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A Bibliography of Literary Theory, Criticism and Philology


by José Ángel García Landa

(University of Zaragoza, Spain)

Historical Scholarship in English, 1950s-2000s: Other scholars (P)

Packe, Michael St. John. The Life of John Stuart Mill. New York: Macmillan, 1954.

Packer, Barbara L., Michael Davitt Bell, Eric J. Sundquist, and Jonathan Arac, eds. The Cambridge History of American Literature. Vol. 2: Prose Writing 1820-1865. Cambridge: Cambridge UP, 1995.

Pacy, James S., and Alan P. Wertheimer, eds. Perspectives on the Holocaust: Essays in Honor of Raul Hilberg. Boulder, 1995.

Pafford, J. H. P., ed. The Winter's Tale. (Arden Shakespeare, 2nd ed). London: Methuen, 1962. Rpt. Routledge.

Pagden, Anthony. European Encounters with the World: From Renaissance to Romanticism. New Haven: Yale UP, 1992.

_____. "Peter Martyr and Richard Eden: A Letter." Connotations 6.1 (1996-97): 65-66.*

Page, Frederick, ed. The Poems of Coventry Patmore. London, 1949.

_____, ed. Poetical Works. By Lord Byron. Oxford: Oxford UP.

_____, ed. Poetical Works. By Lord Byron. Rev. ed. John Jump. (Oxford Standard Authors). Oxford: Oxford UP, 1970.

Page, Norman. See Stylistics.

Pagliaro, Harold E. (Columbia U 1956-63, then Swarthmore College, Pennsylvania; Emeritus). "Paradox in the Aphorisms of La Rouchefaucauld and some Representative English Followers." PMLA 79 (1964): 42-50.

_____. Selfhood and Redemption in Blake's Songs.

_____. Naked Heart: A Soldier's Journey to the Front. (Memoir of World War II).

_____. Henry Fielding: A Literary Life. Houndmills: Macmillan; New York: St. Martin's, 1998.*

_____, ed. The Journal of a Voyage to Lisbon. By Henry Fielding.

_____, ed. Major English Writers of the Seventeenth Century.

_____, ed. Proceedings of the American Society for Eighteenth-Century Studies (1972, 1973, 1974).

_____, ed. Racism in the Eighteenth Century. Studies in Eighteenth Century Culture vol. 3. Cleveland: Case Western Reserve UP, 1973.

Paige, D. D., ed. The Letters of Ezra Pound 1907-1941.. 1951.

Paine, Gregory. Southern Prose Writers. New York: American Book Co., 1947.

Painter, George D. Marcel Proust. Paris: Mercure de France, 1959.

_____. Marcel Proust. 2 vols. Paris: Mercure de France, 1985.

_____. Marcel Proust. Madrid: Alianza, 1972.

Painter, John. Just James: The Brother of Jesus in History and Tradition. Columbia: South Carolina UP, 1997.

Painter, Nell. Standing at Armageddon: The United States, 1877-1919. New York: Norton, 1987.

Palazzolo, Pietra. (U of Essex, UK). "Contentious Encounters: John Banville's The Untouchable." RANAM: Recherches anglaises et nord-américaines no. 36 (2003): ESSE 6—Strasbourg 2002. 1- Literature. Gen. ed. A. Hamm. Sub-eds. Claire Maniez and Luc Hermann. Strasbourg: Université Marc Bloch, Service des périodiques, 2003. 79-90. (Banville, The Untouchable. London: Picador, 1997).

Paley, Morton D. (U of California, Berkeley). Energy and the Imagination: A Study of the Development of Blake's Thought.

_____. The Continuing City: William Blake's Jerusalem.

_____. The Apocalypse Sublime.

_____. "The Figure of the Garment in The Four Zoas, Milton, and Jerusalem." In Blake's Sublime Allegory. Ed. Stuart Curran and Joseph Anthony Wittreich, Jr. Madison: U of Wisconsin P, 1973. 119-39.

_____. "Le dernier homme: The French Revolution as the Failure of Typology." Mosaic: A Journal for the Interdisciplinary Study of Literature 24 (1991): 67-76.

