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China Bibliography FOR CONSOLIDATION

Bibliography of works on Modern Chinese Art

Each section will begin with works in other-than-Chinese languages, followed by

those in Chinese. This is a personal working bibliography and does not pretend comprehensiveness

CHINA-GENERAL

1a. General Problems of Modernity and Art

1b. Chinacoast and Trade Paintings

1c. Photography in China

CHINA-HONG KONG AND MACAO

2a. General

2b. Hong Kong Ink Painting

2c. Oil painting, photography, prints and mixed media

2d. Sculpture and Ceramics

2e. Hong Kong Art in the later 1990s

CHINA: REPUBLICAN CHINA ON THE MAINLAND AND THE PEOPLE’S REPUBLIC OF CHINA

3a. Albums

3b. General historical works

3c. Works on or by particular artists

3d. Late Qing and Republican China Before 1949

3e. Wartime Period and Yan’an Base Areas

3f. 1949-1966

3g. Selected comparative texts on Socialist Realism

3h. 1966-1976

3i. 1976-1989

3j. Art since 1989

3k. Selected Exhibitions outside China

3l. Chinese Graphic Art since the late 19th century to 1949

3m. Chinese Graphic Art after 1949

3n. Selected works on Modern Chinese Intellectual and Political History before 1949

3o. Selected works on Modern Chinese Intellectual and Political History after 1949

CHINA-TAIWAN / REPUBLIC OF CHINA AFTER 1949

4a. General Works

4b. Works on or by Particular Artists

4c. Albums

4d. Political and Intellectual History of Taiwan

CHINA-OVERSEAS

5a. General Works

5b. Particular on or by artists

CHINA-GENERAL

1a. General Problems of Modernity and Art

Andrews, Julia, and Shen Kuiyi, eds, A Century in Crisis: Modernity and Tradition in the Art of Twentieth Century China, New York, Guggenheim Museum, 1998

Barmé, Geremie, ‘The Garden of Perfect Brightness: A Manchu Vision of China’, Visual Arts + Culture, vol.1, no.1, 1998.

CHINA: MODERNITY AND ART and a discussion of Modern Art in Japan and Korea, Taibei, Council for Cultural Planning and Development, 1990.

Clark, John, ‘Problems of Modernity in Chinese Painting’, Oriental Art, vol.32, no.3, pp 270-283, 1986.

Clark, John, ‘Some Sketches of Modern Chinese Painting, I Beijing, II Hong Kong’, in Beyond Byzantium, section 1 above ibid.

Clark, John, ‘Art and Modernism in China 1900-1997: a review and documentation’, Journal of the Oriental Society of Australia, vol. 29, 1997.

Clark, John, ‘Modernity in Chinese Art, 1850s-1990s: Some chronological materials’, Journal of the Oriental Society of Australia, vol. 29, 1997.

Clarke, David, ‘Tradition and Innovation” [British Museum exhibition], ART AsiaPacific, no.15, 1997

Croizier, R., ‘Art and Society in Modern China - A Review Article’,The Journal of Asian Studies, vol.49, no.3, August 1990.

Doar, Bruce and Dewar, Susan. ‘From Tradition to Modernity: China’s road to modern sculpture.’ Asia-Pacific Sculpture News 1:1 Winter 1995

Gao Minglu, Inside Out: New Chinese Art, Berkeley, University of California Press, 1998.

Kao, Mayching,ed, Twentieth Century Chinese Painting, Hong Kong, Oxford University Press, 1988 [proceedings of a 1984 Hong Kong Conference, this covers most areas of modern Chinese painting in a general manner]

Kuo, Jason,C., ‘Reviews of recent books on Modern Chinese Painting’,Ars Orientalis, vol.20, 1991.

Li, Chu-tsing, Lawton,T., ‘The New Chinese Landscape’, Art Journal, XXVII/2, Winter, 1967/68.

‘Move over Van Gogh’ [special issue of Asian Art market], Far Eastern Economic Review, 22 July 1993.

