Ava Preacher Collins. London: Routledge, 1993.

Collins, Randall. "The Passing of Intellectual Generations: Reflections on the Death of Erving Goffman." In Erving Goffman. Ed. Gary Alan Fine and Gregory W. H. Smith. 4 vols. (SAGE Masters in Modern Social Thought). London: SAGE, 2000.

_____. "Erving Goffman and the Development of Modern Social Theory." In Erving Goffman. Ed. Gary Alan Fine and Gregory W. H. Smith. 4 vols. (SAGE Masters in Modern Social Thought). London: SAGE, 2000.

_____. "The Confusion of the Modes of Sociology." In Postmodernism and Social Theory: The Debate over General Theory. Ed. Steven Seidman and David G. Wagner. Cambridge (MA): Blackwell, 1992. 179-98.*

_____. Sociología de las filosofías: Una teoría global del cambio intelectual. Barcelona, Hacer Editorial, 2005.

Condit, Celeste (U of Georgia) and Bonnie J. Dow, eds. Critical Studies in Media Commmunication. A Journal of the National Communication Association. New York and London: Routledge. Vol. 20.1 (2004).

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