_____. "Mary Shelley's The Last Man: Apocalypse Without Millennium." In The Other Mary Shelley. Ed. Audrey A. Fisch, Anne K. Mellor, and Esther H. Schor. New York: Oxford UP, 1993.

_____. Coleridge's Later Poetry. Oxford: Clarendon Press, 1996.

_____, ed. Fulford, T. J., and Morton D. Paley. Coleridge's Visionary Languages.

_____, ed. Jerusalem. By William Blake. William Blake Trust.

_____, ed. The Last Man. By Mary Shelley. Oxford: Oxford UP, 1994.

_____, coed. Blake: An Illustrated Quarterly.

Paley, Morton, and Michael Phillips, eds. William Blake: Essays in Honour of Sir Geoffrey Keynes. 1973.

Palfrey, Simon. Late Shakespeare: A New World of Words. Oxford: Clarendon Press, 1999.

Palliser, Charles. See English authors.

Palmer, Andrew. (School of Oriental and African Studies, U of London). "Egeria the Voyager, or the Technology of Remote Sensing in Late Antiquity." In Travel Fact and Travel Fiction. Ed. Zweder von Martels. Leiden: E. J. Brill, 1994. 39-53.*

Palmer, Jerry. See Structuralism.

Palmer, John. Joseph Conrad's Fiction. Ithaca: Cornell UP, 1968.

Palmer, Kenneth, ed. Troilus and Cressida. By William Shakespeare. London: Methuen, 1982. Rpt. Routledge.

Palmer, Lucia M., Donald C. Mell, Jr., and Theodore E. D. Braun. Man, God, and Nature in the Enlightenment. East Lansing: Colleagues Press, 1988.

Palmer, N. "Museums and Cultural Property." In The New Museology. Ed. P. Vergo. London: Reaktion Books, 1989.

Palmer, N. F. "'Antiquitus depingebatur': The Roman Pictures of Death and Misfortune in the Ackermann aus Böhmen and Tkadlecek, and in the Writings of the Classicizing Friars." Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte 57 (1983): 171-239.

_____. "Latin and Vernacular in the Northern European Tradition of the De Consolatione Philosophiae.'" In Gibson, Boethius 365-6.

Palmer, Paulina. See Feminist criticism.

Palmer, Richard E. See Hermeneutics.

Palmer, Richard H. The Contemporary British History Play. (Contributions in Drama and Theatre Studies, 81). Greenwood Press, 1998.

_____. "Technology and the Playwright." Gramma/Gramma 10 (2002): 143-56.*

Palmer, Richard. Brain Train: Studying for Success. 2nd ed. Spon Press, 1996.

Palmer, Veronica, and Alan Palmer. Who's Who in Bloomsbury. Hemel Hempstead: Harvester Wheatsheaf, 1987.

_____. Who's Who in Shakespeare's England. Hemel Hempstead: Harvester Wheatsheaf, 1983.

Palmeri, Frank. Satire in Narrative. Austin: U of Texas Press, 1990.

_____. "The Metamorphoses of Satire in Eighteenth-century Narrative." Comparative Literature 48.3 (Summer 1996): 237-264.*

Panichas, George A., ed. In Continuity: The Last Essays of Austin Warren. Macon (GA): Mercer UP, c. 1997.

Paperno, Slava, and John V. Hagopian. "Official and Unofficial Responses to Nabokov in the Soviet Union." In The Achievement of Vladimir Nabokov. Ed. G. Gibian and S. J. Parker. Ithaca: Cornell University Center for International Studies, 1984. 99-117.

Paperno, Slava, and A. D. Nakhimovsky. An English-Russian dictionary of Nabokov's Lolita. Ann Arbor : Ardis, c1982.

Paradis, James, and Thomas Postlewait, eds. Victorian Science and Victorian Values: Literary Perspectives. New York: New York Academy of Sciences, 1981.

Paradis, James, and Charles Bazerman. Textual Dynamics of the Professions: Historical and Contemporary Studies of Writing in Professional Communities. Madison: U of Wisconsin P, 1991.

Pardo, Félix. "María Zambrano y la tradición simbolista." Online PDF at Raco.