Pi Daojian ‘The history of Black and White: 50 years of Evolution in Ink and Wash’, Contemporary Chinese Art Bulletin, vol.2, no.5, 1999.

Sullivan, Michael, Chinese Art in the Twentieth Century, London, Faber & Faber, 1959.

Sullivan, Michael, The Meeting of Eastern and Western Art, Palo Alto, Stanford UP, 1969 [the research and approach of this book are highly problematic], revised version, U. California Press, 1991.

Sullivan, Michael, ‘Orthodoxy and Individuality in Twentieth Century Chinese Art’, in Murck, C., ed., Artists and Traditions, Princeton, Princeton UP, 1979.

Sullivan, Michael Art and Artists of Twentieth Century China, Berkeley, California University Press, 1996 [reviews: Dal Lago in ART AsiaPacific, no.15, 1997, Crozier in The Journal of Asian Studies, 1997; Clark in Asian Studies Reviews, 1999].

Wan Qingli, ‘Traditionalism, Reform, and Modernism in Twentieth Century Chinese Painting’, Orientations, 23, no.7, July 1992.

1b.Chinacoast and Trade Paintings

Berry-Hill, H. and S., Chinnery and China Coast Paintings, Leigh-on-Sea, 1970.

Christies’, Fine Chinatrade Paintings, Hong Kong, Christies’ Swire, sale of 26-9-1989.

Conner, P., The China Trade 1600-1860, Brighton, Royal Pavilion, 1986

Conner, P., Leglouix, S., William Alexander, Brighton, Royal Pavilion,1981.

Crossman,C.L., The China Trade: Paintings, Furniture, Silver, and other Objects, Princeton, 1972

Gregory, M., In the Western Manner, Catalogue 53, London, Martyn Gregory Gallery, 1989.

Hutcheon, R., Chinnery, The Man and the Legend, Hong Kong, 1975

Lee, J.G., Philadelphians and the China Trade 1784-1844, Philadelphia Museum of Art/ University of Pennsylvania Press, 1984.

Leglouix, S., Image of China: William Alexander, London; Jupiter Books, 1980

Orange, J. The Chater Collection; Pictures relating to China, Hong Kong, Macao, London, 1924.

Tam, L.C.S.,et al, Hong Kong: The Changing Scene, Hong Kong Museum of Art, 1980

Ting J.S.P., Hung V.W.Y., Gateways to China, Hong Kong Museum of Art, 1987.

............, George Chinnery: His Pupils and Influence, Hong Kong Museum of Art, 1985.

Warner, J., Hong Kong Illustrated: Views and News, 1840-1890, Hong Kong, John Warner, 1981

Wu, L., ‘A Newly discovered school of Chinese export painting’, Orientations, vol.20, no.7, July 1989

1c. Photography in China

Cartier-Bresson, H., China in Transition, London, Thames and Hudson, 1956

Hsu, B., ‘Fifteen Decades of Photography’, Free China Review, October, 1987.

Jenner, W.J.F., China: a Photohistory, London, Thames & Hudson, 1988.

Roberts, C., ‘In her view: Hedda Morrison;s photographs of Peking, 1933-46’, East Asian History, 4, December 1992.

Taiwan Sheying, 1887-1945, Taibei, Xiongshi Tushu, 1979, 1981.

Thomson, J., China The Land and Its People, Hong Kong, John Warner, 1977

Warner, J., Hong Kong 100 Years Ago, Hong Kong, Museum of History, 1970, 1981

Worswick, C., Spence, J., Imperial China, Photographs 1850-1912, London, Scolar Press, 1978.

Zhongguo Sheying, 1860-1912, Taibei, Xiongshi Tushu, 1979

CHINA-HONG KONG AND MACAO

2a. General

Contemporary Hong Kong Art Biennial Exhibition, Hong Kong, Urban Council, 1989

Tan Zhicheng, Dangdai Xiangang Yishujia Shuangnianzhan Xiangang Shizhengju 1979

Tan Zhicheng, Xiangang Qianbei Yishujia, Xiangang Shizhengju, 1978

Turn of a Decade: A New Generation of artists of the Eighties, Hong Kong, Arts Centre, 1989.

Visual Art Society Annual Exhibition, Catalogue, Hong Kong Arts Centre, 1979.

Art’78, Hong Kong, Fung Ping Shan Museum, 1978

Art’81, Hong Kong, Fung Ping Shan Museum, 1981

Benson and Hedges, Selection of Hong Kong Art, Hong Kong, Arts Centre, 1981.

Chang, Tsong-zung, ‘Visionaries and Icon Painters: One Aspect of Hong Kong Contemporary Art’, Renditions, 1988.

Chang, Tsong-zung, ‘Art and art dealing in Hong Kong and Taipei’, Art Monthly Australia, 40, May 1991.

Chang, Tsong-zung, ‘A pact of separate peace’, Art & Asia Pacific, no.1, supplement to Art & Australia, March 1993.

Cheng, Scarlett,At the cutting edge’,[on women artists], Asian Art News, July/August 1994.

Contemporary Hong Kong Art Biennial Exhibition, Hong Kong, Urban Council, 1979, 1981, 1989

Chen, M., Ten Years of Hong Kong Painting, Hong Kong, Arts Centre, 1987

Clarke, David, ‘Insular Expressions: Art in Hong Kong’, Art Monthly Australia, no.17, December 1988.

Clarke, David, ‘Between East and West; Negotiations with Tradition and Modernity in Hong Kong Art’, Third Text [to appear 1995]

Clarke, David, Art & Place: Essays on art from a Hong Kong perspective, Hong Kong, Hong Kong University Press, 1996 [review: Clark, Art AsiaPacific, no.18, 1998.

Clarke, David, ‘Hong Kong Art and the transfer of sovereignty’, Journal of the Oriental Society of Australia, vol. 29, 1997.

Clarke, David, ‘Aspects of Art and Public Space in Hong Kong during the Handover Period. TAASA Review 8:1 March 1999

Ho, H-K.,Turn of a Decade: A new generation of artists in the 80s, Hong Kong, Arts Centre, 1989

Joliffee, H., ‘Macau Marvels’, Asian Art News, vol.4, no.6, Nov-Dec 1994.

Lamain, Kitty, ‘Art at the handover’ [London exhibition reviews], Art AsiaPacific, no.17, 1998.

Lee, Quentin, ‘Delineating ‘Hong Kong’ Intellectuals: speculations on intellectual problematics and Post/Coloniality’, Third Text, 28/29, Autumn/Winter 1994.

Pai, Maggie, ‘ Perspectives on 20th century Chinese Painting’, [Xubaizhui International Symposium], Asian Art News, vol.6, no.1, Jan/Feb 1996.

Ma Lin et al, Contemporary Chinese Painting, Hong Kong, Chinese University of Hong Kong, 1986

Supplement: Hong Kong, Macau, China’, Asian Art News, vol.3, no.3, May-June 1993.

Tam, L.S., Urban Council Art Award Winners, Hong Kong, Urban Council, 1978

Tam, L.S., Hong Kong Artists: The Early Generation, Hong Kong, Urban Council, 1978

Visual Arts Society, Annual Exhibition, Hong Kong, Arts Centre, 1979

Wong, A., Hong Kong Arts Centre Inaugural Exhibition, 1977

2b. Hong Kong Ink Painting

..........Kirker, Anne, ‘Poised in Equilibrium’, Art & Asia Pacific, vol.1, no.2, 1994.

[Cheung, Lucia], Asian Art News, 2, no.5 Sept/Oct 1992.