Parente, James A., Jr. "German-Speaking Centres and Institutions." In The Renaissance. Ed. Glyn P. Norton. Vol. 3 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 1999. 2001. 364-70.*

_____, ed. Socio-Historical Approaches to Early Modern German Literature. Amsterdam: Rodopi, 1993.

Paret, Peter. Clausewitz and the State. Oxford: Oxford UP, 1976.

Parfait, Claire. The Publishing History of Uncle Tom's Cabin 1852-2002. Aldershot, UK and Burlington, USA: Ashgate, 2007.

Parfitt, George. (formerly U of Nottingham). Ben Jonson: Public Poet and Private Man. New York: Barnes and Noble, 1977.

_____. English Poetry of the Seventeenth Century. (Longman Literature in English Series). Harlow: Longman, 1985. 2nd ed. 1992.

_____. John Donne: A Literary Life. London: Macmillan, 1989.

_____. English Poetry of the First World War: Contexts and Themes. Hemel Hempstead: Harvester Wheatsheaf, 1990.

_____, ed. The Complete Poems. By Ben Jonson. Harmondsworth: Penguin, 1975. 1980.

Parfitt, George, and James Kinsley, eds. John Dryden: Selected Criticism. Oxford: Oxford UP, 1970.*

Parfitt, George, and Simon Shepherd, eds. Thomas of Woodstock: An English History Play of Shakespeare's Time: Otherwise known as A Tragedy of king richard the Second, The First part of the Reign of King Richard the Second: Woodstock: A Moral History and Woodstock. (Nottingham Drama Text Series). Nottingham, 1977. Rpt. Doncaster: Brynmill, 1988. 1990.* (Anonymous play).

Parfitt, George, Maureen Bell and Simon Shepherd, eds. A Biographical Dictionary of English Women Writers, 1580-1720. Hemel Hempstead: Harvester Wheathsheaf, 1990.

Parini, Jay (Middlebury College). "Men an Women, forever Misaligned." Rev. of The Stone Diaries, by Carol Shields. New York Times 27 March 1994.*



_____, ed. Encyclopedia of American Literature. 4 vols. Oxford: Oxford UP, 2003.

Paris, Bernard J. See Psychoanalysis.

Parish, Charles. "A Table of Contents for Tristram Shandy." College English 22 (1960): 143-50. Rpt. in Tristram Shandy. Ed. H. Anderson. New York: Norton, 1980. 640-8.

Parish, Richard. "Port-Royal and Jansenism." In The Renaissance. Ed. Glyn P. Norton. Vol. 3 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 1999. 2001. 475-84.*

Park, Christine, and Caroline Heaton, eds. Caught in a Story. Adult fairy stories.

Parker, Alexander A. "El concepto de la verdad en el Quijote." Revista de Filología Española 32 (1948): 287-305.

_____. "On the Interpretation of Niebla." In Unamuno: Creator and Creation. Ed. José Rubia Barcia and M. A. Zeitlin. Berkeley: U of California P, 1967. 116-38.

Parker, Barry M. The Folger Shakespeare Filmography. Folger Books, 1979.

Parker, Blandford. The Triumph of Augustan Poetics: English Literary Culture from Butler to Johnson. Cambridge: Cambridge UP, c. 1999.

Parker, Douglas. "El extraño caso del pólipo del faraón y otras cuestiones relacionadas con el mismo." (Umberto Eco). In Ensayos sobre El Nombre de la Rosa. Ed. Renato Giovannoli. Barcelona: Lumen, 1987. 495-515.

Parker, G. F. (Clare College, Cambridge) Johnson's Shakespeare. Oxford: Clarendon Press, 1991.

Parker, Gail. See Feminist criticism.

Parker, Hershel. Flawed Texts and Verbal Icons: Literary Authority in American Fiction. Evanston: Northwestern UP, 1984.