Artists and Art - Contemporary Chinese Paintings, Hong Kong, Urban Council, 1989

Calligraphy by Contemporary Chinese Masters, Hong Kong, Arts Centre, 1981

Chou, Irene, Boccaccio’s Decameron: Paintings on Silk by Irene Chou, Hong Kong, Faramir Ltd., 1976; Kirker, Anne, catalogue entry in Turner, C. ed. The First Asia-Pacific Triennial of Contemporary Art, Brisbane, Queensland Art Gallery, 1993; Collector’s Choice: The Cosmic Vision of Zhou Lüyun, Hong Kong, Cat Street Galleries, 1995, Irene Chou, [pamphlet], the artist, n.d.1970s

Chui Tze-hung, Kan Tai-keung, Ng Yiu-chung, Hong Kong, Arts Centre, 1981

Clarke, David, ‘The insufficiency of tradition; paintings by Fang Zhaolin and Chu hing-Wah’, Art & Asia Pacific, vol.2, no.3, 1995

Ding Yanyong; Only a Lifework would a triumph score, Hong Kong Plum Blossoms Gallery , 1988

Fang Zhaoling, Hong Kong, Fang Zhaoling, 1981

Ink painting of Hong Kong, Hong Kong, Urban Council, 1987

Kan Taikeung Kan Taiqiang huaji, Xinshiyushe, Xianggang, 1979

Koo Mei, Hong Kong, Arts Centre, 1981

Koo Mei, Hong Kong, City Hall, 1980

Landscape Paintings by Lui Shou-kwan, Hong Kong, Fung Ping Shan Museum, 1985

Lin Fengmian / Clarke, David, ‘‘Lin Fengmian and European Art’ The Art of Lin Fengmian, Hong Kong, Arts Centre, 1992.

Lin Fengmian/Clarke, David, ‘Exile from Tradition: Chinese and Western Traits in the art of Lin Fengmian’, Oriental Art XXXIX, no.4, Winter 1993-4.

Mak Yuhin, Hong Kong, Arts Centre, 1983

Nancy Chu Woo, Asian Art News, 2, no.3, May June 1992.

Ting Yen-yung [Ding Yanyong], Hong Kong, Arts Centre, 1979

Tse Kui Ying, Hong Kong, Arts Centre, 1979

Wucius Wong, Lui Shou-kwan, 1919-1975, Hong Kong, Lui Mui Sin-ping, 1979

Wucius Wong, ‘Janus of the Chinese Vision’, Orientations, September 1976 ‘The Inscapes of Wucius Wong’, Orientations, May 1980

Wucius Wong, Hong Kong, Museum of Art, 1979

Wucius Wong, New York, Hanart, 1989

Yeung Yick-Chung, Hong Kong, Arts Centre, 1983

2c.Oil painting, photography, prints and mixed media

Binks, Hilary, ‘Visions Dark Dreams Fantastic’, [Hong Kong Photography, Patrick Lee, Wong Hung-fei], Asian Art News, 9:1 1999

Chen Fushan /Luis Chan, Chen Fushan de shijie, Taibei, Xiongshi Meishu, 1973/4

Chen Fushan / Luis Chan, The World of Luis Chan, Singapore, National Museum, 1987

Chen Fushan/ Luis Chan, Luis Chan: Fifty Years of Artistic Career,Hong Kong, Urban Council, 1984

Gaylord Chan [Chen Yusheng], Hong Kong, Han Art 2, 1989

Ho, Oscar Hing-Hay, ‘In search of an identiy’, Art & Asia Pacific, vol.1, no.1, 1993.

Michael Chen [Photographic Exhibition], Hong Kong, Arts Centre, 1980

Chu Hing-wah [Zhu Xinghua], Hong Kong, Institute for the Promotion of Chinese Culture, 1988

Kwong Yeu Ting, Hong Kong, Arts Centre, 1983

Lau tin-yum, Hong Kong, Arts Centre, 1983

Lau Pui-Yee’, Asian Art News, 2, no.1, Jan/Feb 1992.