_____. "Textual Criticism and Hemingway." In Hemingway: Essays of Reassessment. Ed. Frank Scafella. New York: Oxford UP, 1991. 17-32.*

_____. Herman Melville: A Biography. Vol. 1: 1819-1851. Baltimore: Johns Hopkins UP, 1996.

_____, ed. The Confidence-Man. By Herman Melville. (Norton Critical Edition). New York: Norton, 1971.

_____, ed. Moby-Dick. By Herman Melville. Ed. Harrison Hayford and Hershel Parker. (Norton Critical Edition). New York: Norton, 1967.

Parker, Mark. "Measure and Countermeasure: The Lovejoy-Wellek Debate and Romantic Periodization." In Theoretical Issues in Literary History. Ed. David Perkins. Cambridge (MA): Harvard UP, 1991. 227-47.*

Parker, Michael. (Liverpool Hope Univ. College; U of Central Lancashire). Heaney: The Making of the Poet. 1994?

_____. Rev. ofThe Movement: A Study of Contemporary Poetic Tradition. By Mohan Ramanan. Critical Survey 5.1 (1993).*

_____. The Hurt World: Short Stories of the Troubles.

Parker, Michael, and Roger Starkey, eds. Post-Colonial Literatures: Achebe, Ngugi, Walcott and Desai. (New Casebooks). Houndmills: Macmillan, 1995.

Parker, Michael, and Liam Harte, eds. Contemporary Irish Fiction: Themes, Tropes, Theories. Houndmills: Macmillan; New York: St. Martin's, 2000.*

Parker, Michael P. "'All Are not Born (Sir) to the Bay': 'Jack' Suckling, 'Tom' Carew, and the Making of a Poet." English Literary Renaissance 12 (1982): 341-68.

Parker, Noel. Portrayals of Revolution: Images, Debates and Patterns of Thougth on the French Revolution. Hemel Hempstead: Harvester Wheatsheaf, 1990.

Parker, Peter. The Reader's Companion to the Twentieth Century Novel. London: Fourth Estate / Helicon, 1994.

_____. "The War That Never Becomes the Past." Rev. of The Ghost Road. By Pat Barker. TLS 8 Sept. 1995: 4.*

_____. Isherwood: A Life. London: Picador, 2004.

Parker, R. B., and S. P. Zitner, eds. Elizabethan Theatre: Essays in Honour of S. Schoenbaum. 1996.

Parker, Robert. Athenian Religion: A History. Oxford: Clarendon Press, 1996.

Parker, Robert Dale. Faulkner and the Novelistic Imagination. Urbana: U of Illinois P, 1985.

_____. "Tradition, Invention, and Aesthetics." In Literary Theory: An Anthology. Ed. Julie Rivkin and Michael Ryan. 2nd ed. Oxford: Blackwell, 2004.

Parker, Stephen Jan. "In the Interest of Accuracy." Cornell Alumni News (March 1981): 13-14.

_____. "Professor Nabokov: A Review Essay." Vladimir Nabokov Research Newsletter 8 (Spring 1982): 38-45.

_____. Understanding Vladimir Nabokov. Columbia (SC): U of South Carolina P, 1987.

_____. "Vladimir Nabokov and the Short Story." Russian Literature Triquarterly 24 (1991): 63-72.

_____. (Bibliography of Nabokov criticism). Garland Press. Forthcoming 1992.

_____. "Critical Reception." In The Garland Companion to Vladimir Nabokov. Ed. Vladimir Alexandrov. New York: Garland, 1995. 67-75.*

_____. "Library." In The Garland Companion to Vladimir Nabokov. Ed. Vladimir Alexandrov. New York: Garland, 1995. 283-90.*

Parker, Stephen Jan, and George Gibian, eds. The Achievement of Vladimir Nabokov. Ithaca: Cornell University Center for International Studies, 1984.

Parker, Tony. Studs Terkel: A Life in Words. (Broadcaster). London: HarperCollins, 1997.

Parker, W. M., ed. Rob Roy. By Walter Scott. London: Dent; New York: Dutton, 1966.

_____, ed. The Antiquary. By Walter Scott. London: Dent; New York: Dutton, 1966.

_____, ed. Old Mortality. By Walter Scott. London: Dent; New York: Dutton, 1968.

Parker, William Riley. Introd. to Lives of the Most Famous English Poets. By William Winstanley. Facsimile ed.,Gainesville (FL), 1963.