Syllabus for Art and Design, Hong Kong, Curriculum Development Committee, Forms I-III, 1975, Forms IV-V, 1978,

Alan L. Wong, Hong Kong, City Hall, April 1962

Alan L. Wong, Hong Kong, City Hall, October 1963

Francis Wu, Hong Kong, Arts Centre, 1980

Eva Yuen/Yuan Manhua, All In the Silence, Australia, St.Peters, S.A., Experimental Art Foundation, 1979

Eva Yuen/Yuan Manhua, Two Faces: Nanking-Hong Kong Project 1979/80, Hong Kong, the artist, 1980

Victor Lai, Yank Wong, Asian Art News,vol.5, no2., March/April 1995.

2d. Sculpture and Ceramics

Chu Honsun, Hong Kong, Arts Centre,1983

Clarke, David, ‘Censorship in Hong Kong’, Art & Asia-Pacific, vol.3, no.1, 1966.

Clarke, David, ‘An invitation to words; The sculpture of Antonio Mak’, Art & Asia Pacific, vol.2., no.3, October 1994.

Hong Kong Pottery Today, Hong Kong, Urban Council, 1984

[Mark Yee Fun], Recent Pottery of Mark Yee Fun, Hong Kong, Arts Centre, 1983

Aries Lee, Hong Kong, The artist, 1984

[Mak, Antonio, Hin-yeung], Asian Art News, 2, no.4, Jul/Aug 1992.

Millichap, John, ‘Para/Site: installation finds a home in Hong Kong.’ Asia-Pacific Sculpture News 2:2 Spring 1996

Pong, Melanie, ‘Sculptor at Work’,[ Ha Bik-chuen], Asia-Pacific Sculpture News, vol.1, no.1, Winter, 1995.

Tam, L.S., Contemporary Open Air Sculpture, Urban Council, 1984

Ten Years of Hong Kong Sculpture, Hong Kong, Arts Centre, 1988

[Sah, Cynthia], Asian Art News, 2, no.4, Jul/Aug 1992.

[Van Lau], Sculpture of Hong Kong Space Museum, 1978?

Van Lau’s Sculptures, Hong Kong, Arts Centre, 1979

2e. Hong Kong Art in the later 1990s.

Art In Hong Kong

Binks, Hilary, ‘Shifting the limits’ [Ren Rong], Asian Art News, vol. 7, no. 3, May/June 1997.

Binks, Hilary, ‘Art and Alchemy’ [Gerald Henderson], Asian Art News, vol.7, no.4, July/August 1997.

Binks, Hilary, ‘A Voyage Between Cultures’, [Wucius Wong] Asian Art News 9:3 1999

Binks, Hilary, ‘Poignant Interactions’, [Chu Hing-wah] Asian Art News 9:1 1999

Binks, Hilary, ‘Refinine Nostalgia’, [Hu Yongkai], Asian Art News 9:1 1999

Binks, Hilary, ‘In the Footsteps of the Masters’, Asian Art News 9:4 1999

Choi Yan Chi’s Painting , 1976-1986, and works of art in dialogue with poetry and dance, Hong Kong, Department of Fine Arts, University of Hong Kong, 1987; Senn, Rolf, Th., Turner, Mathew, Choi Yan-Chi, Künstler der Welt Series from Haus der Kulturen der Welt, Stuttgart, Edition Cantz, 1993.

Clarke, David, ‘Psychic Decolonization’ [Luis Chan], Art Asia Pacific, vol.3, no.4, 1996.

Curnow, Wynstan, ‘Transfusion/Fusion, A Hong Kong-New Zealand Exchnage’, Art AsiaPacific, no.16, 1997.

Hacker, Arthur, [The past in process’ [Pat Elliott Shircore], Asian Art News, vol.7, no.5, September / October 1997.

Ho, Oscar, ‘Chinese whispers’, ART AsiaPacific, no.13, 1997.

Ho, Oscar, ‘The long road back home’, ART AsiaPacific, no.13, 1997.

‘The shifting ground’, [gallery survey], Asian Art News, vol.7, no.4, July/August 1997.

Lilly, Roxanna, ‘The double bind: performing arts in Hong Kong’, The Australian Journal of Anthropology, vol.2, no.3, 1991.

Lilly, Roxanna, ‘The absolute stage - Hong Kong’s Revolutionary Opera’, Social Analysis, no.38, 1995. [ Special Issue edited by Weiner, James: ‘Too many meanings: A critique of the Anthropology of Aesthetics’].

Millichap, John, ‘Climbing the mountain’ [Liu Jian], Asian Art News, vol. 7, no. 3, Millichap, John, ‘Against the Tide’,[Walasse Ting], Asian Art News, 9:1 1999

Millichap, John, ‘Beyond Barriers.’ [Cha Guojun] Asian Art News 8:6 November/December 1998

Oliva, Achille Bonito. ‘Between East and West.’ [Chan Kouchiang] Asian Art News 8:6 November/December 1998

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CHINA: REPUBLICAN CHINA ON THE MAINLAND AND THE PEOPLE’S REPUBLIC OF CHINA

3a. Albums

Bobot, M.-T., Collection des Peintures et Calligraphies Chinoises Contemporaines, Paris, Musée Cernuschi, 1985

Eliséef, V., Exposition de la Peinture Moderne Chinoise, Paris, Musée Cernuschi, 1946

Eliséef, V., Quatre Artistes Chinoises Contemporaines, [Pan Yu-lin, Lam Oi, Ou Seu-tan, Shing Wai], Paris, Musée Cernuschi, 1977

Eliséef, V., Peintures Chinoises Traditionelles, 1975-80, Paris, Musée Cernuschi, 1981

Ellsworth, R.H. et al, Later Chinese Painting and Calligraphy, 1800-1950 3 volumes, New York, Random House, 1987

Hajek, L., Hofmeister, A., Chinesische Malerei der Gegenwart,Prague, Artia, 1959

Hua Junwu,ed., Contemporary Chinese Painting, Beijing, New World Press, 1981

Moss.H., ed.,The Experience of Art, Hong Kong, Umbrella, 1983

Strassberg, R.E., Nielsen, W.A., Beyond the Open Door, Pasadena, Pacific Asia Museum, 1987.

Strassberg, R.E., Beyond the Open Door II, Pasadena, Pacific Asia Museum, 1991.

Sun Jie, ed., A Selection of Contemporary Chinese Painting, Beijing, Zhao Hua Publishing House, 1981

Tam, L.S.,ed., Twentieth Century Chinese Painting, Hong Kong, Hong Kong Museum of Art, 1984

Tao Yongbai ed., Oil Painting in China 1700-1985, Jiangsu Meishu Chubanshe, 1988

Whitfield, R., Chinese Traditional Painting, 1886-1966, London, Royal Academy of Arts, 1982

Zhongguo Gaodeng Meishuxueyuan Zuopin Quanji: Zhongguohua, Changsha, Hunan Meishu Chubanshe, 1988 [album of works by teachers at principal art institutions in Chinese media, other volumes on oil painting, prints, sculpture etc]

3b.General historical works

Barmé, Geremie, In the Red: On Contemporary Chinese Culture, New York, Columbia University Press, 1999.

Chang, Arnold, Painting in the People’s Republic of China: the politics of style, Boulder, Westview Press, 1980

Cohen, J.L., The New Chinese Painting, 1949-1986, New York, Abrams, 1987 [bibliography includes a number of 1980s US’ exhibition catalogues]

Croizer, Ralph, ‘ “Going to the World”: the life and death of Billy Harlem(Lin Lin), Journal of the Oriental Society of Australia, vol. 29, 1997.

Dirlik, Arif, Zhang Xudong.eds, ‘Postmodernism and China’, special issue of boundary 2, vol.24, no.3, fall 1997.