_____. Milton: A Biography. 2 vols. Oxford: Clarendon, 1968.

_____. Milton: A Biography. Vol. 1: The Life. Rev. version by Gordon Campbell. Oxford: Clarendon Press, 1996.*

_____. Milton; A Biographical Commentary. Vol. 2: Commentary, Notes, Index and Finding List. Rev. Gordon Campbell. Oxford: Clarendon Press, 1996.*

Parkes, M. B. (U of Oxford). "The Manuscript of the Leiden Riddle." Anglo-Saxon England 1 (1972): 207-17.

_____. "The Influence of the Concepts of Ordinatio and Compilatio in the Development of the Book." In Medieval Learning and Literature: Essays Presented to R. W. Hunt. Ed. J. J. G. Alexander and M. T. Gibson. Oxford, 1976. 115-41.

Parkes, M. B., and Judith Tschann, eds. Facsimile of Oxford, Bodleian Library MS Digby 86. (EETS sup. ser. 16). Oxford: Oxford UP/EETS, 1996.

Parkin, Andrew T. L. (Hong Kong U). "Poetry in Hong Kong..." Anglistik 8.2 (September 1997): 7-30.*

Parkinson, Richard (British Museum), trans. The Tale of Sinuhe and Other Ancient Egyptian Poetry. Oxford: Clarendon Press, 1997.

Parks, Stephen, ed. Sale Catalogues of Libraries of Eminent Persons. Vol 5: Poets and Men of Letters. (W. Dodd, J. Dunton, E. Fenton, Hester Lynch Piozzi, J. Spence, L. Sterne). Mansell 1972. (facsimiles of catalogues, sales between 1730 and 1823, some with buyers).

Parmée, Douglas, ed. and trans. A Sentimental Education. By Gustave Flaubert. Oxford: Oxford UP.

_____, ed. and trans. Nana. By Emile Zola. Oxford: Oxford UP.

_____, ed. and trans. The Attack on the Mill and Other Stories. By Emile Zola. Oxford: Oxford UP.

Parpola, Simo, Mikko Luuko and Kalle Fabritius, eds. The Standard Babylonian Epic of Gilgamesh. (The Neo-Assyrian Text Corpus Project, vol. 1). 1997.

Parrington, John. "In Perspective: Valentin Voloshinov." In Mikhail Bakhtin. Ed. Michael E. Gardiner. London: SAGE, 2002. Vol. 1.

Parrish, Michael A. Anxious Decades: America in Prosperity and Depression, 1920-1941. New York: Norton, 1992. 1994.

Parrish, Nancy C. Lee Smith, Annie Dillard, and the Hollins Group: A Genesis of Writers. (Southern Literary Studies). Baton Rouge: Lousiana State UP, 1998.

Parrish, Stephen M., ed. Emma. By Jane Austen. (Norton Critical Edition). New York: Norton, 1972. 3rd ed. 2000.

Parrish, Timothy L. "Howells Untethered: The Dean and 'Diversity'." Studies in American Fiction 23.1 (1995): 101-18.*

_____. "Imagining Slavery: Toni Morrison and Charles Johnson." Studies in American Fiction 25.1 (Spring 1997): 81-100.*

Parry, Adam, ed. The Making of Homeric Verse: The Collected Papers of Milman Parry. Oxford: Clarendon, 1971.

Parsons, I. M., ed. Men Who March Away. Burns and Oates, 1965.

Parsons, Thornton H., and Myron Simon, eds. Transcendentalism and Its Legacy. 1966.

Pasco, Allan H. Balzacian Montage. Toronto: U of Toronto P, 1991.

_____. "On Defining Short Stories." New Literary History 22.2 (1991): 407-22.

Passage, Charles E., and James H. Mantinband. Amphytrion . . . Together with a Comprehensive Account of the Evolution of the Legend and Its Subsequent History on the Stage. Chapel Hill: U of North Carolina P, 1974.

Passmore, John A. "The Malleability of Man in Eighteenth-Century Thought." In Aspects of the Eighteenth Century. Ed. Earl R. Wasserman. Baltimore, 1965.

_____. A Hundred Years of Philosophy. 1957. Harmondsworth: Penguin, 1968.

_____. Hume's Intentions. London, 1968.

Paster, Gail Kern (George Washington U). "Montaigne, Dido, and The Tempest: 'How Came that Widow In?'" Shakespeare Quarterly 35 (1984): 91-94.

_____. The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England. Ithaca: Cornell UP, 1993.

_____. "Montaigne, Dido, and The Tempest: 'How Came that Widow In?'" In Shakespeare and the Literary Tradition. Ed. Stephen Orgel and Sean Keilen. New York and London: Garland, 1999. 231-34.*

_____. "The Humor of It: Bodies, Fluids, and Social Discipline in Shakespearean Comedy." In A Companion to Shakespeare's Works, Volume III: The Comedies. Malden: Blackwell, 2003. Pbk. 2006. 47-66.*

_____, ed. A Midsummer Night's Dream: Texts and Contexts. (Bedford Shakespeare series). Boston: St. Martin's-Bedford Books; Houndmills: Macmillan, 1999.

Paterson, L. M. The World of the Troubadours: Medieval Occitan society, c. 1100-c.1300. Cambridge, 1993.

Patey, Douglas Lane. Probability and Literary Form: Philosophic Theory and Literary Practice in the Augustan Age. 1984

Patrick, J. Max, ed. The Complete Poetry of Robert Herrick. New York: Norton, 1968.

Patrick, J. Max, and Roger B. Rollin, eds. Trust to Good Verses: Herrick Tercentenary Essays. Pittsburgh: U of Pittsburgh P, 1977.

Patrick, Julian, William Blissett, and R. W. Van Fossen, eds. A Celebration of Ben Jonson. 1973.

Patrick, Julian, Eleanor Cook, Chaviva Hosek, Jay Macpherson and Patricia Parker, eds. Centre and Labyrinth: Essays in Honour of Northrop Frye. Toronto: U of Toronto P, 1983.

Patrides, C. A. "'The Beast with Many Heads': Renaissance Views of the Multitude." Shakespeare Quarterly 16 (1965): 241-46.

_____. The Cambridge Platonists. 1969. (Whichcote, Smith, More, Cudworth).

_____, ed. The English Poems of George Herbert. London: Dent, 1974.

_____, ed. John Milton: Selected Prose. Harmondsworth: Penguin, 1974.*

_____, ed. Sir Thomas Browne: The Major Works. (Penguin Classics). Harmondsworth: Penguin, 1977.

_____, ed. Approaches to Andrew Marvell: The York Tercentenary Lectures. London: Routledge, 1978.

_____, ed. George Herbert: The Critical Heritage. London: Routledge, 1983.

_____, ed. Milton's Lycidas: The Tradition and the Poem. New rev ed. Columbia: U of Missouri P, 1983.

Patrides, C. A., and R. B. Waddingon, eds. The Age of Milton. Manchester, 1980.

Patrides, C. A., and J. Wittreich, eds. The Apocalypse in English Renaissance Thought and Literature. Manchester: Manchester UP, 1984.

Patrides, C. S., ed. Aspects of Time. Toronto: U of Toronto P, 1976.

Patrouch, Joseph F. The Science Fiction of Isaac Asimov. New York, 1974.

Patten, Eve (Lect. in English, Trinity College Dublin), John Goodby, Alex Davis, and Andrew Hadfield. Irish Studies: The Essential Glossary. (The Essential Glossary Series). London: Arnold, 2003.

Patten, Eve, and Guy Woodward. "Gillian Slovo." British Council (Contemporary Writers)



Patten, Robert L. (U of York). "Boz, Phiz, and Pickwick in the Pound." ELH 36 (1969): 575-91.

_____, ed. The Posthumous Papers of the Pickwick Club. By Charles Dickens. Harmondsworth: Penguin, 1972.

Patten, Robert L., and John O. Jordan. Literature in the Marketplace: Nineteenth-Century British Publishing and Reading Practices. Cambridge: Cambridge UP, 1995.