Dutton, Michael, Streetlife China, Cambridge, Cambridge University Press, 1998

Laing, E.J., The Winking Owl, Art in The People’s Republic of China, Berkeley, University of California Press, 1988 [includes good bibliography for the People’s Republic with extensive references to material originally published in PRC English-language journals]

Liu Kang, and Xiaobing Tang,, (eds.) Politics, Ideology, and Literary Discourse in Modern China: Theoretical Interventions and Cultural Critique, Durhan and London, Duke University Press, 1993

Liu Yang. ‘A Long Journey to Nirvana: Chang Dai-Chien’s Life and Painting,’ TASSA Review, 7:3 1998

Moss, H., Some Recent Developments in Twentieth Century Chinese Painting: A Personal View, Hong Kong, Umbrella, 1982

Roberts, Claire, ‘Tradition and Modernity: the Life and Art of Pan Tianshou (1897-1971), East Asian History, 15/16, June/December 1998.

Wong, Wucius; Chang, Arnold, Ring of Fire: The Art of Wucius Wong, New York, Kaikodo, 1998.

3c. Works on particular artists

[see bibliography in Kao, Mayching,ed, Twentieth Century Chinese Painting, Hong Kong, Oxford University Press, 1988 for a list of artists’ albums, and for other lists of reproductions see Laing, E.J., An Index to Reproductions by Twentieth Century Artists,Portland, Oregon, 1984. The publishing industry in both the People’s Republic and Taiwan as produced many single-artist multi-volume series in the 1990s.]

Chang Da-chien’s ‘The Three Worthies of Wu and his practice of forging ancient art.’/ Shen Fu / Orientations, vol.20, no.9., September 1989. Challenging the Past: the paintings of Chang Dai-chien/ Fu, S., Washington, The Smithsonian Insitution, Sackler Gallery, 1991

‘Fang Zhaolin’ /Wong,W./ Orientations, November 1982

Guan Shanyue+Li Xiongcai/ Two Chinese Modern Masters / AGNSW, May 1985

Huang Binhong/ Lai,T.C./ Hong Kong, Swindon Book Company, 1980

‘Huang Binhong’s Shanghai Period landscape paintings and his late floral works’/ Shen Fu / Orientations, September 1987

Huang Zhou’s Paintings/ Hong Kong, Wen Wei Po, 1986.

Huang Zhou/ Roma, Accademia Nazionale di San Luca, 1988.

Qi Baishi/ ‘Of Qi Baishi’/Boney,A./ ‘From carpenter to painter:recalling Qi Baishi’ /Huang Miaozi/both in Orientations, vol.20., no.4, April 1989

‘The Landscape painting of Wang Jiqian’/ Chang,A./ Orientations, Janaury 1983.

‘Wu Zuoren’/ Gigliesi,P./ Orientations, vol.12, no.4, April 1981

The Paintings of Xu Gu and Qi Baishi/Jung Ying Tsao, 1993.

3d. Late Qing and Republican China Before 1949

Andrews, J.F., ‘Traditional Chinese painting in an age of revolution, 1911-1937’ in Cao Yiqiang, Fan Jingzhong, eds, Chinese Painting in the Twentieth Century: Creativity in the Aftermath of Tradition, Zhejiang Renmin Meishu Chubanshe, 1997.

Boorman, H., Biographical Dictionary of Republican China, New York, 1967-1971 (for entries on Chang Ta-ch’ien [Zhang Daqian], Ch’i Pai-shih [Qi Baishi], Hsu Pei-hong [Xu Beihong], P’u-ju [Pu Ru, Pu Xinyu])

Croizier, R., ‘Reverse Current Early 20th century influence on Chinese Painting’, in Tam Yue-him ed., Sino-Japanese Cultural Interchange: Aspects of Archaeology and Art History, Hong Kong, Chinese University, 1989?