Patten, Robert L., and John Bowen. Charles Dickens Studies. (Palgrave Advances). Houndmills: Palgrave Macmillan, c. 2006.

Patterson, Rebecca. See Psychoanalytic criticism.

Patteson, Richard. "What Stencil Knew: Structure and Certitude in Pynchon's V. " Critical Essays on Thomas Pynchon. Ed. R. Pearce. Boston: Hall and Co, 1981. 10-31.

Patteson, Richard F. "Paul Bowles/Mohammed Mrabet: Translation, Transformation, and Transcultural Discourse." Journal of Narrative Technique 22.3 (1992): 180-190.*

Patteson, Richard I. Caribbean Passages: Critical Perspectives on New Fiction from the West Indies. (Three Continents Books). Lynne Rienner Publishers-Eurospan, 1998.

Patterson, W. F. Three Centuries of French Poetic Theory. Ann Arbor: U of Michigan P, 1935.

Pattison, Walter T. Benito Pérez Galdós and the Creative Process. Minneapolis, 1954.

_____. "El amigo Manso and el amigo Galdós." Anales Galdosianos 2 (1967): 135-53.

_____. Benito Pérez Galdós. Boston, 1975.

Patton, L., ed. The Watchman. By Samuel Taylor Coleridge. London and Princeton, 1970.

Paul, Henry. The Royal Play of Macbeth. New York: Macmillan, 1950.

_____. The Royal Play of Macbeth. New York: Octagon Books, 1978.

Paul, Richard. The Winter's Tale. Podcast. In Folger Library.



Paul, Sherman. Edmund Wilson: A Study of Literary Vocation in Our Time. Urbana: U of Illinois P, 1965.

_____. In Search of the Primitive. Baton Rouge and London: Louisiana State UP, 1986.

Paulin, Roger. (Trinity College, Cambridge). "Goethe's and Stolberg's Italian Journeys and the Romantic Ideology of Art." In Travel Fact and Travel Fiction. Ed. Zweder von Martels. Leiden: E. J. Brill, 1994. 207-19.*

Paulin, Tom (Hertford College, Oxford). Minotaur: Poetry and the Nation State. c. 1992.

_____. Foreword to D. H. Lawrence and 'Difference': Postcoloniality and the Poetry of the Present. By Amit Chaudhuri. Oxford: Oxford UP, 2003.

Pauls, Alan. Introd. to Los extravíos del colegial Törless. By Robert Musil. Trans. Joan Parra Contreras. (Biblioteca Universal: Maestros Modernos Europeos, II). Barcelona: Círculo de Lectores, 2003.*

Paulson, Ronald. "Swift, Stella and Permanence." A Journal of English Literary History 27 (December 1960): 298-314.

_____. Theme and Structure in Swift's Tale of a Tub. New Haven, 1960.

_____. Hogarth's Graphic Works. 2 vols. New Haven: Yale UP, 1965. 1970.

_____. The Fictions of Satire. Baltimore, 1967.

_____. "Smollett: The Satirist as a Character Type." In Satire and the Novel in Eighteenth-Century England. New Haven: Yale UP, 1967. 165-218.

_____. Emblem and Expression. Cambridge (MA): Harvard UP, 1975. (English painting 18th c.).

_____. "Turner's Graffiti: The Sun and Its Glosses." In Images of Romanticism: Verbal and Visual Affinities. Ed. Karl Kroebert and William Walling. New Haven and London, 1978. 167-88.

_____. "Turner's Graffiti: The Sun and Its Glosses." In Paulson, Literary Landscape: Turner and Constable. New Haven and London, 1982. 63-103.

_____. Representations of Revolution. New Haven: Yale UP, 1983.

_____. The Life of Henry Fielding. (Blackwell Critical Biographies). Series ed. Claude Rawson. Oxford: Blackwell, 2000.

Paulson, Ronald, and Leland Carlson. English Satire: Papers Read at the Clark Library Seminar, 1972. Los Angeles: William Andrews Clark Memorial Library, 1972. (Carlson on Martin Marprelate, Paulson on Pope).

Pavel, Thomas. See Phenomenology.

Pawlisch, Hans S. Sir John Davies and the Conquest of Ireland. Cambridge, 1985.

Payne, Kenneth. "'My Side of the Story': A Note on the Narative Voice in Ring Lardner's 'Ex Parte'." Anglo-American Studies 9.2 (1989): 145-52.

Payne, Michael. See Marxist criticism.

Payne, Philip. Robert Musil's The Man Without Qualities: A Critical Study. Cambridge: Cambridge UP, 1988.

Payne, W., L., ed. The Best of Defoe's Review. New York, 1951.

Peacock, Alan. Elección pública: Una perspectiva histórica.Trans. Carlos Rodríguez Braun. Madrid: Alianza, 1996.

Peacock, Alan J. "Louis MacNeice: Transmitting Horace." Revista Alicantina de Estudios Ingleses 5 (1992): 119-30.

_____, ed. The Achievement of Brian Friel. Gerrards Cross: Colin Smyth, 1993.*

Peacock, John. (U of Southampton). The Stage Designs of Inigo Jones: The European Context. Cambridge: Cambridge UP, 1995.

Peake, C. H. James Joyce: The Citizen and the Artist. London: Arnold, 1977; Stanford (CA): Stanford UP, 1977.

Peake, Charles. "Poetry 1700-1740." 1971. In Dryden to Johnson. Ed. Roger Lonsdale. Vol. 4 of Penguin History of Literature. Harmondsworth: Penguin, 1993. 137-60.*

_____.Jonathan Swift and the Art of Raillery. Monaco: Princess Grace Irish Library Lectures.

Pearce, Catherine Owen. William Penn: A Biography. Philadelphia, 1957.

Pearce, Lynn. See Feminism.

Pearce, Philippa. Tom's Midnight Garden. Children's book. 1958. Oxford: Oxford UP.

_____, ed. A Century of Children's Ghost Stories. Oxford: Oxford UP, 1996.

Pearce, Roy Harvey. "Romance and the Study of History." In Hawthorne Centenary Essays. Ed. Roy Harvey Pearce. Ohio State UP, 1964. 221-44.

_____. The Continuity of American Poetry. Princeton: Princeton UP, 1961.

_____. Historicism Once More: Problems and Occasions for the American Scholar. Princeton: Princeton UP, 1962.

_____. Introd. to La novela según Cervantes. 1989. Trans. Carlos Avila Flores. México: FCE, 1993.*

_____, ed. Experience in the Novel. New York: Columbia UP, 1968.

_____, ed. Tales and Sketches. By N. Hawthorne. New York: Library of Amercia, 1982.

Pearce, Roy Harvey, Gabriel A. Almond, and Marvin Chodorow, eds. Progress and Its Discontents. Berkeley: U of California P, 1982.

Pearce, T. S. T. S. Eliot. London: Evans, 1975.

Pearlman, E. (U of Colorado). "Macbeth on Film: Politics." In Shakespeare and the Moving Image: The Plays on Film and Television. Ed. Anthony Davies and Stanley Wells. Cambridge: Cambridge UP, 1994. 1995. 250-60.*

_____. "Edward III in Henry V, Iago and the Dialectic of Enlightenment." Criticism 37.4 (1995): 519-536.*

Pearsall, Derek. An Annotated Critical Bibliography of Langland. Hemel Hempstead: Harvester Wheatsheaf, 1990.

_____. The Canterbury Tales. London: Routledge, 1993.

_____. The Life of Geoffrey Chaucer. (Blackwell Critical Biographies, series ed. Claude Rawson). Oxford: Blackwell, 1994.

_____, ed. Chaucer to Spenser: An Anthology. (Blackwell Anthologies). Oxford: Blackwell, 1998.

Pearsall, Derek, and E. Salter, eds. Piers Plowman. By William Langland. (York Medieval Texts). London: Arnold.

Pearsall, Derek, and Nicolette Zeeman, eds. English and International Studies in the Literature, Art and Patronage of Medieval England. 1988

Pearsall, Derek, and Duncan Wu, eds. Poetry from Chaucer to Spenser. (Blackwell Essential Literature). Oxford: Blackwell, 2002.

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