Croizier, R., Art and Revolution in Modern China:The Lingnan (Cantonese) School of Painting, 1906-1951, Berkeley, University of California Press, 1988

Fan Tchun-pi [Fang Junbi], A Retrospective Exhibition of the Works of Fan Tchun-pi, Hong Kong, Arts Centre,1978

Fan Tchun-pi, Bobot,M-T., Fan Tchun-pi, Paris, Musée Cernuschi, 1984

Hezlar, J., Chinese Watercolours, [Prague,Artia], London, Cathay Books, 1978

Ho, Virgil Kit-yiu, ‘The Limits of Hatred: Popular attitudes towards the West in Republican Canton”, East Asian History, no.2, December 1991.

Hung Changtu, ‘The Wartime Political cartoons of Feng Zikai’, Modern China, 16:1, January 1990.

Kao, Mayching, ‘The Spread of Western Art in China: 1919-1929’, in Lee, N. and Leung,C-K. eds, China: Development and Challenge, Hong Kong, University of Hong Kong, 1981

Kao, Mayching,China’s Response to the West In Art:1898-1937, Ph.D diss.Stanford University, 1972

Kuo, Jason, ‘Art in Shanghai, 1850-1930’, China Exchange News, vol.23 no3, Fall 1995.

Li, Chu-Tsing, Trends in Modern Chinese Painting, Ascona, Artibus Asiae, 1979.

Roberts, Claire, ‘The art of Pan Tianshou’, in Cao Yiqiang, Fan Jingzhong, eds, Chinese Painting in the Twentieth Century: Creativity in the Aftermath of Tradition, Zhejiang Renmin Meishu Chubanshe, 1997.

Shen Kuiyi, ‘On the reform of Chinese Painting in Early Republican China’, in Cao Yiqiang, Fan Jingzhong, eds, Chinese Painting in the Twentieth Century: Creativity in the Aftermath of Tradition, Zhejiang Renmin Meishu Chubanshe, 1997.

Sullivan, M., ‘Recollections of Art and Artists in Wartime Chengdu’, The Register of the Spencer Museum of Art, University of Kansas, Vol.VI, no.3, 1986

Tsuruta Takeyoshi, Kindai Chûgoku no Gaka, Osaka, Osaka Shiritsu Bijutsukan, 1972

Tsuruta Takeyoshi,Kindai Chûgoku Kaiga, Tôkyô, Kadokawa Shoten, 1974

Tsuruta Takeyoshi, ‘Kinhyakunenrai Chûgoku Gajin Shiryô’, Bijutsu Kenkyû}, nos 293-294, 303, 307.

Wong Shiu Hon, Kao Chien-fu’s [Gao Jianfu] Theory of Painting, Hong Kong, Centre of Asian Studies, University of Hong Kong, 1972

Yang, Shu-hwang, Xu Bei-hong, Liu Hai-su, Lin Feng-mian, Thése de Doctorat, Université de Paris IV, 1986

3e. Wartime Period and Yan’an Base Areas

Barmé, G., ‘Using the past to serve the present: Dai Qing’s Historiographical Dissent’, East Asian History, Vol.1, June 1991.

Benton, G., ‘The Yenan Literary Opposition’, New Left Review, no.92, July-August, 1975

Benton, G., Wild Lillies: Poisonous Weeds, Sydney, Pluto Press, 1982

Dai Qing, Wang Shiwei and “Wild Lillies”: Rectification and Purges in the CCP, 1942-1944, Armonk, M.E.Sharpe Inc., 1994.

Holm, David, Art and Ideology in Communist China, Oxford, Clarendon press, 1992 [see also unpublished chapters from his Ph.D. thesis on Graphic Arts and Yan’an].

Mao Zedong, Mao Tse-tung on Art and Literature, Beijing, Foreign Languages Press, 1967

Mcdougall, B., ed., Popular Chinese Literature and the Performing Arts, Berkeley, University of California Press, 1984

Mcdougall, B., Mao Zedong’s “Talks at the Yanan Conference on literature and art” a translation of the 1943 text with commentary, Ann Arbor, Centre of Chinese Studies, University of Michigan, 1980



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